Mariusz Kozak, has published "Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding" in Music Theory Spectrum.
Music Theory News
Will Mason, a fifth-year PhD student in music theory, was interviewed in the Boston Globe this week in anticipation of a concert he is playing with the Will Mason Ensemble at Lily Pad, in Cambridge, MA, on May 16 at 7 p.m (tickets: $10 at www.lilypadinman.com).
Columbia Music Scholarship Conference (CMSC) 2016
The eleventh annual Columbia Music Scholarship Conference (CMSC) will be held at Columbia University on Saturday, February 27, 2016.
CMSC is a conference organized and staffed by the graduate students of the Department of Music at Columbia University.
Professor Alexander Rehding (Harvard University)
"Piano, Monochord, Siren: Studying Music 1999 – 1518 – 1834"
Full details at the conference website!
Professor Ellie Hisama's 1993 paper "Postcolonialism on the make: the music of John Mellencamp, David Bowie and John Zorn" has been quoted in two recent articles on David Bowie (following Bowie's death on January 10 of this year):
"For Bowie, the Thin White Duke, inspiration was black" (Economic Times)
Ruth Tam, "How David Bowie's 'China Girl' used racism to fight racism" (Washington Post)
The Department of Music at Columbia is pleased to announce the publication of our 2015-16 Newsletter, which documents the extraordinary range of activities and accomplishments in our community over the last year.
The Department of Music at Columbia University invites applications for (two) Mellon Postdoctoral Teaching Fellowships.
Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2016.
A PhD, DMA or the equivalent is required. The degree must have been received between January 1, 2012 and July 1, 2016. Fellows will be expected to do research, participate in the academic life of the Department of Music, and teach one course per semester in each of the two years(three in Columbia's Core Curriculum and one in the candidate's area of specialization).
Review of applications begins January 19, 2016 and will continue until the positions are filled.
Please visit the following link (Columbia University RAPS) for detailed information and to apply:
Columbia University is an Equal Opportunity/Affirmative Action employer -- Race/Gender/Disability/Veteran.
The Columbia Music Scholarship Conference invites graduate students and recent Ph.D. recipients to submit abstracts to be selected for presentation at our eleventh annual meeting on February 27, 2016 at Columbia University in New York. The theme of the 2016 meeting will be Listening. We are pleased to announce that the conference will feature a keynote address by Alexander Rehding (Harvard University).
CFP Deadline: January 5, 2016.
We seek papers that engage with topics including, but not limited to, the following:
--Mediated Listening: How have technologies shaped listening practices and how have practices of listening shaped technologies?
--Sound: Toxic or Curative?: How have medical, physiological, and psychological discoveries affected the way listening is understood? How have practitioners in these fields studied listening and hearing?
--(In)Active Listening: How might states of mind affect listening? How does space influence listening practice and musical performance?
--Listening In: How can listening be used as a mode of surveillance and control? How does ethics factor into listening?
--Constructed Listeners: Who are the assumed listeners in music scholarship? Whose identities are excluded? How are these exclusions perpetuated by different types of music, sound, or noise?
--Pedagogy: In what ways have educational institutions impacted the practices of listening? How do pedagogical approaches “cultivate” listeners?
We are soliciting proposals for twenty-minute presentations from scholars active in all music disciplines as well as from scholars in related fields, aiming to maximize the theoretical and methodological breadth of the discussion.
Please submit abstracts of 200 to 250 words to 2016cmsc [at] gmail.com by January 5, 2016. Please include your name and contact information in your e-mail only, and attach the abstract as a Word, text, or .pdf file. The committee will select papers anonymously. All scholars who submit abstracts will be notified of the committee's decision by January 20th. For more information on the conference, please visit the conference website.
2015-16 Historical Musicology and Music Theory colloquium Series Announced:Unless otherwise noted, events are held in Dodge Hall, Room 622. All talks are free and open to the public.
Friday, October 2 (4:00 pm): Robert Gjerdingen (Northwestern University), "The Americanization of Harmony: A Decade of Apprenticeship in Two Convenient Credit Hours" (Please note that Gjerdingen's talk, exceptionally, will begin at 4pm rather than 2pm).
Friday, October 9 (2:00 pm): Benjamin Piekut (Cornell University), "Avoiding a Theory of the Vernacular Avant-Garde"
Friday, February 26 (2:00 pm): Carolyn Abbate (Harvard University), title TBA
Friday, April 1 (2:00 pm): Dora Hanninen (University of Maryland-College Park), title TBA
Friday, April 15 (2:00 pm): Jacomien Prins (University of Warwick), title TBA
Additionally, the departments of Music and Philosophy are co-sponsoring the following event (part of a speaker series on Philosophy and Race):
Friday, March 25 (noon): Robin James (UNC-Charlotte), "Is the 'Post-' In Post-Identity the Same As the 'Post-' In Post-Genre?: Race and Pop Music Aesthetics"