Dissertations: Complete Listing
| Zimmerli, Patrick Joseph | Composer and audience, 2000: Learning to compose | | DMA, 2000 |
| Zhou, Long | 'Da Qu' for Percussion and Orchestra | | DMA, 1993 |
| Yoon, Paul Jong-Chul | Christian identity, ethnic identity: Music making and prayer practices... | | PhD, 2004 |
| Yim, Yang-Hyuk | Time-Span Conflict In Tonal Music: The Case Of Johannes Brahms | | PhD, 2003 |
| Yeung, Angela Chiu-Wah | A Study of late seventeenth-century Compositional Practice: The Sonate de chiesa (opus 6) of G. M. Bononcini | | PhD, 1994 |
| Yekovich, Robert Alan | Some Remarks on 'Duo' | | DMA, 1991 |
| Wong, Cynthia Po-Man | Lost Lambs': Rock, Gender, Authenticity, and a Generational Response to Modernity in the People's Republic of China | | PhD, 2005 |
| Wilson, James Dale | Baatyam: Music, ritual, and Tiashanese transnationalism (China) | | PhD, 2004 |
| Willoughby, Heather | The Sound of Han: P'ansori, Timbre and a South Korean Discourse of Sorrow and Lament | | PhD, 2002 |
| Wilcken, Lois E. | Music Folklore among Haitians in New York: Staged Representations and the Negotiation of Identity | | PhD, 1991 |
| Weakland, Rembert George | The Office antiphons of the Ambrosian chant | | PhD, 2000 |
| Wanner, Daniel Adam | Piano Concerto No. 1 | | DMA, 1998 |
| Wang, Yuh-Wen | Value Judgment and Musical Explanation: Their Roles in Selected Writings of Edward T. Cone | | PhD, 1998 |
| Walsh, James Paton | 'Ashes': A Movement for Symphony Orchestra | | DMA, 1992 |
| Voss, Carl | Intermezzo' for chamber orchestra: Style and genealogy | | DMA, 2004 |
| Von Der Linn, Michael Edward | Degeneration, neoclassicism, and the Weimar-era music of Hindemith, Krenek, and Weill | | PhD, 1999 |
| Varah, Sean Anthony | Slipping Image: For Mixed Quartet and Computer-Realized Tape | | DMA, 1995 |
| Urista-Quehl, Diane Jean | Embodying music theory: Image schemas as sources for musical concepts and analysis, and as tools for expressive performance | | PhD, 2001 |
| Uechi, Jason Nobuyuki | Darkness Resound | | DMA, 1998 |
| Toledo, Marcelo | Para el encuentro en los abismos | | DMA, 2005 |
| Thompson, Daniel N. | The Role of Music in the Construction and Maintenance of Irish Identity among Musicians in NYC at the Turn of the Millenium | | PhD, 2005 |
| Temperly, David | The Perception of Harmony and Tonality: An Algorithmic Perspective | | PhD, 1996 |
| Tan, Dun | Death and Fire': Dialogue with Paul Klee. An Analysis. (With Volume II: Original Composition) (Musical Color) | | DMA, 1993 |
| Takaoka, Akira | Stravinsky's 12-tone Music: Some Principles of Atonal Pitch Organization | | PhD, 1999 |
| Susser, Peter Matthew | Attack, Sustain and Decay: An Analysis of 'Synchronisms No. 3 for Cello and Electronic Sounds' by Mario Davidovsky. | | DMA, 1994 |
| Sturman, Janet Lynn | Zarzuela in New York: Contributions of Lyric Theatre to Hispanic Identity | | PhD, 1987 |
| Stanley, Glenn | The Oratorio in Prussia and Protestant Germany: 1812-1848 | | PhD, 1988 |
| Sprecher, Sandra J. | Environmental music: An analysis of 'City of Towers', 'City of Voices', and 'Invasions | | DMA 1997 |
| Sheng, Bright | A Self-Analysis of 'H'un (Lacerations): In Memoriam 1966-1976 for Orchestra | | DMA 1993 |
| Shamsai, Peri Elizabeth | The Case of Beethoven: Aesthetic Ideology and Cultural Politics in fin-de-siècle Viennese Modernism | | PhD, 1997 |
| Serghi, Sophia | X-Games: For chamber ensemble or orchestra | | DMA, 1998 |
| Schubert, Peter N. | The Modal System of Illuminato Aiguino | | PhD, January 1988 |
| Scherzinger, Martin Rudolf | Musical formalism as radical political critique: From European modernism to African spirit possession | | PhD, February 21, 2001 |
| Saslaw, Janna K. | Gottfried Weber and the Concept of Mehrdeutigkeit | | PhD, February 1992 |
| Saighoe, Francis A. Kobina | The Music Behavior in Dagaba Immigrants in Tarkwa, Ghana: A Study of Situational Change | | PhD, May 1988 |
| Sacco, Steven Christopher | Concerto for Cello and Percussion Ensemble | | DMA, 1995 |
| Rutmanowitz, Lea Madeleine | The Expositions and Developments of the First Movements of Haydn's Keyboard Sonatas... | | PhD, May 1987 |
| Rudd, Rachel | Karl Friedrich Weitzmann's Harmonic Theory in Perspective | | PhD, October 1992 |
| Royal, Jason Michael | A psychoanalytic model of the musical experience | | DMA, 2001 |
| Rothkopf, Michael Scott | 'Equipoise' for Orchestra' | | Degree, Granting Institution, Year |
| Ross, Michael David | 'Inner Dances' for Large Chamber Ensemble | | DMA, 1992 |
| Rikakis, Thanassis | 'Hard Silver'; 'Krisis'; A System for Microtonal Composition: Related Pitch Perception and Brain Function Issues | | DMA, 1994 |
| Rice, Eric North | Music and ritual in the Collegiate Church of Saint Mary in Aachen, 1300--1600 | | PhD, May 22, 2002 |
| Ribeiro-Pereira, Jose Miguel | A theory of harmonic modulation: The plastic model of tonal syntax and the major-minor key system | | PhD, 2004 |
| Reif, Jo-Ann | Thomas Mann's Doctor Faustus: Progress in Music: The Composer, the Composition, The Critic | | PhD, May 1991 |
| Powers, Wendy Jane | The Music Manuscript Fondo Magliabechi XIX.178 of the Biblioteca Nazionale Centrale, Florence: A Study... | | PhD, October 1994 |
| Polashek, Timothy David | Speakings IV: Composition for 16 voices (Original composition) | | DMA, 2002 |
| Poirel, Annalisa Swig | New Music in Old Clothes: Tinctoris, Glarean, and the Creation of a Renaissance in Music | | PhD, 2006 |
| Podstavsky, Sviatoslav | Hausa Roko and Maroka: Social Dimensions of Professional Entertainment in Argungu, Northern Nigeria | | Degree, Granting Institution, Year |
| Pinegar, Sandra | Textual and Conceptual Relationships among Theoretical Writings on Measurable Music of the 13th and early 14th Centuries | | PhD, October 1991 |
| Pickel, David Wayne | Analysis of "The Still That Stifles The Will' for String Trio | | DMA, 1994 |
| Phinney, Kurt Werner | Job | | DMA, 1992 |
| Philo, Gary Bruce | Music for 15 Instruments | | DMA, 1992 |
| Patterson, David Wayne | Appraising the Catchwords, c.1942-59: John Cage's Asian-derived Rhetoric and the Historical Reference of Black Mountain College | | PhD, May 1996 |
| Palkowski, Daniel Henry | 'Views of Time': An Analytical and Philosophical Commentary | | DMA, 1992 |
| Painter, Karen | The Aesthetics of the Listener: New Conceptions of Musical Meaning, Timbre, and Form in the Early Reception of Mahler's Symphoni | | PhD, May 1996 |
| Pace, Elisabeth Kotzakidou | Ut Dialectica Musica: Artificial and Natural Category Structures in Musical Treatises of the German Renaissance | | PhD, 2006 |
| Ortiz, Pablo Victor | 'Vortex' for String Quartet | | DMA, 1992 |
| Oakes, Jason | Losers, Punks, And Queers (And Elvii Too): Identification And "Identity" At New York City Music Tribute Events | | PhD, 2005 |
| Novak, David E. | JapanNoise: Global Media Circulation and the Transpacific Circuits of Experimental Music | | PhD, 2006 |
| Norfleet, Dawn Michaelle | 'Hip-Hop Culture' in New York City: The Role of Verbal Musical Performance in Defining a Community | | PhD, February 1997 |
| Nonken, Marilyn Claire | An Ecological Approach to Music Perception: Stimulus-driven Listening and the Compexity Repertoire | | PhD, May 1999 |
| Nelson, Richard James | 'Illuminations (Klactoveedsedstene II' for Large Ensemble | | DMA, 1995 |
| Nauert, Paul Charles | Timespan Formation in Nonmetric, Posttonal Music | | PhD, October 1997 |
| Murphy, John | Performing a Moral Vision: An Ethnography of Cavalo-Marinho, a Brazilian Music Drama | | PhD, February 1994 |
| Moshaver, Maryam A. | The Motivation of Form: The Poetics of Music Theory and the Writings of Moritz Hauptmann | | PhD, 2006 |
| Moretto, Gustavo Rafael | 'El Palacio de la Memoria' for Chamber Ensemble | | DMA, 1993 |
| Mooney, Michael Kevin | The 'Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory | | PhD, May 1996 |
| Monroe, Mary | From 'English vein' to 'Italian notes': The Stylistic Evolution of Purcell's Chamber Music for Strings | | PhD, May 1994 |
| Minks, Amanda Gall | Interculturality in Play and Performance: Miskitu Children's Expressive Practices on the Caribbean Coast of Nicaragua | | PhD, 2006 |
| Middleton, Jonathan Newell | A creative process in music | | Degree, Granting Institution, Year |
| Middleton, Alain | Tension-Release in the Classical Periodic Structure | | PhD, October 1990 |
| Meltzer, Howard Steven | Private Time and Public Time: Rhythm and Meter in Wagner's Tristan und Isolde | | PhD, 1994 |
| McQuiston, Katherine | Recognizing Music In The Films Of Stanley Kubrick | | PhD, 2005 |
| Matthews, Wade Albert | Two Structures for Improvisation (with original composition) | | DMA, 1992 |
| Margulis, Elizabeth Hellmuth | Melodic expectation: A discussion and model | | PhD, 2003 |
| Magalhaes, Luiz Cesar Marques | From Peasant to Indian: A Study of the Tore Ritual Songs and the Creation of Tradition in a Brazilian Indian Community | | PhD, May 1998 |
| Luzuriaga, Diego Fabian | Viento en el Viento (with original composition) | | DMA, 1996 |
| Longobardi, Ruth Sara | Models and modes of musical representation in Benjamin Britten's 'Death in Venice': Musical, historical, and ideological context | | PhD, 2004 |
| Longobardi, Ruth | Models And Modes Of Musical Representation In Benjamin Britten's Death In Venice: Musical, Historical, And Ideological Contexts | | PhD, 2004 |
| Lodato, Suzanne M. | Richard Strauss and the Modernists: A Contextual Study of Strauss's Fin-de-sìecle Song Style | | PhD, February 1999 |
| Lependorf, Jeffrey Dean | A Tree in Foreign Soil | | DMA, 1991 |
| Leet, Gregory | The Compositional History, Critical Reception, And Musical Style Of Nikolay Rimsky-Korsakov's "Servilia" And "Pan Voyevoda" | | PhD, 2002 |
| Lee, Sang-Eun | Dissertation writing: Shaping spectrum via tremolo | | DMA, 2002 |
| Lee, Johnathan F. | Conceptual strategies for compositional remixing and transformation: Sonic gestures and contextual intersections | | DMA, 1994 |
| Lee, Joanna Ching-Yun | Györg Ligeti's Aventures and Nouvelles Aventures: A Documentary History | | PhD, February 1993 |
| Lee, Hyun Joo | 'Light through Twelve Windows' for orchestra | | DMA, 1997 |
| Laugesen, Emily Snyder | Construing text as music in Berio's 'Thema (Omaggio a Joyce)' and Stockhausen's 'Stimmung' | | PhD, 2003 |
| Laugesen, Emily | Construing Text As Music In Berio's Thema (Omaggio A Joyce) And Stockhausen's Stimmung | | PhD, 2003 |
| Kunzmann, Vladia | Jean Féry Rebel (1666-1747) and His Instrumental Music | | PhD, October 1993 |
| Kojima, Yuriko Hase | Meanings in making music: Aesthetical thoughts | | DMA, 2000 |
| Kinigstein, Steven Michael | Further Effects | | DMA, 1998 |
| Kim, Youn | Theories of musical hearing, 1863–1931: Helmholtz, Stumpf, Riemann and Kurth in historical context | | PhD, 2003 |
| Kidde, Geoffrey Carter | A Critique of 'Four Songs from John Donne' (with original composition)' | | DMA, 1995 |
| Kelleher, John Emil | Zarlino's Dimostrationi harmoniche and Demonstrative Methodologies in the Sixteenth Century | | PhD, May 1993 |
| Keefe, Simon Patrick | Dialogue in the First Movements of Mozart's Viennese Piano Concertos | | PhD, 1997 |
| Kaye, Andrew Laurence | Koo Nimo and His Circle: A Ghanaian Musician in Ethnomusicological Perspective | | PhD, May 1992 |
| Kavallaris, Faidros | Enallax-parallel gamma' for lead percussion solo, two violoncellos and multiple duet | | DMA, 1997 |
| Kampela, Arthur | Uma Faca So Lamina (for string quartet) (and) Essay: Micro-metric modulation (new directions in the theory of complex rhythms) | | DMA, 1998 |
| Jones, Stuart | Out of Time (Original composition) | | DMA, 1998 |
| Jenkins, Chadwick | Ridotta Alla Perfettione: Metaphysics And History In The Music-Theoretical Writings Of Giovanni Maria Artusi | | PhD, 2007 |
| Jamison, Donald Cameron | Harmonic Emergence | | DMA, 1992 |
| Jacobs, Edward Sinclair | "'The Fiction of a Glance' for Orchestra" | | DMA, 1994 |
| Jackson, Travis Arnell | Performance and Musical Meaning: Analyzing 'Jazz' on the New York Scene | | PhD, 1998 October |
| Jackson, Larisa Petrushkevich | Modulation and Tonal Space in the Practical Manual of Harmony: Rimsky-Korsakov's Harmonic Theory and its Historical Antecedents | | PhD, May 1996 |
| Ito, Miyuki | Inspired by computer technology | | DMA, 2003 |
| Ito, John Paul | Impulse structure in tonal music: A theory of the metrical coordination of motor behavior in performers | | PhD, 2004 |
| Hurwitz, Celia Elizabeth | 'Tonality and form in the first movements of Britten's String Quartets Opp. 25 and 36 | | PhD, 2-20-02 |
| Hirata, Catherine Costello | Analyzing the music of Morton Feldman | | PhD, 2003 |
| Helmuth, Mara M. | Meeting the Free Dreamer': An Exploration of Computer Music Composition | | DMA, 1994 |
| Helbig, Adriana Nadia | Play for Me, Old Gypsy: Music as Political Resource in the Roma Rights Movement in Ukraine | | PhD, 1995 |
| Harting, Julie Ann | A Mystery Play: Description, explication and musical analysis | | DMA, 1999 |
| Harker, Brian | The Early Musical Development of Louis Armstrong in Chicago and New York, 1923-1928 | | PhD, 1997 |
| Harding, Susan Forrest | In Silence: An Analysis | | DMA, 1995 |
| Halle, John | A grammar of improvised textsetting | | DMA, 1999 |
| Hall, Jeffrey John | TALISMAN: The Essay and the Computer Codes. (Original Composition) | | DMA, 1987 |
| Gustavson, Mark | Essay After a Quartet | | DMA, 1990 |
| Green, Michelle Frida | Jephthah's Daughter | | DMA, 1994 |
| Goehring, Edmund J. | The Comic Vision of Così fan tutte: Literary and operatic Traditions | | PhD, May 1993 |
| Glaser, David Jonathan | String Quartet | | DMA 1994 |
| Gibbs, Christopher Howard | The Presence of Erlkönig: Reception and Reworkings of a Schubert Lied | | PhD, October 1992 |
| Geers, Douglas E. | Oblique strategies: Thoughts on how I compose music | | DMA, 2002 |
| Ge, Gan-Ru | On 'String Quartet No. 3' | | DMA 1993 |
| Gaylard, Timothy Richard | Musical Dialogues in Seventeenth-century England | | PhD, October 1987 |
| Gay, Leslie C. | Commitment, Cohesion, and Creative Process: A Study of New York City Rock Banks | | PhD, October 1991 |
| Garnett, Guy E. | Garnett, Guy E.Symmetries in Pitch and Time (with) Variations for Orchestra and Electronics. (Original Composition) | | DMA, 1994 |
| Friedman, Joel Phillip | Two aspects of 'Extreme Measures', a trio for prepared piano, violin, and violoncello | | DMA, 1998 |
| Freeman, Jason A. | Glimmer for Chamber Orchestra and Audience | | 2005 |
| Fisher, George F. | Phrase Procedure in the Music of Seymour Shifrin | | PhD, 1995 |
| Fineberg, Joshua Nathan | Sculpting sound. An introduction to the spectral movement: Its ideas, techniques and music (France) | | DMA 1999 |
| Fikentscher, Kai | 'You better work!': Music, Dance, and Marginality in Underground Dance Clubs of New York City" | | PhD, 1996 |
| Field, Brian T. | Metamorphoses Messianiques': Part I -- Compositional Processes | | DMA, 1996 |
| Feld, Marlon | Temporal orientation in sonata-form first groups: With special reference to the work of A. B. Marx | | PhD, 2004 |
| Eckardt, Jason Keith | Parametric articulation of pitch materials in composition | | DMA 1998 |
| DuBois, Roger Luke | Applications of generative string-substitution systems in computer music | | DMA, 2003 |
| Dolp, Laura | Mahler's Landscapes: Constructions Of Space In Music And The Visual Arts In Fin-De-Siecle Vienna | | PhD, 2005 |
| Doll, Christopher | Listening To Rock Harmony | | PhD, 2007 |
| Dogantan, Mine | Mathis Lussy's Theory of Rhythm as a Basis for a Theory of Expressive Performance | | PhD, October 1997 |
| Dineen, Phillip Murray | Problems of Tonality: Schoenberg and the Concept of Tonal Expression | | PhD, January 1989 |
| Diener, Betty Sue | Irony in Mozart's Operas | | Degree, Granting Institution, Year |
| DeMarco, Laura | Rossini and the Emergence of Dramatic Male Roles in Italian and French Opera | | PhD, 1998 |
| De Carvalho, Joao Soeiro | Choral Musics in Maputo, Mozambique: Urban Adaptation, Nation Building and the Performance of Identity | | PhD, 1997 |
| Davidson, Justin | Quintet for Clarinet and Strings | | DMA, 1994 |
| Damuth, Laura | Alessandro Scarlatti's Cantatas for Soprano and basso continuo, 1693-1705 | | PhD, 1993 |
| D'Alessio, Gregory Paul | Prelude and Cummings Song (with original composition) | | DMA, 1996 |
| Currie, James Robert | Disagreeable pleasures: Negotiating fugal counterpoint in Classical instrumental music | | PhD, Feb. 21, 2001 |
| Cross, Lucy E. | Chromatic Alteration and Extrahexachordal Intervals in Fourteenth-century Polyphonic Repertoires | | PhD, May 1990 |
| Cross, Charlotte Marie | Schoenberg's Weltanschauung and His View of Music, 1874-1915 | | PhD, Feb. 1992 |
| Cox, Cathy | Listening To Acousmatic Music | | PhD, 2006 |
| Corte-Real, Maria de Sao Jose | Cultural policy and musical expression in Lisbon in the transition from dictatorship to democracy (1960s-1980s) | | PhD, 2000 |
| Cohen, Gerald Martin | String Quartet No.2 | | DMA, 1993 |
| Chung, Ehichung Rachel | Song Hyon's 'Model for Study of Music' | | PhD, 2003 |
| Chen, Yi | Piano Concerto | | DMA, 1993 |
| Cathy Cox | Listening to Acousmatic Music | | PhD, 1996 |
| Carr, James Harold | 'Hochzirl' -- Trio for Violin, Cello, and Piano | | DMA, 1993 |
| Campion, Edmund Joseph | AA-AAA-A-AA (Addressing 'ATCOE': An Artistic Apology and Ancillary Analysis). (with Original Composition) | | DMA, 1993 |
| Callaway, Ann Marie | he Crystallization of 'Amethyst for Soprano and Orchestra' | | DMA, 1991 |
| Byrne, Andrew McCartin | 'Force': A study of polyrhythm | | DMA, 1999 |
| Burford, Mark | "The Real Idealism Of History": Historical Consciousness, Commemoration, And Johannes Brahms' "Years Of Study" | | Degree, Granting Institution, Year |
| Buchenholz, Christopher | Digging (Notes from the Under Ground) | | 2006 |
| Brazelton, Catherine Bowles | "Woman's Works'': Discussion and Analysis (Orchestra) | | DMA, 1994 |
| Blachly, Alexander | Mensuration and Tempo in 15th-century Music: Cut Signatures in Theory and Practice | | PhD, 1995 |
| Bittencourt, Marcus Alessi | Doctor Frankenstein, I presume..., or, The art of vivisection | | 2003, PhD |
| Birchfield, David Andrew | Evolving intelligent musical materials | | DMA, 2003 |
| Biggs, William Hayes | Child of the Ravenhair | | DMA, 1992 |
| Bernstein, David | The Harmonic Theory of Georg Capellen | | 1986, PhD |
| Beck, Nora Maria | Singing in the Garden: An Examination of Music in Trecento Painting and Boccaccio's Decameron | | 1993, PhD |
| Bassett, William Varick, Jr. | Music for Nine and Computer: An Analytical Discussion | | DMA, 1996 |
| Barone, Anthony Edward | Richard Wagner's Parsifal and the Hermeneutics of Later Style | | 1996, PhD |
| Baitz, Richard Keith | 'The Riverfisher, Part I' and 'The Riverfisher, Part I -- A Written Analytical Commentary | | DMA, 1991 |
| Bailey, Christopher Dylan | Aspects of 'Sand': An acousmatic work with listener interface | | DMA, 2002 |
| Amir Arjamand, Ramin | "Alma Redemptoris mater": On Contrapuntal Practice | | Degree, Granting Institution, Year |
| Amemiya, Tetsuo | "'Like the Descent of their Last End': The Narrative Structure and Pitch Organization" | | DMA, 1993 |
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