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Scott Burnham holds a a M.M. in Music Composition from Yale University School of Music, and a Ph.D. in Music Theory and Analysis from Brandeis University. His scholarly interests include the history of tonal theory, problems of analysis and criticism, and 18-and 19th-century music and culture; publications reflecting these concerns have appeared in such journals as Beethoven Forum, Current Musicology, Journal of the American Musicological Society, Journal of Music Theory, Musical Quarterly, Music Theory Spectrum, and 19th-Century Music. He has received fellowships from the National Endowment for the Humanities, the Guggenheim Foundation and the National Humanities Center. | ||
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Scott Burnham holds a a M.M. in Music Composition from Yale University School of Music, and a Ph.D. in Music Theory and Analysis from Brandeis University. His scholarly interests include the history of tonal theory, problems of analysis and criticism, and 18-and 19th-century music and culture; publications reflecting these concerns have appeared in such journals as Beethoven Forum, Current Musicology, Journal of the American Musicological Society, Journal of Music Theory, Musical Quarterly, Music Theory Spectrum, and 19th-Century Music. He has received fellowships from the National Endowment for the Humanities, the Guggenheim Foundation and the National Humanities Center. 
