Two-Year Mellon Postdoctoral Teaching Fellowships-Lecturerships in Music at Columbia University
The Department of Music at Columbia University invites applications for Mellon Postdoctoral Teaching Fellowships. Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2015. A PhD, DMA or the equivalent is required. The degree must have been received between 1 January 2011 and 1 July 2015. Fellows will be expected to do research, participate in the academic life of the Department of Music, and teach one course per semester in each of the two years (three in Columbia's Core Curriculum and one in the candidate's area of specialization).
Review of applications begins immediately and will continue until the positions are filled. For more information and to apply, please visit:
Columbia University is an Equal Opportunity/Affirmative Action employer.
Kate Soper (DMA 2011) was recently featured in a New York Times ArtsBeat article, which includes a video of her performing "Go Away," from her 2011 "Only the Words Themselves Mean What They Say," with flutist Erin Lesser. ArtsBeat calls Soper's work "virtuosic" and "limit-stretching."
You can see the full article and watch the video here.
Read more about Kate Soper's work on her website.
Congratulations to Columbia DMA student Nina Young who was named as one of "10 Imagination-Grabbing Trailblazing Artists of 2014" by WQXR's Q2 Music.
The article includes an audio clip of Nina's "Vestigia Flammae" from a performance by Nouvel Ensemble Moderne, and Brad Balliett writes: "Nina's music is constantly surprising, but at the same time, seems predestined. Every event seems so well-placed and inevitable that one is left with the feeling that the piece could have gone only the way she has it mapped out. Echoes of Stravinsky and something spectral give way to an intensely personal voice cut through with an ear for color and balance that is almost unmatched among composers that are not Marcos Balter, Alex Mincek or Helmut Lachenmann. Listen and enjoy."
You can see the full article here.
Learn more about Nina's work on her website.
The Department of Music is pleased to announce the publication of its Fall 2014 official Newsletter!
The Department also asks our friends and alumni to consider making a financial gift in support of the Department's many initiatives and programs this holiday season. Your generous gift will support many student needs directly, including graduate student conference and research travel, visiting speakers and performers, and needed improvements to classrooms and practice rooms.
2015 will be an exciting year for the Department as we celebrate 50-year anniversaries for both the journal Current Musicology (in spring 2015) and the Center for Ethnomusicology (in fall 2015), in this the Department's 119th year.
Please see the Newsletter for some of the outstanding upcoming events for the spring semester.
Finally, we wish all our friends, affiliates, students, and colleagues a very happy, warm, and music-filled holiday season and extend our best wishes for the new year!
Call for Papers: Current Musicology 50th Anniversary Conference, March 28-29, 2015 (Deadline for submissions is 1/15/15)
Call for Papers!
50th Anniversary Conference
March 28-29, 2015 at Columbia University
Deadline for All Abstract Submissions: January 15, 2015
Submissions are invited for a conference commemorating the fiftieth anniversary of the journal Current Musicology. As a tribute to Current Musicology's multidisciplinary orientation, which combines perspectives from different areas of music scholarship, we welcome proposals for 20-minute paper presentations on any topic related to the areas of historical musicology, ethnomusicology, music theory and analysis, philosophy of music, popular music studies, music education, and related fields. Papers presented at the conference will be considered for publication in the journal's celebratory special issue.
To submit a proposal, please e-mail your name, institution, e-mail address, and an abstract of no more than 250 words to firstname.lastname@example.org by January 15, 2015, with the subject line "Conference Submission." The committee will select papers anonymously. All scholars who submit abstracts will be notified of the committee's decision by February 1, 2015.
Georg Friedrich Haas, MacDowell Professor of Music, was the featured composer at the festival Wien Modern in Vienna from October 29 to November 21, 2014. The Festival's opening concert, which took place on October 29, featured Haas's Concerto grosso Nr. 2 for chamber ensemble and orchestra, with Cornelius Meister leading Klangforum Wien and the ORF Radio-Symphonieorchester Wien. On October 30, Klangforum Wien delivered an all-Haas chamber program, including "flow and friction" for a sixteenth-tone piano for four hands, "de terrae fine" for solo violin, and "... Schatten ... durch unausdenkliche Walder" for two pianos and two percussionists. On November 2, Francois-Xavier Roth led the SWR Symphony Orchestra Baden-Baden and Freiburg in a rare performance of limited approximations for six microtonal pianos and orchestra. Additional performances in the festival included tria ex uno by oenm (Austrian Ensemble for Contemporary Music) on November 3, Concerto grosso Nr. 1 with Peter Rundel conducting the hornroh alphorn quartet and the ORF Radio-Symphonieorchester Wien on November 4, AUS.WEG on November 17 with Ensemble Kontrapunkte led by Peter Keuschnig. All of Haas's eight string quartets were performed by the Arditti quartet in four concerts on November 10 and 11.
For more information on this year's Wien Modern festival, click here.
On October 25, MPP Director Magdalena Stern-Baczewska performed The Banquet Concerto by Columbia's distinguished graduate, Oscar-winning composer Tan Dun, in Beijing's National Performing Arts Center with the China National Symphony conducted by maestro Tan Dun.
The program was:
Violin Concerto Hero (Tan Dun)
Cello Concerto Crouching Tiger (Tan Dun)
Piano Concerto The Banquet (Tan Dun)
Concerto for Violin, Cello and Piano Revival (Tan Dun)
Conductor: Tan Dun
Violin: Yao Jue (Hong Kong, China)
Cello: Zhu Lin
Piano: Magdalena Stern-Baczewska (U.S.)
For more information about Tan Dun and the performance go here.
For more on Magdalena Stern-Baczewska's work and performances go here.