DMA student Nina Young to be featured in Dynamic Music Festival Concert 1

Nina Young will be the only Columbia student composer featured in Concert 1 of the Dynamic Music Festival:  
Saturday, February 28 at 8:00pm
NYU Steinhardt, Frederick Loewe Theatre, 35 West 4th Street, NYC
 
You can read more about Nina's work on her website.
 
 
Conceived of in 2012 and inaugurated in 2014, Dynamic Music Festival is an annual new music festival in New York City dedicated to premiering and performing works by composers attending universities in New York, New Jersey, and Connecticut. The goal of Dynamic Music Festival is to bring together composers from different schools to showcase their music on the same program. Too often, performances of student composers' music are limited to the schools they attend, and we want to create an atmosphere of exchange and community among multiple schools and composers. Dynamic Music Festival is the first of its kind to address student composers' needs through cross-university collaboration.

Position Announcement: Two-Year Mellon Postdoctoral Teaching Fellowships

Two-Year Mellon Postdoctoral Teaching Fellowships-Lecturerships in Music at Columbia University

 

The Department of Music at Columbia University invites applications for Mellon Postdoctoral Teaching Fellowships. Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2015.  A PhD, DMA or the equivalent is required. The degree must have been received between 1 January 2011 and 1 July 2015. Fellows will be expected to do research, participate in the academic life of the Department of Music, and teach one course per semester in each of the two years (three in Columbia's Core Curriculum and one in the candidate's area of specialization).

 

Review of applications begins immediately and will continue until the positions are filled. For more information and to apply, please visit:  

https://academicjobs.columbia.edu/applicants/Central?quickFind=59823  

Columbia University is an Equal Opportunity/Affirmative Action employer.

Prof. George Lewis Interviewed in "I Care If You Listen" Magazine

Prof. George Lewis is featured in an interview in Issue 10 of I Care If You Listen magazine, entitled "The Past is Prologue," and written by Arlene and Larry Dunn. 

DMA alumna Kate Soper Featured in a NYT ArtsBeat Video

Kate Soper (DMA 2011) was recently featured in a New York Times ArtsBeat article, which includes a video of her performing "Go Away," from her 2011 "Only the Words Themselves Mean What They Say," with flutist Erin Lesser.  ArtsBeat calls Soper's work "virtuosic" and "limit-stretching."

You can see the full article and watch the video here

Read more about Kate Soper's work on her website.

DMA Student Nina Young Named a "Trailblazing Artist" by WQXR

Congratulations to Columbia DMA student Nina Young who was named as one of "10 Imagination-Grabbing Trailblazing Artists of 2014" by WQXR's Q2 Music. 

The article includes an audio clip of Nina's "Vestigia Flammae" from a performance by Nouvel Ensemble Moderne, and Brad Balliett writes:  "Nina's music is constantly surprising, but at the same time, seems predestined. Every event seems so well-placed and inevitable that one is left with the feeling that the piece could have gone only the way she has it mapped out. Echoes of Stravinsky and something spectral give way to an intensely personal voice cut through with an ear for color and balance that is almost unmatched among composers that are not Marcos Balter, Alex Mincek or Helmut Lachenmann. Listen and enjoy."

You can see the full article here

Learn more about Nina's work on her website.

Fall 2014 Department of Music Newsletter Published!

The Department of Music is pleased to announce the publication of its Fall 2014 official Newsletter!

Please click here to open the Newsletter in PDF format. 

The Department also asks our friends and alumni to consider making a financial gift  in support of the Department's many initiatives and programs this holiday season.  Your generous gift will support many student needs directly, including graduate student conference and research travel, visiting speakers and performers, and needed improvements to classrooms and practice rooms. 

2015 will be an exciting year for the Department as we celebrate 50-year anniversaries for both the journal Current Musicology (in spring 2015) and the Center for Ethnomusicology (in fall 2015), in this the Department's 119th year.  

Please see the Newsletter for some of the outstanding upcoming events for the spring semester. 

Finally, we wish all our friends, affiliates, students, and colleagues a very happy, warm, and music-filled holiday season and extend our best wishes for the new year!

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Call for Papers: Current Musicology 50th Anniversary Conference, March 28-29, 2015 (Deadline for submissions is 1/15/15)

Call for Papers!

Current Musicology
50th Anniversary Conference

March 28-29, 2015 at Columbia University

Deadline for All Abstract Submissions: January 15, 2015

Submissions are invited for a conference commemorating the fiftieth anniversary of the journal Current Musicology. As a tribute to Current Musicology's multidisciplinary orientation, which combines perspectives from different areas of music scholarship, we welcome proposals for 20-minute paper presentations on any topic related to the areas of historical musicology, ethnomusicology, music theory and analysis, philosophy of music, popular music studies, music education, and related fields. Papers presented at the conference will be considered for publication in the journal's celebratory special issue.

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To submit a proposal, please e-mail your name, institution, e-mail address, and an abstract of no more than 250 words to current-musicology@columbia.edu by January 15, 2015, with the subject line "Conference Submission." The committee will select papers anonymously. All scholars who submit abstracts will be notified of the committee's decision by February 1, 2015.
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Georg Friedrich Haas Featured in the Wien Modern Festival

Georg Friedrich Haas, MacDowell Professor of Music, was the featured composer at the festival Wien Modern in Vienna from October 29 to November 21, 2014. The Festival's opening concert, which took place on October 29, featured Haas's Concerto grosso Nr. 2 for chamber ensemble and orchestra, with Cornelius Meister leading Klangforum Wien and the ORF Radio-Symphonieorchester Wien. On October 30, Klangforum Wien delivered an all-Haas chamber program, including "flow and friction" for a sixteenth-tone piano for four hands, "de terrae fine" for solo violin, and "... Schatten ... durch unausdenkliche Walder" for two pianos and two percussionists.  On November 2, Francois-Xavier Roth led the SWR Symphony Orchestra Baden-Baden and Freiburg in a rare performance of limited approximations for six microtonal pianos and orchestra. Additional performances in the festival included tria ex uno by oenm (Austrian Ensemble for Contemporary Music) on November 3, Concerto grosso Nr. 1 with Peter Rundel conducting the hornroh alphorn quartet and the ORF Radio-Symphonieorchester Wien on November 4, AUS.WEG on November 17 with Ensemble Kontrapunkte led by Peter Keuschnig. All of Haas's eight string quartets were performed by the Arditti quartet in four concerts on November 10 and 11.

For more information on this year's Wien Modern festival, click here.

Magdalena Stern-Baczewska Performs with Tan Dun in Beijing

On October 25, MPP Director Magdalena Stern-Baczewska performed The Banquet Concerto by Columbia's distinguished graduate, Oscar-winning composer Tan Dun, in Beijing's National Performing Arts Center with the China National Symphony conducted by maestro Tan Dun.

The program was:

 Violin Concerto Hero (Tan Dun)
 Cello Concerto Crouching Tiger (Tan Dun)
 ----Intermission----   
 Piano Concerto The Banquet (Tan Dun)
 Concerto for Violin, Cello and Piano Revival (Tan Dun)
     
 Conductor: Tan Dun    
 Violin: Yao Jue (Hong Kong, China)    
 Cello: Zhu Lin    
 Piano: Magdalena Stern-Baczewska (U.S.)

For more information about Tan Dun and the performance go here.

For more on Magdalena Stern-Baczewska's work and performances go here.

Prof. Georg Friedrich Haas' "dark dreams" Receives Carnegie Hall Premiere

Composition Professor Georg Friedrich Haas had a new work, dark dreams, premiered at Carnegie Hall on Monday, October 6th, 2014.  Sir Simon Rattle conducted the Berliner Philharmoniker.
 
In a review of the performance for The New York Times, Anthony Tommasini lauds the piece as "fascinating...pushing against the edge of intensity but never going over it."  The Carnegie Hall program notes describe Haas' techniques in dark dreams as: "firmly in the spectral tradition, but ... [pushed] much further, building a sound world ... that exploits the eclecticism of the 21st century. There is harmonic queasiness everywhere, including microtones--notes between the notes that have an uncanny ability to evoke the subconscious. But the piece also features aggressive consonance: repeating thirds and diatonic climaxes that crash, then vanish, resolving nothing but leaving haunted aftershocks."
 
For more informaiton about Professor Haas' work, see his Music department bio.
 
The video below is a 2014 performance of dark dreams by the Berlin Philharmonic under Simon Rattle.