Douglas Geers is Associate Professor and Director of the Center for Computer Music at the Brooklyn College Conservatory of Music.
Geers is a composer living in New York City. Geers specializes in electro-acoustic and multimedia musical works, including various combinations of live musicians, actors, video, dancers, and computer-generated sounds.
Geers teaches on the the faculty of the City University of New York, where he is an Associate Professor of Music Composition and Director of the Center for Computer Music at the Brooklyn College Conservatory.
He is also a member of the CUNY Graduate Center music faculty and the faculty of the Brooklyn College M.F.A. program in Performance and Interactive Media Arts (PIMA).
Bio courtesy of his website.
Dr. Elaine Thomazi-Freitas is Senior Lecturer and Course Leader for BSc (Hons) Music Technology (Music Production) in the Sir John Cass Faculty of Art, Architecture and Design at London Metropolitan University.
She is a composer and media artist. She received a doctorate in music (DMA) from Columbia University, NYC/USA and a master's in music from Federal University of Rio de Janeiro, Brazil. She had undergone an internship in Music Documentation at IRCAM (Institute of Research and Coordination Acoustics/Music) in Paris/France, and works as a Senior Lecturer and Course Leader in Music Technology at The Cass / School of Art.
With an initial background in music, her trajectory had a further achievement with the inclusion of the visual element. Her works range from acoustic compositions to interactive media, the latter having become her main focus of research. She has embraced the use of technology as a means of artistic expression that adds to the artwork, never constraining the artistic conception and/or its realization. Actively engaged in the contemporary performing scene, she has presented her works in the Americas, Europe, Asia and Australia. Her latest works comprise a large-scale composition for alto flute with video-tracked live electronics and collaborative works with other composers in which she expands her live video practice.
Elizabeth Hellmuth Margulis is Professor and Director of the Music Cognition Lab at the University of Arkansas. She recently won the Wallace Berry Award from the Society for Music Theory for On Repeat: How Music Plays the Mind (Oxford University Press, 2013).
Her research approaches music from the perspective of cognitive science. She is interested in the interface between musical structure and engagement, especially in listeners without formal training, and especially as it occurs dynamically across the course of the listening experience. Her book On Repeat: How Music Plays the Mind (Oxford University Press) received the 2014 Wallace Berry Award from the Society for Music Theory.
Her past work has appeared in diverse journals including Music Perception, Journal of Music Theory, Journal of Cognitive Neuroscience, Music Theory Spectrum, Frontiers in Psychology, Computer Music Journal, Psychology of Music, Journal of New Music Research, Empirical Studies of the Arts, Review of General Psychology, Psychomusicology: Music, Mind, and Brain, Human Brain Mapping, American Journal of Bioethics, and Annals of the New York Academy of Sciences, as well as in the recently published Handbook of Music and Emotion. It has been featured in media outlets ranging from New Scientist Magazine to Readers Digest to the London Times, and on BBC and NPR. She blogs about music cognition at Psychology Today (Looking at Listening).
Miyuki ITO, a native of Nagoya, Japan, received B.A. from Aichi University of the Arts (Japan), M.A. from the Manhattan School of Music (NY), and D.M.A. from Columbia University (NY), studying with Naoyuki Terai, Pierre Charvet and Tristan Murail. She pursued research at IRCAM (Paris) with an artist grant from the Agency for Cultural Affairs, Japan. Her works have been performed at festivals and venues across the globe, including Centre Acanthes (France), ISCM (Hong Kong), Resonances (IRCAM), ICMC (Miami), Spark Festival (Minnesota), SMC (Greece and Spain) and Re:New (Denmark). She had received commissions from Harmonia Opera Company (NY), Columbia Sinfonietta (NY), Tokyo Opera City (Japan), Taketoyo Opening Concert Hall Committee (Japan), Music From Japan (NY), Attack Theater (Pittsburgh), Onix Ensamble (Mexico) and Aichi Arts Center (Japan). Her recent awards include the Nagoya Cultural Promotion Agency Prize (Japan), Japan Symphony Foundation Prize and Concorso di Composizione Franco Evangelisti 1st Prize (Rome). She has been a fellow at the Djerassi Artist Residency in California with an Oshita Fellowship and at CMMAS in Morelia (Mexico) with a support of Japan Foundation. She currently teaches at the Nagoya University of Arts, Chiba Commerce University, and Aichi University of the Arts in Japan. Ito is a co-founder and producer of the composer collectives NympheArt and JUMP (Japan-USA: Musical Perspectives). She released The Sands of Time, focused on works with live electronics on ALCD80 in 2009. Reminiscence d'un ancien esprit has been published on Edizioni Suvini Zerboni (Milan, Italy) in 2010.
Bio courtesy of her website.
Marcus Bittencourt is an American-Brazilian composer and pianist born in Garland-TX, USA. He studied music with composers such as Willy Correa de Oliveira, Fred Lerdahl, Joe Dubiel, Jonathan Kramer, and Tristan Murail, and Computer Music with Brad Garton and Thanassis Rikakis. As a composer, he is prolific both as an instrumental and an electroacoustic composer and his music has been played in the United States, Canada, Europe, and Brazil. His list of compositions includes works for orchestra, chamber ensembles, choir, solo instruments (specially the piano), operas, as well as several electroacoustic works. He has been performing widely as a pianist, conductor, and sound-projectionist, often taking those tasks simultaneously, as in the case of his piano concerti with live electronics. Among the awards he has received are the 2012 and 2010 FUNARTE Classical Composition Prizes given by the Brazilian Ministry of Culture, the first prize at the Projeto Nascente V (1996), a seven year scholarship at Columbia University for graduate studies, and a residency at the Centro Studi Ligure of the Bogliasco Foundation in Genoa, Italy. His academic credentials include a Bachelor's degree in Piano Performance from the Universidade de Sao Paulo, Brazil, and Master's and Doctoral degrees in Music Composition from Columbia University in the City of New York. He has taught Music at Columbia University, at Lehman College of CUNY, and the College of William and Mary in Virginia. He currently teaches Composition, Theory, and Computer Music at the Universidade Estadual de Maringa (State University of Parana at Maringa) in Brazil, where he created and also directs the Laboratorio de Pesquisa e Producao Sonora - LAPPSO (Laboratory for Research and Audio Production).
Dr. David Birchfield is the Chief Executive Officer and Chief Technology Officer of SMALLab Learning. He has led the SMALLab research and development effort since 2005. In that role he has managed a multi-million dollar budget, working with government agencies, foundations, industry partners, schools, and museums.
Dr. Birchfield received his Doctorate in Music from Columbia University. He has a background in digital media and performance. His research focuses on real-time interactivity and experiential media system design as applied to creative and educational spaces. This work includes K-12 learning, games, interface design and generative mechanisms for media.
Bio courtesy of the SMALLab website.
Commencement 2013: The Department of Music Congratulates our Graduating Students!
Columbia College (Majors and Concentrators)
- Andrew Dugue (Concentration)
- David Halpern
- Emily Hamilton (Concentration)
- Victoria Lewis - Cum Laude
- Megan Maloney (Concentration)
- Ilan Marans
- Mark Micchelli - Cum Laude
- Emily Ostertag - Cum Laude
- Natalie Robehmed
- Christopher Ruenes- Magna Cum Laude, Phi Beta Kappa, Departmental Honors*
- Rieko Shepherd
- Ian Shirley - Magna Cum Laude, Phi Beta Kappa
- Jacob Snider
- Gregory Somerville
- Maria Sulimirski
- Natalie Weiner
School of General Studies (Majors)
- Sebastian Clegg
- Iva Kupresak
Barnard College (Majors, except as noted)
- Rebecca Gray - Music & English (Writing), Departmental Honors
- Martina Wiedenbaum - Ethnomusicology
- Lucy Finkelstein-Fox - Ethnomusicology & Psychology, Departmental Honors
- Rachel Bronstein - Music
- Lisa Campbell - Music
- Elissa Mendez-Renk - Music
- Laura Pantley - Music
- Emma Solomons - Music
- Alexandra Vidal - Music
- Xuela Zhang - Music
* Departmental Honors are awarded to Chris Ruenes for his composition "Rupt ures," written under the supervision of Brad Garton. Finalists for Departmental Honors were Emily Ostertag, Jacob Snider, and Rieko Shepherd.
Graduate School of Arts and Sciences
- Cesar Colon-Montijo
- Beatriz Goubert
- Orit Hilewicz
- Kevin Holt
- Anne Adele Levitsky
- Brooke Rosemary Lyssy
- William Lowell Mason
- Imani Danielle Mosley
- Yoshiaki Onishi
- Thomas Christopher Smith
- Beau Bothwell
- Sean Hallowell
- Nicholas Higgins.