Note updated days/time for this course, which will meet in fall 2014 from 2:40-3:55 on Monday and Wednesday
Music V2030 JEWISH MUSIC IN NEW YORK
Section 001 Points: 3
716 Hamilton Hall
Instructor: Prof. Tina Fruhauf
The Department of Music warmly welcomes Dr. Magdalena Stern-Baczewska to our faculty. Dr. Stern-Baczewska has been appointed as a Lecturer in Music and as the new Director of the Columbia Music Performance Program.
Biography: Pianist and harpsichordist Magdalena Stern-Baczewska (pronounced BaCHEVska) joins the faculty of Columbia University as Director of the Music Performance Program. As an award-winning soloist and recording artist, she performs internationally. Her performances, hailed as "eloquent and technically flawless" (The Washington Post), have been broadcast on radio stations across America, including WQXR, NPR, Voice of America, and on European Radio and Television. This season's highlights include piano lecture-recitals on the music of Chopin's teachers, performances of Gershwin's Rhapsody in Blue, harpsichord performances of Polish keyboard music from the time of Copernicus (1543) to Kosciuszko (1777), Bach's Triple Concerto BWV 1044 with the West Chester Baroque, concert of 17th-century Italian sonatas with the members of Dorian Baroque, among others.
Her CD "A Tribute to Glenn Gould" (2008) contains J. S. Bach's Goldberg Variations and R. Strauss' Sonata op. 5, the first and last piano works ever recorded by Gould. The three subsequent albums, "Music for Dreams" were released in collaboration with BlueSleep(r), a medical team specialized in research and treatment of sleep disorders. She continues to create music for health and wellness as Artistic Director at BlueSleep Music.
Baczewska worked with the Columbia students in 2012, teaching Fundamentals of Western Music. She returns to Columbia having served on the faculty of the Mannes College New School for Music, John J. Cali School of Music, Montclair State University, Manhattan School of Music's Pre-College Division, and the Concordia Conservatory. Every summer she joins the faculty of the International Keyboard Institute and Festival and the New York Piano Festival. Her guest teaching appearances also include remote master classes using Yamaha Disklavier and the Remote Lesson technology. She is a published music critic, having written for the New York Concert Review. She is a recipient of the Outstanding Achievement Award from the Polish Minister of Culture.
As an administrator, Magdalena brings her corporate experience to Columbia, having worked in the Artist Relations division of Yamaha Artist Services, Inc. (a subsidiary of Yamaha Corporation of America).
Music Majors Olivia Harris & Solomon Hoffman Perform & Arrange the National Anthem for Commencement!
On May 22, 2014, for the Columbia University Commencement Ceremony, graduating Columbia College Music Major Olivia Harris, along with fellow students Taylor Harvey and Brittany Carroll-Watts, brilliantly performed a striking arrangement of "The Star Spangled Banner," arranged by Columbia graduating Music Major Solomon Hoffman.
Enjoy the performance!
- Eve Boutilie-Oxby: The Johnson Family (grand-daughter of Howard E. Johnson & daughter of Wendy Johnson)
- Kevin Fellezs: Music and African-American Studies, Columbia University
- Robert O'Meally: English & Comparative Literature, Columbia University
- Mark Naison: African-American Studies and History, Fordham University
- See more at: http://iraas.com/node/359#sthash.F4wHOxBG.dpuf
See here for further details: http://www.gf.org/news-events/2014-Fellows-in-the-United-States-and-Canada/
Wang Lu: http://www.instantencore.com/wanglu
Arthur Kampela: http://www.kampela.com/
NEW SUMMER COURSE for 2014!
Course Title: Critical Approaches to Music Technologies
CU Directory Course Number: MUSI S3142
Section: 001 Points/Credits: 3
Instructor: Lucie Vagnerova (Summer Teaching Scholars Program, PhD Candidate in Historical Musicology)
Instructor Email: email@example.com
Open to all majors.
The Department of Music at Columbia University invites applications for a full-time position at the rank of Lecturer or Senior Lecturer to serve as Director of its Music Performance Program, beginning on July 1, 2014.
We seek candidates with artistic and intellectual accomplishments, with relevant teaching and administrative experience, and with broad interests in the musical disciplines. The appointee will manage the budget and recommend policies and priorities for the MPP, reporting directly to the Chair of the Department, and will work in consultation with the Department to frame and implement the activities of the Music Performance Program. The appointee's responsibilities will also include coordinating auditions, forming student chamber ensembles, assigning appropriate coaches to these ensembles, scheduling concerts, student recitals, and other performances, and overseeing the teaching of private lessons. In addition, the appointee will teach one course per term, usually in the Core Curriculum, to be determined in consultation with the Chair.
This is a full-time appointment with multi-year renewals contingent on successful reviews.
Through Columbia University's online system, please upload a letter of application (including a statement of teaching interests and experience), a curriculum vitae, and contact information for three references.
For more information and to apply, please go to academicjobs.columbia.edu/applicants/Central?quickFind=59001
Review of applications will begin April 7, 2014 and continue until the position is filled.
Columbia University is an Affirmative Action/Equal Opportunity Employer.
Professor Kevin Fellezs will be giving the 2014 Woody Guthrie Distinguished Lecture at the International Association for the Study of Popular Music, US Branch (IASPM-US) annual conference on Saturday, March 15, 2014, at the University of North Carolina, Chapel Hill.
Fellezs's talk is titled "What Is This 'Black' In Japanese Popular Music? (Re)Imagining Race in a Transnational Polycultural Context," which focuses on his research of Black American musicians enjoying success in Japan in enka and J-Pop, two genres strongly associated with Japanese-ness, complicating conventional ideas linking identity, nationality, race, and genre.
The Deprtment of Music congratulates Dr. Richard Miller, Adjunct Professor of Music Theory and Ear Training, on the publication of his monograph: The Guitar in the Brazilian Choro: Analyses of Traditional, Solo, and Art Music.
The monograph examines the role of the guitar in choro in three expressions of the genre: traditional choros, popular choros for solo guitar, and academic choros of Heitor Villa-Lobos, Radames Gnattali, and Cesar Guerra-Peixe. This examination is done primarily through analyses of transcriptions of the guitar part for the traditional choro and of published scores for solo and academic choros. As an accompanying instrument, the guitar is found to be fundamental in the introduction of African rhythms into choro and in defining the dances of choro, such as the lundu, maxixe, and tango brasileiro, based on the guitar accompanimental patterns. The solo literature is shown to have a strong relation to both the traditional and academic choros, as exemplified in the works of Joao Pernambuco. Composers Villa-Lobos, Gnattali, and Guerra-Peixe used the characteristics of choro to write complex and appealing works of art for the guitar in the musical language of the twentieth century. Analyses of selected works by those composers reveal both the variety of their compositional styles and their shared background in choro.