Spring 2015 Colloquia in the Department of Music (all events public!)

Spring 2015 Colloquia - Columbia University Department of Music

Click here for full-sized poster (.jpg)

February 13: Joel Sachs (the Juilliard School)

"Weighing the Evidence: Problems for the Cowell Biographer." 

622 Dodge, 2 pm

 

February 13: "Tomorrow is the Question: Afrofuturism, Sound, and Spirit": panel discussion: http://ircpl.org/event/tomorrowisthequestion/

Union Theological Seminary, James Memorial Chapel, 7-9 pm

Sponsored by the Institute for Religion, Culture, and Public Life Life; and co-sponsored by Columbia's Department of Music; Columbia University's Edwin H. Case Chair in American Music;  the Center for the Study of Ethnicity and Race; and the Department of Africana Studies at Barnard.

February 20: Stefano Lorenzetti (Italian Academy for Advanced Studies in America)

Prof. George Lewis Interviewed in "I Care If You Listen" Magazine

Prof. George Lewis is featured in an interview in Issue 10 of I Care If You Listen magazine, entitled "The Past is Prologue," and written by Arlene and Larry Dunn. 

Fall 2014 Department of Music Newsletter Published!

The Department of Music is pleased to announce the publication of its Fall 2014 official Newsletter!

Please click here to open the Newsletter in PDF format. 

The Department also asks our friends and alumni to consider making a financial gift  in support of the Department's many initiatives and programs this holiday season.  Your generous gift will support many student needs directly, including graduate student conference and research travel, visiting speakers and performers, and needed improvements to classrooms and practice rooms. 

2015 will be an exciting year for the Department as we celebrate 50-year anniversaries for both the journal Current Musicology (in spring 2015) and the Center for Ethnomusicology (in fall 2015), in this the Department's 119th year.  

Please see the Newsletter for some of the outstanding upcoming events for the spring semester. 

Finally, we wish all our friends, affiliates, students, and colleagues a very happy, warm, and music-filled holiday season and extend our best wishes for the new year!

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Call for Papers: Current Musicology 50th Anniversary Conference, March 28-29, 2015 (Deadline for submissions is 1/15/15)

Call for Papers!

Current Musicology
50th Anniversary Conference

March 28-29, 2015 at Columbia University

Deadline for All Abstract Submissions: January 15, 2015

Submissions are invited for a conference commemorating the fiftieth anniversary of the journal Current Musicology. As a tribute to Current Musicology's multidisciplinary orientation, which combines perspectives from different areas of music scholarship, we welcome proposals for 20-minute paper presentations on any topic related to the areas of historical musicology, ethnomusicology, music theory and analysis, philosophy of music, popular music studies, music education, and related fields. Papers presented at the conference will be considered for publication in the journal's celebratory special issue.

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To submit a proposal, please e-mail your name, institution, e-mail address, and an abstract of no more than 250 words to current-musicology@columbia.edu by January 15, 2015, with the subject line "Conference Submission." The committee will select papers anonymously. All scholars who submit abstracts will be notified of the committee's decision by February 1, 2015.
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Prof. Ellie Hisama Wins Curriculum Development Grant from IRWGS

The Department of Music congratulates Professor Ellie Hisama, who was awarded an inaugural curriculum development grant from Columbia's Institute for Research on Women, Gender, and Sexuality. Funded by the Mellon Foundation and the Heyman Center, the grant supports development of a new course titled "Feminist Listening: Critical and Intersectional Approaches to Popular Music," which Prof. Hisama expects to offer in 2015 or 2016.   

Columbia Theorists Triumph at the SMT Annual Meeting

At the Annual Meeting of the Society for Music Theory in Milwaukee (November 2014), held in conjunction with the Annual Meeting of the American Musicological Society, the faculty, alumni, and affiliates of the Music Theory area garnered major awards, presented papers, and chaired panels.

The Emerging Scholar Award (for a book or article published no more than seven calendar years after the author's receipt of the Ph.D.) was awarded to Benjamin Steege (Assistant Professor), Helmholtz and the Modern Listener  (Cambridge University Press).
 
The Wallace Berry Award (for a distinguished book by an author of any age or career stage) was awarded to Elizabeth Hellmuth Margulis (University of Arkansas; PhD 2003), On Repeat: How Music Plays the Mind  (Oxford University Press).

The Outstanding Publication Award (for a distinguished article by an author of any age or career stage) was awarded to Nathan Martin (Yale University; Mellon Postdoctoral Teaching Fellow 2009-11), "Rameau's Changing Views on Supposition and Suspension," Journal of Music Theory.

Eamonn Bell (doctoral student in Theory) participated in the poster session "Empirical Approaches to Music Theory and Musicology" (a joint session with the American Musicological Society).

Maeve Sterbenz (doctoral student in Theory) read "Listening through Movement: An Examination of Lar Lubovitch's Choreography of the Adagio from Mozart's Clarinet Concerto in A Major, K. 622" on "Dancing Undisciplined" (AMS Music and Dance Study Group).

Dr. Bryan Parkhurst Appointed Mellon Postdoctoral Teaching Fellow in Music!

The Department of Music is delighted to welcome Dr. Bryan Parkhurst as an incoming Mellon Postdoctoral Teaching Fellow for 2014-16!

Dr. Parkhurst earned his PhD in philosophy and music theory from the University of Michigan, where he was supported by both a Regents Fellowship and a Rackham Predoctoral Fellowship.  His dissertation, "Sound's Arguments: Philosophical Encounters with Music Theory," which was written under the supervision of Kendall Walton, Ramon Satyendra, and Kevin Korsyn, engages closely with the thought of such figures as Schenker, Lewin, Kant, Hegel, Hanslick, Schopenhauer, Dewey, and Wittgenstein.   He is currently researching a book about Hegel and Hauptmann.  Additionally, Bryan is interested in Marxist philosophy generally and Marxist aesthetics in particular, as well as in the grand question of whether and how it is possible for music to be philosophy (Marxist or otherwise).  Bryan's recent publications appear in Music Theory Online, The Journal of Aesthetic Education, The Journal of Interdisciplinary Humanities, and elsewhere.  He is a also a harpist and accordionist. 

Graduating Seniors Olivia Munson, Josh Owens, & Alexander Porter Win Departmental Honors!

The Department of Music is pleased to announce that Departmental Honors for 2014 are awarded to the following graduating senior music majors:

Alexander Porter (Columbia College) for his project (advised by Prof. Joseph Dubiel), "Of Diagrammatology in Music and Architecture," which included both an extended essay and two original creative works, a composition called "Diachronism" and a short play called "Broken Images."  All were woven together by Alex's stimulating, imaginative exploration of time, memory, and space across both musical and architectural dimensions. A complete PDF version of Alexander's thesis can be downloaded here.

Olivia Munson (Columbia College) for her essay (advised by Prof. Aaron Fox) "A Space for Musical Therapy: On Nationalism, Modernity, Music, and Medicine in the Transition from Ottoman Empire to Turkish Republic."  This essay looks at the use of music for medicinal or therapeutic purposes across broad historical span of Turkish history.  Olivia's essay represents an impressive combination of on-the-ground fieldwork and sophisticated theoretical-historical analysis.

Congratulations to our 2014 Doctoral Graduates!

Photos: Smiles at the GSAS doctoral convocation on Sunday, May 18, 2014 and at the department's luncheon on Wednesday, May 21 after Commencement.

We congratulate our new doctoral alumni!

Graduate School of Arts & Sciences  PhD/DMA:

Dr. Toby King Appointed Assistant Professor of Music at UNC Asheville!

The Department of Music warmly congratulates Jonathan "Toby" King (PhD, Ethnomusicology, 2014), who has been appointed Assistant Professor of Music at The University of North Carolina at Asheville!  Mr. King's dissertation is entitled "Implications of Contemporary Bluegrass Music Performance at and around a New York City Jam Session," and it is sponsored by Prof. Aaron Fox. Dr. King defended his dissertation on June 2, 2014.