Dr. Bryan Parkhurst Appointed Mellon Postdoctoral Teaching Fellow in Music!

The Department of Music is delighted to welcome Dr. Bryan Parkhurst as an incoming Mellon Postdoctoral Teaching Fellow for 2014-16!

Dr. Parkhurst earned his PhD in philosophy and music theory from the University of Michigan, where he was supported by both a Regents Fellowship and a Rackham Predoctoral Fellowship.  His dissertation, "Sound's Arguments: Philosophical Encounters with Music Theory," which was written under the supervision of Kendall Walton, Ramon Satyendra, and Kevin Korsyn, engages closely with the thought of such figures as Schenker, Lewin, Kant, Hegel, Hanslick, Schopenhauer, Dewey, and Wittgenstein.   He is currently researching a book about Hegel and Hauptmann.  Additionally, Bryan is interested in Marxist philosophy generally and Marxist aesthetics in particular, as well as in the grand question of whether and how it is possible for music to be philosophy (Marxist or otherwise).  Bryan's recent publications appear in Music Theory Online, The Journal of Aesthetic Education, The Journal of Interdisciplinary Humanities, and elsewhere.  He is a also a harpist and accordionist. 

Graduating Seniors Olivia Munson, Josh Owens, & Alexander Porter Win Departmental Honors!

The Department of Music is pleased to announce that Departmental Honors for 2014 are awarded to the following graduating senior music majors:

Alexander Porter (Columbia College) for his project (advised by Prof. Joseph Dubiel), "Of Diagrammatology in Music and Architecture," which included both an extended essay and two original creative works, a composition called "Diachronism" and a short play called "Broken Images."  All were woven together by Alex's stimulating, imaginative exploration of time, memory, and space across both musical and architectural dimensions. A complete PDF version of Alexander's thesis can be downloaded here.

Olivia Munson (Columbia College) for her essay (advised by Prof. Aaron Fox) "A Space for Musical Therapy: On Nationalism, Modernity, Music, and Medicine in the Transition from Ottoman Empire to Turkish Republic."  This essay looks at the use of music for medicinal or therapeutic purposes across broad historical span of Turkish history.  Olivia's essay represents an impressive combination of on-the-ground fieldwork and sophisticated theoretical-historical analysis.

Congratulations to our 2014 Doctoral Graduates!

Photos: Smiles at the GSAS doctoral convocation on Sunday, May 18, 2014 and at the department's luncheon on Wednesday, May 21 after Commencement.

We congratulate our new doctoral alumni!

Graduate School of Arts & Sciences  PhD/DMA:

Dr. Toby King Appointed Assistant Professor of Music at UNC Asheville!

The Department of Music warmly congratulates Jonathan "Toby" King (PhD, Ethnomusicology, 2014), who has been appointed Assistant Professor of Music at The University of North Carolina at Asheville!  Mr. King's dissertation is entitled "Implications of Contemporary Bluegrass Music Performance at and around a New York City Jam Session," and it is sponsored by Prof. Aaron Fox. Dr. King defended his dissertation on June 2, 2014. 

Dr. Kate Heidemann Appointed Faculty Fellow at Colby College!

The Department of Music congratulates Music Theory PhD alumna DrKate Heidemann.  Dr. Heidemann has been appointed Faculty Fellow in Music at Colby College for the 2014/15 academic year.  

Dr. Heidemann recently defended her dissertation, entitled "Hearing Women's Voices in Popular Song: Analyzing Sound and Identity in Country and Soul," advised by Professor Ellie Hisama. 

 

Dr. Beau Bothwell Appointed Assistant Professor of Music at Kalamazoo College!

The Department of Music congratulates Dr. Beau Bothwell, a recent alumnus of Columbia's PhD program in Musicology, who has accepted an appointment as Assistant Professor of Music at Kalamazoo College, to begin in September 2014.  

Beau Bothwell is currently Music Humanities Core Lecturer at Columbia University and Adjunct Professor of Music History at the Juilliard School.  He completed his PhD in Musicology in 2013 at Columbia, with a dissertation entitled "Song, State, Sawa: Music and Political Radio between the US and Syria," advised by Prof. Ellie Hisama.  

Dr. Bothwell has presented his research at numerous national and international conferences, including gatherings of the American Musicological Society, the Society for Ethnomusicology, the Middle East Studies Association, and the Society for American Music, and in invited lectures at Boston College, NYU's Kevorkian Center for Near Eastern Studies, and Harvard University. Dr. Bothwell recently contributed a chapter to the volume The Soundtrack of Conflict: The Role of Music in Radio Broadcasting in Wartime and in Conflict Situations, and is writing a book on popular music and transnational radio in Syria and Lebanon.

Prof. Mariusz Kozak's Research Featured in Columbia News!

Prof. Mariusz Kozak, who recently joined Columbia's faculty in Music Theory, is the subject of a new article in Columbia News discussing his research. Author Gary Shapiro writes . . . 

"Kozak, who joined Columbia's Department of Music last July, is now taking that research interest a step further, studying the connection between how people listen and move to music. "Every known culture has some sort of combination of dance and music." Whether you're tapping your feet to jazz, nodding along to classical music or playing air guitar to rock 'n' roll, it is all material for his research. "The study of motion and music is an emerging area," said Kozak, who notes that interest in the subject has risen over the past decade or so as the technology for recording the movement of objects and people--motion capture--has improved."


Read more here!

 

Music Theory PhD student Orit Hilewicz Wins Founders Prize from International Society for the Study of Time (ISST)!

The Department congratulates Music Theory PhD Candidate Orit Hilewicz, who has received the Founders Prize for New Scholars at the triennial conference of the International Society for the Study of Time (ISST) for her paper "Tracing Space in Time: Morton Feldman's Rothko Chapel." 

The prize announcement may be read online here.

Ms. Hilewicz's paper explores the relationship between Rothko's chapel in Houston, TX, and Morton Feldman's 1971 composition titled Rothko Chapel, composed for the chapel space. Focusing on the temporal dimension of Feldman's work, she examines the piece as a case of musical ekphrasis, the musical representation of another artwork, and shows that the interaction between contrasting musical temporalities in Feldman's Rothko Chapel becomes a temporal trace of a visitor's experience in Rothko's chapel. This paper is part of a larger analysis project that explores points of intersection between music and the visual arts, studying ekphrastic musical works as text for the original works they represent. 

Columbia Welcomes Professor Mariusz Kozak!

 

The Department of Music is delighted to welcome Mariusz Kozak to our faculty in Music Theory.  Prof. Kozak will join Columbia University as an Assistant Professor of Music in July, 2013.  He is currently a post-doctoral scholar and visiting assistant professor of music theory at the Indiana University Jacobs School of Music.  His research focuses on the emergence of musical meaning in contemporary art music, the development and cognitive bases of musical experience, and the phenomenology of bodily interactions in musical behavior. In his work, he attempts to bridge experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His current project examines how listeners' understanding and experience of musical time are shaped by bodily actions and gestures.

 
As a violinist, Kozak has performed with the Rochester Philharmonic, the New Mexico Symphony Orchestra, the Santa Fe Opera, and the Santa Fe Symphony. After a stint with a Chicago-based country band, he continues to fiddle around in his spare time.
 

Announcing a New MFA Program in Sound Arts at Columbia!

New Program Announcement!

SOUND ARTS

A new Interdepartmental MFA Program offered by the Columbia University School of the Arts in association with the Department of Music and the Computer Music Center.

Applications for Fall 2013 Now Being Accepted (Deadline Feb. 20, 2013)
 
Columbia University has been at the helm of sound-technology innovation for over fifty years with faculty specializing in composition, improvisation, sound installation, computer music, digital sound synthesis, acoustics, music cognition and software development.  Columbia's Computer Music Center in the Department of Music has a long history of creative excellence; its primary mission is to operate at the intersection of musical expression and technological development. The Center has state-of-the-art facilities for working in electro-acoustic music.  Faculty of the Center for Computer Music led the development of the new interdisciplinary area in Sound Arts that leads to the Master of Fine Arts degree awarded by the School of the Arts.

 
The Sound Arts area is currently accepting applications for Fall 2013. The program is highly selective. Each year only three to four students will be offered admission to the two-year program. Prospective students with a deep engagement with sound as medium, a familiarity with contemporary audio tools and techniques, and a demonstrated use of those tools in different contexts (sculptural or video installations, creation of performance interfaces, circuit-bending productions, innovative fusion of digital audio with digital graphics, imaginative use of network technologies) are encouraged to apply. While the Visual Arts Program in the School of the Arts currently accommodates students working in digital media, sculpture, installation, performance, film and video art, applicants who wish to base their research and studio practice primarily in the area of sonic or sound arts are to apply to the area of Sound Arts.