News and Events in Historical Musicology at Columbia
French Baroque Masterpieces: Prof. Geoffrey Burgess performs with the Choir of Trinity Church
Submitted by MPPUser on May 13, 2008 - 12:56pm.
Geoffrey Burgess, who has been visiting on the Columbia Historical Musicology faculty this
year, is also a renowned oboist, and next week will collaborate with the Choir of Trinity
Church at Wall Street in music of the French Baroque: not his usual area of opera, but in
a program of music from the Chapelle Royale.
Tuesday, May 20, 2008 @ 7:30 pm
read more »
Enlightening Harmonies: Rameau and the Corps Sonore in the Oracular Tradition of French Baroque Opera
Submitted by EthnoAdmin on March 10, 2008 - 2:58pm.A Historical Musicology Colloquium featuring Geoffrey Burgess (Columbia University) and Sean Parrresponding.
All HM Colloquia are free and open to the public.
Contact dmc2127@columbia.edu for more information.
A Modification to Consider in Layer Theories of Tonality
Submitted by EthnoAdmin on March 10, 2008 - 2:51pm.A Historical Musicology Colloquium featuring Joseph Dubiel (Columbia University). Respondant TBA.
All HM Colloquiua are free and open to the public.
Contact dmc2127@columbia.edu for more information.
Important Announcements for ALL Applicants to Our Graduate Programs
Important announcements for all applicants to our PhD and DMA programs.
- The application deadline for all of our programs is December 15, 2007
- Apply online directly at the GSAS website by clicking here.
- Please use the "Academic Area" links to the left or the "Contact and Visitor Information" link to the left to determine whom to contact for specific questions. If you are unsure, address questions to Prof. Fox, the Director of Graduate Studies, by email (aaf19@columbia.edu)
Scott Burnham: "The A Word (...anecdotal reflections on Analysis)" with Edgardo Salinas
Submitted by EthnoAdmin on October 23, 2007 - 1:00pm.
Scott Burnham holds a a M.M. in Music Composition from Yale University School of Music, and a Ph.D. in Music Theory and Analysis from Brandeis University. His scholarly interests include the history of tonal theory, problems of analysis and criticism, and 18-and 19th-century music and culture; publications reflecting these concerns have appeared in such journals as Beethoven Forum, Current Musicology, Journal of the American Musicological Society, Journal of Music Theory, Musical Quarterly, Music Theory Spectrum, and 19th-Century Music. He has received fellowships from the National Endowment for the Humanities, the Guggenheim Foundation and the National Humanities Center. read more »
Scott Burnham: "The A Word (...anecdotal reflections on Analysis)" with Edgardo Salinas
Submitted by EthnoAdmin on October 23, 2007 - 1:00pm.Scott Burnham holds a a M.M. in Music Composition from Yale University School of Music, and a Ph.D. in Music Theory and Analysis from Brandeis University. His scholarly interests include the history of tonal theory, problems of analysis and criticism, and 18-and 19th-century music and culture; publications reflecting these concerns have appeared in such journals as Beethoven Forum, Current Musicology, Journal of the American Musicological Society, Journal of Music Theory, Musical Quarterly, Music Theory Spectrum, and 19th-Century Music. He has received fellowships from the National Endowment for the Humanities, the Guggenheim Foundation and the National Humanities Center. read more »
