2024 Spring Course "Music, Sound, and Image Theory"
Professors Benjamin Steege (Music) and Jane Gaines (Film) present a new course "Music, Sound, and Image Theory."
Professors Benjamin Steege (Music) and Jane Gaines (Film) present a new course "Music, Sound, and Image Theory."
This series of profiles highlight valued student employees from across the Libraries, including Callum John Blackmore, a processing archivist at the Rare Book and Manuscript Library.
The Department warmly congratulates Jonathan Ligrani, who successfully defended his PhD dissertation in Music (Historical Musicology), “Manuscript Culture and Patrician Identity in the Florentine Madrigal,” on December 11, 2023.
The Department warmly congratulates Kyle DeCoste, who successfully defended his PhD dissertation in Music (Ethnomusicology), “Imagining Innocence: Black Popular Music and the Poetics of Childhood,” on December 11, 2023.
Alumnus Dr. Scott Gleason publishes article "Hearing Henry Grimes’s Jazz Spectralism" in Perspectives of New Music: https://muse.jhu.edu/pub/338/article/902895.
Columbia University School of the Arts presents the Sound Art classes of 2024 and 2025 in an exhibition at the Fridman Gallery titled FROM OUT THERE/TOWARD ME AND THROUGH ME.
Curated by Aïda Sidhoum
Featuring
A.M. DeVito, Colm Keady-Tabbal, Yueyang Luo, Andrea Moreno, Miles Scharff, and Julian Zehnder.
Dr. Audrey Amsellem (GSAS '22, Ethnomusicology) published her article "Machine Aurality: Uncanny Resonances and the Sonic Anxieties of Surveillance Capitalism" in "Sound Studies."
DMA candidate Cem Güven is one of five composers whose works have been nominated for the Gaudeamus Award 2024, the annual incentive prize for composers under 35.
Saturday, December 9th, 2023.
8 PM
St. Paul's Chapel, Columbia University
The Barnard-Columbia Chorus and Chamber Singers present
The Department warmly congratulates Makulumy Alexander-Hills, who successfully defended his PhD dissertation in Music (Music Theory), “Engaging with Musical Theater Practitioners' Vernacular Musical Knowledge as Music-Theoretical Practice,” on November 16, 2023.