organism: making art with living systems

The idea of making art with living systems is not new; you might even consider a garden or a goldfish pond to be biological art. What is new is the degree of control over biological systems and materials contemporary technology offers us. Topics on the organism weblog include technical, practical, aesthetic, and ethical issues related to making art with living systems. Artists, scientists, engineers, students, and anyone else with an interest in this area are invited to contribute.

June 16, 2008

Three Pieces (opening June 14 in Edinburgh)

Filed under: artists & works, exhibitions — douglas @ 6:23 pm

robot dulcimer

A new work by Found Electronics (Ziggy Campbell and Simon Kirby):

Appearing in the Palm House of the Royal Botanic Garden in Edinburgh from June 14th for at least two weeks, Three Pieces is a composition for plants, yangqin, bamboo robot and robotic chimes. It is designed as a collaboration between robots, traditional instruments, and living things. A traditional Chinese dulcimer is played by a robot with many bamboo fingers while the surrounding foliage hides an ensemble of robotic chimes. Despite being separate individuals, the robots communicate and perform together. The robot performers are conducted by all the living things in the Palm House. The moisture content of the soil changes slowly as the plants absorb water, while on a much faster timescale, the temperature changes in the building as animals, including humans, move about. The installation detects this living presence in the Palm House and the music changes accordingly. The robots react to humans, but their mood alters with the plants.


http://found-electronics.net/featured-project/three-pieces

June 14, 2008

Works by Guto Nóbrega

Filed under: artists & works — douglas @ 4:41 pm

Guto Nóbrega is a Brazilian artist and Ph.D. candidate at The Planetary Collegium programme at Plymouth University. He has made a number of works involving plants and other living organisms.

Equilibri

Equilibrium is part of an ecology of hybrid artefacts in development. It is a system in which a plant and an artificial mechanism share a mutual relationship. This hybrid system is composed of two small motors, solar cells, microchip, light sensors and a plant. The whole system is arranged in a form of a balance that is able to spin around its axes in a compass manner. The artificial system occupies one side of the balance and it is set to perform in a photovore (seeking light) behaviour by controlling two propellers which put the whole system to rotate clockwise or counter-clockwise. A small plant is located on the other side of the balance so that when the balance rotates in its axes the plant is posited towards the light. In turn, along with the plant two solar cells absorb light and feed the artificial system.

Leaves System

Leaves System is an aesthetic experiment but also a methodological tool for practical investigation. It seeks to explore how is possible to integrate new digital technologies and natural system in order to highlight subjective aspects of communication and interaction. It is also a way of inquiring whether or not it is possible to draw with the invisible lines that connect organisms to one another.


http://www.narrativasdigitais.eba.ufrj.br/Portifolio/Research.html

June 8, 2008

The cat tower

Filed under: artists & works, exhibitions — regine @ 9:06 am

I guess this one is more the “making art for living systems” kind but the installation includes plants so here we go.

Animals, Tom Sach’s solo exhibition at Sperone Westwater in New York, includes a tower called “La Guardia,” was custom designed for the cat that slinks around Mr. Sachs’s studio. A litter box with revolving parts, to reduce cleaning tasks, is topped by a small McDonald’s that serves cat food; this rises to a Japanese Zen garden with a video of clouds and birds chirping, which graduates to a penthouse based on the control tower at La Guardia Airport, where the push of a paw produces catnip atomizing spray.

laguardai

Via the new york times.

May 30, 2008

Biological Imperative

Filed under: exhibitions — regine @ 1:17 pm

Biological Imperative
rabbitJune 14-July 26, 2008. Opening Reception June 14, 7-10 PM, at Gallery Aferro, Newark.
Curated by Emma Wilcox

Screening July 12, 3 PM WAX, or the Discovery of Television Among the Bees
“…regarding a near future when objects that are partly alive and partly constructed exist, and when animal organs will be transplanted into humans. What kind of relationships we will form with such objects? How are we going to treat animals with human DNA?” - The Tissue Culture & Art Projec

Artists:

Andrea Aimi, Brandon Ballengée, Michael Betancourt, Ana Black, David Blair, William Brovelli,
Charlesworth, Lewandowski & Mann, Elio Caccavale, Sean Capone, Steven Dressler, Eva Drangsholt, Tagny Duff,
Aganetha & Richard Dyck, Lucia Fabio, Asha Ganpat, Daphne Gerou, Nora Herting, Verena Kaminiarz, Jennifer Mazza,
Jillian McDonald, Stephanie Metz, Lydia Moyer, Roger Sayre, David Sherry, Laura Splan, Brian Spolans, Ajla R. Steinvåg, Naoe Suzuki, Delmira Valladares, Maria Wallace

Structured around what the Tissue Culture and Art Project has called “cultural perceptions of life,” Biological Imperative freely mixes ideas of partial personhood, the possibilities of regeneration, multiples, fecundity, the semi-living, and the undead (things that just won’t die.) The exhibition posits linkage between disparate references such as (but not limited to) the undying popularity of the zombie genre, rabbit imagery, pirate radio and bioethical quandaries.

Elio Caccavalle’s MyBio Dolls are educational dolls informed by consultation with bioethicists, symbolizing possible biofutures, and allowing children to imagine narratives for scenarios such as human/animal organ transplants. Brandon Ballengee’s drawings of deformed frog specimens collected throughout the world also create a sense of the unfamiliar: some frogs have too many limbs, some too few. In Jillian McDonald’s two-channel installation in the new media room, Zombie Loop, zombie and survivor are somehow the same, referencing the genre’s implied life cycle. The endurance of radio signals in the atmosphere links Charlesworth, Lewandowski & Mann’s video work, Radio City to the theme of the undying. The piece is a record of journey via boat to an abandoned sea fort used by pirate radio transmissions in the 60’s. After an altercation that left one broadcaster dead, his wife rowed to sea and played “Strangers in the Night” as a memorial. CLM mimicked this action in 2006, playing the same song at high volume over the open water. The fecundity or productivity of animals, namely rabbits and bees, inspired other works in the exhibition, such as those by Aganetha Dyck with Richard Dyck, and David Blair. Dyck’s Hive Scans are large-scale color prints made in collaboration with bees, via a scanner introduced into a beehive. David Blair’s full-length film WAX was created over 6 years with footage shot on site at actual nuclear testing facilities in the US, flight simulation software and archival footage. The convoluted story concerns a beekeeper’s transformation upon discovering that his bees communicate between the living and the dead, and raises questions as to the collective and individual value of life.

25% of artworks in the exhibition contain rabbit content.

May 26, 2008

Biotech Company to Auction Chances to Clone a Dog

Filed under: news & oddities — regine @ 6:12 am

A California company is planning a string of online auctions next month to clone five dogs, with the bidding to start at $100,000.

Scientists consider dogs among the most difficult animals to clone because they have an unusual reproductive biology, more so than humans. But the company behind the auctions, BioArts International, maintains that the technology is ready, and it is calling the dog cloning project Best Friends Again. It has scheduled the auctions for June 18.

BioArts says it has licensed patents issued in the 1990s after researchers in Scotland cloned Dolly the sheep.

BioArts also arranged a partnership with the Sooam Biotech Research Foundation in South Korea. BioArts says one of the principal scientists there is Hwang Woo Suk, who in 2005 was involved in cloning a male Afghan hound. He and his Korean colleagues named that dog Snuppy, for Seoul National University puppy.

A team led by Dr. Hwang reported in 2004 that it had made cloned human embryos and stem cells. But those claims were found to be fraudulent.

Mr. Hawthorne had hoped to clone a dog — a dog named Missy — since the 1990s. He was the chief executive of another company, Genetic Savings & Clone, which did extensive research on cloning dogs but concentrated on the commercial potential of cloning customers’ cats, something it offered to do for $50,000 apiece.

But he said Genetic Savings shut down in 2006 after giving “some pricey refunds” to customers who had paid to have their cats cloned.

“The technology was not refined,” Mr. Hawthorne said, “and rather than keep an operation that was burning through several million a year, keep that going, we decided, shut that down, focus on technology and launch a new company when the time seemed right.”

His new company, BioArts, began work last fall to clone Missy, he said, who was three-quarters border collie and one-quarter husky.

Missy died in 2002 at age 15. But Mr. Hawthorne had taken genetic samples from Missy in 1997, and had more taken after she died.

In December, he said, a clone was born, Mira. Two other clones of Missy, Chin-Gu and Sarang, were born in February, he said. Tests by the Veterinary Genetics Laboratory at the University of California, Davis, indicated that the three dogs were clones, not just relatives.

As for the auctions, Mr. Hawthorne said the bidding would start at $100,000. He said that was a starting price, not a minimum, and could drop.

Mr. Hawthorne said cloning techniques had become more efficient over the years. He said 25 percent of embryo transfers now result in a puppy, and the survival rate of the puppies is greater than 80 percent. “That’s within the range of what conventional dog breeders expect,” he said.

But Dr. Robert Lanza, the chief scientific officer of Advanced Cell Technology, a biotech company with laboratories in Worcester, Mass., voiced concern when a reporter described Best Friends Again.

“If anyone thinks they’re going to get Fluffy back,” Dr. Lanza said, “they’re gravely mistaken.” A cloned dog is “likely to be a totally unknown dog, just as if you went to the pound and adopted another, unknown animal.”

Agliomania - 8 garlic bulbs as art objects

Filed under: artists & works, exhibitions — regine @ 5:39 am

AglioMania (GarlicMania) refers to TulipoMania that took place in early 17th century Netherlands. During that time, tulip bulbs were traded for enormous prices and eventually crashed, thus the term bubble economy. AglioMania re-enacts the maniac trading phenomena with garlic produced in Italy during the 6 weeks of the “Enterprise of Art” exhibition at Palazzo delle Arti Napoli in Naples.

agliomania8 garlic bulbs collected from local farmers are framed as art objects and put on display. Each garlic bulb with a specific name enters the bidding market where Aglio Mille (garlic 1000 Lire) is the currency. A bidding system is established for the web and the gallery. The public is issued Aglio Mille, encouraged by the money earning schemes, joins the bidding for the desirable aglio bulbs.

AglioMania takes the public on an illusionary market frenzy. At the end of the exhibition, the highest bidder gets the desirable garlic bulb. Ultimately, the get rich garlic schemes are smashed as truck loads of garlic enter the green market.
Until June 30, 2008 at PAN I Palazzo delle Arti Napoli, Italy.

Via networked_performance.

May 23, 2008

Andy Gracie: Autoinducer_Ph-1

Filed under: artists & works, exhibitions — douglas @ 5:51 pm

Autoinducer_Ph-1 (cross cultural chemistry) exploits a traditional rice cultivation technique from SE Asia where Azolla is grown in large quantities and used as an organic, nitrogen rich fertilizer in the rice paddies. In the installation this process is reworked in an overly complexified, industrial, laboratory style way as a reflection on western agricultural techniques, our modern relationships with nature and the networked, machinic nature of ecologies.

Featuring an assemblage of pond-like structures, electronics, laboratory and hydroponic equipment Autoinducer_Ph-1 probes into and interferes with the symbiotic relationship between the cyanobacteria Anabaena and the water fern Azolla. Notions of data and information systems inherent in the relationships between the organic protagonists of the installation, and how they may be augmented, are realised by a synthetic software-based bacteria that interacts with them in its assumed roles of part time symbiont and part time parasite. Video projections which display evolution of the GCS graphic environment, and highly magnified video of Anabaena cultured under a video microscope.

Outcomes of this complex relationship and its proximity to symbiotic or parasitic characteristics determine the behaviours of the robotic rice farming system that forms the physical bulk of the installation. The installation loops biological, electro-robotic and computing processes together in a literally fertile interaction where the “primal soup” aspect of the Anabaena and Azolla cultures, and fragility of the young rice shoots, contrast strikingly with the computer-generated artificial chemistry molecules of the GCS.

Andy says:

“If anyone happens to be passing through beautiful Ljubljana next week please drop in to the opening of ‘Autoinducer_Ph-1′ at the Kapelica gallery on Kersnikova 4 on the evening of 27th May. In the meantime you can actually see the proof that I work for a living by spying on me as I destroy my ageing legs and back installing the work. Go to kapelica.org and you’ll get the webcam of the gallery. A new image every 15 seconds.”

http://www.hostprods.net/autoinducer.html

May 16, 2008

Suicide Gerbera Daisy Plant

Filed under: artists & works, exhibitions — regine @ 3:12 pm

Dying for the sake of art is causing quite a bit of controversy these days. Carsten Höller’s approach to the subject is softer and strictly botanical.

deathplant

Carsten Höller, Suicide Gerbera Daisy Plant, 2008, installation view

On view at the Swiss Institute of Contemporary Art, New York, until May 17, 2008.

May 9, 2008

Botanicalls: The Plants Have Your Number

Filed under: news & oddities, websites — douglas @ 10:33 pm

Botanicalls: The Plants Have Your Number
Botanicalls opens a new channel of communication between plants and humans, in an effort to promote successful inter-species understanding.

Botanicalls allows plants to place phone calls for human help. When a plant on the Botanicalls network needs water, it can call a person and ask for exactly what it needs. When people phone the plants, the plants orient callers to their botanical characteristics.

http://www.botanicalls.com
(via MAKE: Blog)

May 6, 2008

STUDY FOR LIT FROM WITHIN

Filed under: artists & works, exhibitions — douglas @ 9:27 pm

STUDY FOR LIT FROM WITHIN
new installation
by Ryan Wolfe
(with special thanks to Allison Kudla)

The technological and biological merge to create a unique hybrid living system which inverts the fundamental biological relationship between inside and outside…

STUDY FOR LIT FROM WITHIN In a sun-less room, plants thrive using light that emanates from within their own living tissue. Ryan Wolfe’s newest installation redefines how a living form can relate to its environment.

Clusters of Equisetum Hyemale (Common Horsetail) are equipped with the equivalent of internal sunshine. staggered throughout a dark room, each plant contains a number of surgically-embedded LEDs. These LEDs have been selected to enable the plants to photosynthesize in darkness. Sunrise and sunset programmatically occur from within each plant, allowing the viewer to navigate a field of organisms flourishing off their own internal sun cycle.

Wolfe’s installation reminds us how modern advances increasingly reconfigure lives while offering an imaginative glimpse of the future of this intertwining.

At Dam, Stuhltrager Gallery until June 29th, 2008.

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