Mariusz Kozak joined Columbia University in 2013. His research focuses on the emergence of musical meaning in contemporary art music, the development and cognitive bases of musical experience, and the phenomenology of bodily interactions in musical behavior. In his work, he bridges experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His current project examines how listeners' understanding and experience of musical time are shaped by bodily actions and gestures.
Prior to coming to Columbia University he was a postdoctoral scholar at the Indiana University Jacobs School of Music.
As a violinist, Kozak has performed with the Rochester Philharmonic, the New Mexico Symphony Orchestra, the Santa Fe Opera, and the Santa Fe Symphony. After a stint with a Chicago-based country band, he continues to fiddle around in his spare time.