Selected Publications, Recordings, and Compositions:
Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain (Oxford University Press, 2011)
The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity, edited with Diane J. Reilly (Columbia University Press, 2011)
Young Choristers, 650-1700, edited with Eric Rice (Boydell and Brewer, 2008)
Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125 (Cornell University Press, 2006)
Musical Childhoods and the Cultures of Youth, edited with Roe-Min Kok (Wesleyan University Press, 2006)
From Dead of Night to End of Day: The Medieval Customs of Cluny, edited with Isabelle Cochelin (Turnhout: Brepols, 2005)
Selected Articles and Book Chapters (for complete list see CV):
“From Book to Song: Texts Accompanying the Man of Sorrows in the Fourteenth and Fifteenth Centuries,” in New Perspectives on the Man of Sorrows, ed. Catherine R. Puglisi and William L. Barcham (Kalamazoo, MI: Medieval Institute Publications, 2013), 117-146
“Burriel, Palomares y el studio del rito hispánico en el siglo XVIII,” in El canto mozárabe y su entorno: Estudios sobre la música de la liturgia viejo hispánica, ed. Ismael Fernández de la Cuesta, Rosario Álvarez Martínez and Ana Llorens Martin (Madrid: Sociedad Española de Musicología, 2013), 647-668
“Reproducing the Middle Ages in Eighteenth-Century Toledo,” in City, Chant, and the Topography of Early Music: In Honor of Thomas Forrest Kelly, ed. Michael Scott Cuthbert, Sean Gallagher and Christoph Wolff (Cambridge, MA: Harvard University Department of Music, 2013), 189-204
“The Language, Form, and Performance of Monophonic Liturgical Chants,” (with Margot Fassler), in The Oxford Handbook of Medieval Latin Literature, ed. Ralph Hexter and David Townsend (New York: Oxford University Press, 2011), 376-400
“Oral Transmission of Liturgical Practice in the Eleventh-Century Customaries of Cluny,” in Understanding Monastic Practices of Oral Communication (Western Europe, Tenth-Thirteenth Centuries), ed. Steven Vanderputten, Utrecht Studies in Medieval Literacy (Turnhout: Brepols, 2011), 63-78
“The Bible and the Liturgy,” in The Practice of the Bible in the Western Middle Ages, ed. Susan Boynton and Diane Reilly (New York: Columbia University Press, 2011), 10-33
“Writing History with Liturgy,” in Representing History, 900–1300: Art, Music, History, ed. Robert A. Maxwell (University Park, PA: Penn State Press, 2010), 187-200, 258-62
“A Monastic Death Ritual from the Imperial Abbey of Farfa,” Traditio 64 (2009): 57-84
“Reconsidering the Toledo Codex of the Cantigas de Santa Maria in the Eighteenth Century,” in Quomodo Cantabimus Canticum? Studies in Honor of Edward H. Roesner, ed. Rena Charnin Mueller, John Nadas, David Cannata, and Gabriela Ilnitchi (Stuttgart: American Institute of Musicology, 2008), 209-22
“Prayer as Liturgical Performance in Eleventh- and Twelfth-Century Monastic Psalters,” Speculum 82 (2007): 895-931
"Orality, Literacy, and the Early Notation of the Office Hymns," Journal of the American Musicological Society 56 (2003): 99-167
"A Lost Mozarabic Liturgical Manuscript Rediscovered: New York, Hispanic Society of America, B2916, olim Toledo, Biblioteca Capitular, 33.2," Traditio 57 (2002) 189-219
"Glosses on the Office Hymns in Eleventh-Century Continental Hymnaries," The Journal of Medieval Latin 11 (2001): 1-26
"Women's Performance of the Lyric before 1500," in Medieval Woman's Song: Cross-Cultural Perspectives, ed. Ann Marie Rasmussen and Anne Klinck (Philadelphia: University of Pennsylvania Press, 2001), 47-65
“Frammenti medievali nell’Archivio dell’Abbazia di Farfa,” Benedictina 48 (2001): 325-53
“Training for the Liturgy as a Form of Monastic Education,” in Medieval Monastic Education, ed. Carolyn Muessig and George Ferzoco (Leicester, London, New York: Leicester University Press, 2000), 7-20
"Eleventh-Century Continental Hymnaries Containing Latin Glosses," Scriptorium 53 (1999): 200-251
"The Sources and Significance of the Orpheus Myth in 'Musica Enchiriadis' and Regino of Prüm's 'Epistola de harmonica institutione'," Early Music History 18 (1999): 47-74
"Performative Exegesis in the Fleury Interfectio Puerorum," Viator 29 (1998): 39-64
