Biography

Name, Title, & Role(s)
Full Name:
Chistopher J. Washburne
Position/Title:
Associate Professor of Music
Position/Title:
Director, Louis Armstrong Jazz Performance Program
Position/Title:
Chair, Ethnomusicology Area Committee (2009-10)
Position/Title:
(On leave Spring 2010)
Contact Information
Office Address:
619A Dodge Hall
Office Hours:
TBA
Columbia e-mail:
cjw5@columbia.edu
Christopher Washburne is an Associate Professor of Music and Director of the Louis Armstrong Jazz Performance program at Columbia University. He has published numerous articles on jazz, Latin jazz, and salsa topics, and his book, Sounding Salsa was published in 2008 by Temple University Press. He is leader of the highly acclaimed jazz groups SYOTOS and NYDNK.  In addition to these bands, he has performed and recorded with Tito Puente, Eddie Palmieri, Celia Cruz, Ray Barretto, Mark Anthony, Justin Timberlake, Celine Dion, Gloria Estefan, and the Duke Ellington Orchestra. 

Chris Washburne has been called the "best trombonist in salsa" by Peter Watrous of the New York Times. He is leader of the highly acclaimed Latin jazz group SYOTOS, the busiest and most in demand Latin jazz band in New York. His newest release, Paradise In Trouble (Jazzheads Records) has received rave reviews. In addition to SYOTOS he has performed and recorded with Tito Puente, Eddie Palmieri, Celia Cruz, Ray Barretto, Mark Anthony, Justin Timberlake, Celine Dion, Gloria Estefan, and the Duke Ellington Orchestra. He is currently an Assistant Professor of Music and Director of the Louis Armstrong Jazz Performance program at Columbia University. He has published numerous articles on Latin jazz and salsa topics.
Degrees, Publications, and Recordings
Degrees:
BM (Wisconsin)
MM (New England Conservatory, 1988)
PhD (Columbia 1999)
Selected Publications:
Sounding Salsa (Temple University Press, 2008)

"Play it 'con filin!': The swing and expression of salsa," Latin American Music Review 19/2 (Fall-Winter 1990)

"The clave of jazz: A Caribbean contribution to the rhythmic foundation of an African-American music" Black Music Research Journal 17/1 (Spring 1997)
tags: