Home
  • Home
  • About
  • Events
  • News
  • People
  • Contact

Music at Columbia

  • Courses and Programs of Study
    • For Graduate Students
    • For Undergraduates
    • Jazz at Columbia
    • Courses
  • Academic Areas
    • Composition
    • Ethnomusicology
    • Historical Musicology
    • Music Theory
  • Performance at Columbia
  • Dissertation Directory
  • Contact and Visitor Information

  • Center for Ethnomusicology
  • Center for Jazz Studies
  • Computer Music Center

  • Collegium Musicum
  • Columbia Composers
  • Columbia Music Scholarship Conference
  • Current Musicology (Journal)
  • Miller Theatre
  • Music & Arts Library

Links and Resources

  • Columbia University Home
  • Barnard College Music
  • Jonathan D. Kramer Memorial Fund
  • CUArts Listing of Music Resources
  • Joseph H. Bearns Prize
  • For Undergraduates
    • Columbia College Bulletin
    • Music Humanities Online
    • Asian Music Humanities Online
  • For Graduate Students
    • Graduate Handbook
    • Graduate School of Arts & Sciences
    • GSAS Bulletin
    • GSAS Teaching Center

User login

  • Create new account
  • Request new password
Home

Historical Musicology

  • Recognizing Music In The Films Of Stanley Kubrick
    Monday, April 21, 2008 - 5:22pm
  • Models And Modes Of Musical Representation In Benjamin Britten's Death In Venice: Musical, Historical, And Ideological Contexts
    Monday, April 21, 2008 - 5:20pm
  • The Compositional History, Critical Reception, And Musical Style Of Nikolay Rimsky-Korsakov's "Servilia" And "Pan Voyevoda"
    Monday, April 21, 2008 - 5:19pm
  • Ridotta Alla Perfettione: Metaphysics And History In The Music-Theoretical Writings Of Giovanni Maria Artusi
    Monday, April 21, 2008 - 5:11pm
  • The Office antiphons of the Ambrosian chant
    Monday, April 21, 2008 - 3:27pm
  • Degeneration, neoclassicism, and the Weimar-era music of Hindemith, Krenek, and Weill
    Monday, April 21, 2008 - 3:01pm
  • The Oratorio in Prussia and Protestant Germany: 1812-1848
    Monday, April 21, 2008 - 1:36pm
  • The Case of Beethoven: Aesthetic Ideology and Cultural Politics in fin-de-siècle Viennese Modernism
    Monday, April 21, 2008 - 1:23pm
  • Mahler's Landscapes: Constructions Of Space In Music And The Visual Arts In Fin-De-Siecle Vienna
    Monday, April 21, 2008 - 12:45pm
  • "The Real Idealism Of History": Historical Consciousness, Commemoration, And Johannes Brahms' "Years Of Study"
    Monday, April 21, 2008 - 12:28pm
1234next ›last »
Syndicate content

Upcoming Events

  • Lion in the Grass, the Columbia Bluegrass Band’s Final Spring Concert(Event: Performances)(05/07/2008 - 9:00pm)
  • Columbia University Wind Ensemble - Overlook Concert Series in Riverside Park(Event: Performances)(05/11/2008 - 2:00pm)
  • Chamber Music by Music Performance Program Student Ensembles(Event: Performances)(05/11/2008 - 8:00pm)
Add to iCalendar
more

The Department of Music at Columbia University newsletter

Stay informed on our latest news!

Marion Guck Awards American Musicological Society music Society for Ethnomusicology composition Society for Music Theory concert Mozart handbook individual projects Jazz Bluegrass Columbia University Orchestra MPP New Faculty graduate study Graduate Seminar Conferences Joseph Dubiel David Novak Ethnomusicology Chamber music Gagaku Cathy Cox Don Sickler Susan Boynton Music Performance Program Ellie M. Hisama Faculty News
more tags

Contact Us

Site Copyright © 2007 All Rights Reserved by The Department of Music at Columbia University, Columbia University, and the respective individual and institutional copyright holders of all posted and linked content. You may link freely to any public portion of this site. This site may not be hosted as inline content on another URL, and content from this site may not be used without attribution. For information or to report problems write to aaf19@columbia.edu.
RoopleTheme