home
current issue
current staff
music department • columbia university    
 
   about   |   issues   |   subscribe   |   contribute   |   advertise  
 
previous | next
number 56/1994
Edited by Karen Painter
 
ARTICLES
  Lawrence Kramer
       Performance and Social Meaning in the        Lied: Schubert's Erster Verlust
  Joel Lester
       Reading and Misreading: Schumann's        Accompaniments to Bach's Sonatas and        Partitas for Solo Violin
  Carl Schachter
       The Submerged Urlinie: The Prelude from        Bach's Suite No. 4 for Violoncello Solo

VIEWPOINT
  John Rahn
       Centers; Dissenters (Music, Religion, and        Politics)

REVIEWS
  John Daverio
       Ruth Solie, ed. Musicology and Difference:        Gender and Sexuality in Music Scholarship
  Robert P. Morgan
       Jean-Jacques Nattiez, ed. The Cage-Boulez        Correspondence
  Anne J. Stone
       Anna Maria busse Berger. Mensuration and        Proportion Signs: Origins and Evolution
  George Stauffer
       Gregory Butler. Bach's Clavier-Ubung III:        The Making of a Print. With a Companion        Study of the Canonic Variations on "Von        Himmel Hoch," BWV 769 		REPORTS
  Jane Bowers
       Feminist Theory and Music II in Rochester, June 1993
  Jonathan Walker
       Belfast International Congress of Verdi Studies. Verdi Middle        Period, March 1993
  Michael Beckerman
       Dvorák in America, August 1993
  Alice Clark
       Symposium in Honor of Harold Powers, April 1994

COMMUNICATIONS
about CM    issue archives     CM staff    
instructions to contributors    subscriptions and individual issues    information for advertisers
music department     columbia university