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numbers 67 & 68/fall–winter 1999
SPECIAL ISSUE: COMPOSERS
Edited by Daniel N. Thompson
 
ARTICLES
  Christopher Bailey
       Realizing Musical Gestures with the        Computer: Paradigms and Problems
  Martin Brody
       middle / ground
  Earle Brown
       Transformations and Developments of a        Radical Aesthetic
  Chen Yi
       Tradition and Creation
  Jason Eckardt
       Listening and Composing
  Kai Fikentscher
       The Disc Jockey as Composer, or How I        Became a Composing DJ
  Douglas Geers
       Oblique Strategies
  Lou Harrison
       About My Fourth Symphony
  Julie Harting
       hoc est corpus meum
  David Hönigsberg
       Chamber Symphony 1998
  Edward Jacobs
       Elements of a Style
  Arthur Kampela
       A Knife All Blade: Deciding the Side Not to        Take
  Jonathan D. Kramer
       Coming to Terms with Music as Protest and        Remembrance: One Composer's Story
  Fred Lerdahl
       Composing Notes
  Alvin Lucier
       Fruits and Vegetables
  Steven Mackey
       Music as an Action Sport
  Don Meade
       The Composition of Irish Traditional Music
  Duncan Neilson
       On Plurality
  David Rakowski
       My Attitude Problem
  Thomas L. Read
       ...whence freedom
  Steve Reich w/ Rebecca Kim
       From New York to Vermont: Conversation with Steve Reich
  Ned Rorem
       Screeds
  Frederic Rzewski
       Little Bangs: A Nihilist Theory of Improvisation
  Oliver Schneller
       Material Mattters
  Melanie Schoenberg
       Painting, Composing, and Fear of the Dark
  Elliot Sharp
       SyndaKit: An Algorithmic Approach
  David Temperley
       Things I Think about, and Don't Think about, When I Compose
  Dan Wanner
       Leaving the Ivory Tower
  Christopher Washburne
       A Nuyorican Son

REVIEW-ESSAY
  Daniel N. Thompson
       Beyond Duality: Stasis, Silence and Vertical Listening. A        Review of In Quest of Spirit: Thoughts on Music, by Jonathan        Harvey, and Give My Regards to Eighth Street: Collected Writings        of Morton Feldman, edited by B. H. Friedman