Columbia Music Scholarship Conference (Saturday, February 27)

Columbia Music Scholarship Conference (CMSC) 2016

The eleventh annual Columbia Music Scholarship Conference (CMSC) will be held at Columbia University on Saturday, February 27, 2016.

CMSC is a conference organized and staffed by the graduate students of the Department of Music at Columbia University.

Keynote Speaker
Professor Alexander Rehding (Harvard University)

"Piano, Monochord, Siren: Studying Music 1999 – 1518 – 1834"

Full details at the conference website!

Vince Cherico wins a GRAMMY with Arturo O’Farrill

Arturo O’Farrill & The Afro Latin Jazz Orchestra

Congratulations to Vince Cherico, associate in jazz drums at Columbia's Music Performance Program for your amazing GRAMMY win! On February 8, 2015 at the 57th Annual GRAMMY Awards in Los Angeles, The Offense of the Drum, the fourth album from Arturo O’Farrill & the Afro Latin Jazz Orchestra, won the GRAMMY Award for Best Latin Jazz Album.

"Meet Our Students" Omar Abboud (SEAS '16)

Featured Music Performance Program Student: OMAR ABBOUD (SEAS '16)

MPP

What year are you at Columbia and what are you majoring in?

I am a senior at Columbia majoring in Industrial Engineering & Operations Research (IEOR).

How long have you been a participant of the MPP?

I have been a participant in MPP since my sophomore year, making this my third year in the program.

Professor Ellie Hisama in two articles on David Bowie

Professor Ellie Hisama's 1993 paper "Postcolonialism on the make: the music of John Mellencamp, David Bowie and John Zorn" has been quoted in two recent articles on David Bowie (following Bowie's death on January 10 of this year):

"For Bowie, the Thin White Duke, inspiration was black" (Economic Times)

Ruth Tam, "How David Bowie's 'China Girl' used racism to fight racism" (Washington Post)

Matthew Morrison Appointed Assistant Professor at NYU

Matthew Morrison (Ph.D, Historical Musicology, 2014) has been appointed a tenure-track Assistant Professor, Recorded Sound in the Tisch School of the Arts (Clive Davis Institute of Recorded Music) at New York University. Since 2014 he has been an Assistant Professor and Faculty Fellow in the Institute. Congratulations Matthew! https://tisch.nyu.edu/about/directory/clive-davis-institute/918859097 Check out Matthew's website here: http://madmoimpresario.com/

Columbia Composers 2015-2016 Concert Season Announced

Please mark your calendars for the Columbia Composers 2015-16 concert season:

Saturday, December 5th, 2015 at 8:00 PM: Electroacoustic works

at Prentis Hall (3rd floor), 632 W. 125th Street

Featuring works by MFA students Danielle Dobkin, Chatori Shimizu, Geronimo Mercado, and Frank Spigner, and DMA students Sam Yulsman, Ryan Pratt, and Martin Heindl, with special guests Carrie Frey (viola), Chris Pitsiokos (saxophone), William Cepeda (conch shell), Dana Malseptic (synthesizer), and Nathan Bellott (saxophone)

Friday, March 11th, 2016 at 8:00 PM: Ekmeles and Yarn/Wire

at the DiMenna Center for Classical Music, 450 W 37th St

Featuring works by Christopher Trapani, Yair Klartag, Martin Heindl, Matthew Ricketts, Ashkan Behzadi, Bill Doughery, and Shih-Wei Lo

Saturday, April 2nd, 2016 at 8:00 PM: Mivos Quartet and Loadbang

at Symphony Space, 2537 Broadway

Featuring works by Tyshawn Sorey, Mary Kouyoumdjian, Paul Clift, John Rot, Stylianos Dimou, Onur Yildirim, and Sam Yulsman

Saturday, April 30th, 2016 at 8:00 PM: Wet Ink (Large Ensemble and Band)

at St. Peter's Church, 346 W 20th St

Featuring works by David Bird, Sky Macklay, Ryan Pratt, Taylor Brook, Roberto Toscano, Alec Hall, and Nina C. Young

More information about the Columbia Composers' concerts can be found on their website.

Professor Zosha Di Castri Wins 2016 Yvar Mikhashoff Trust Competition

Professor Zosha Di Castri and pianist Julia Den Boer have won the 2016 Yvar Mikhashoff Trust competition, whose goal is "to encourage the composition and performance of new works for solo piano reflecting and continuing the legacy of the distinguished American pianist, Yvar Mikhashoff" (http://www.mikhashofftrust.org/).

Professor Di Castri will be collaborating with Dr. Den Boer next year to write a new work for solo piano that will be premiered at the Banff Center for the Arts. Congratulations, Professor Di Castri!

Prof. Ana Maria Ochoa Wins 2015 Merriam Book Prize from Society for Ethnomusicology!

The Department warmly congratulates Prof. Ana Maria Ochoa (Ethnomusicology), whose new book Aurality: Listening and Knowledge in Nineteenth Century Colombia (Duke University Press, 2014) has been co-awarded the prestigious Alan Merriam Prize from the Society for Ethnomusicology.

The Merriam Prize recognizes "the most distinguished, published English-language monograph in the field of ethnomusicology" of the prior two year period.

'MEET OUR STUDENTS" GRAHAM JACOBSON (CC'16)

Featured Music Performance Program Student: GRAHAM JACOBSON (CC'16)

MPP

What year are you at Columbia?

I am currently a senior at Columbia College (CC’16). 

What are you majoring in? 

I am double concentrating in Anthropology and Jazz Studies. I also participate in the Columbia-Juilliard Exchange.

How long have you been a participant of the MPP?

I have participated in the MPP since I arrived on campus my freshman year.

How have you benefited by MPP programs and performance opportunities?

MPP performance opportunities have enriched my Columbia experience, because they have been moments in which I performed for and with people dear to me.

Columbia Sounds Concerts in Paris

Columbia Sounds: A New Concert Series at Columbia Global Centers | Paris

At Columbia Global Centers | Paris, the Department of Music offers a new concert series featuring Department faculty, students, and alumni. Held at Reid Hall (4, rue de Chevreuse, 75006 Paris), the performances will be free of charge.

Columbiana, on February 15, 2016, at 7 pm, will present the cellist Anssi Karttunen and the violinist Marina Chiche. The program includes music of Edmund Campion, Tan Dun, Fred Lerdahl, Bryan Jacobs, Taylor Brook, Zosha Di Castri, Yoshiaki Onishi, Pablo Ortiz, Nina C. Young, Magnus Lindberg, Kaija Saariaho, and Henri Dutilleux. Karttunen, widely praised as the most distinguished cellist performing new music today, has collaborated extensively with Columbia composers of several generations. After the concert, Karttunen will join Nina C. Young (Columbia DMA student and Fellow of the American Academy in Rome) in a conversation about the Creative Dialogue project that gave rise to several of the works on the program.

Ensemble Pamplemousse: This is the Uplifting Part, on March 15, 2016, at 7 pm, will feature the composer/performer collective Ensemble Pamplemousse in a program of experimental new music by the collective’s members, including prominent Columbia DMA alumni Natacha Diels and Bryan Jacobs. Diels, now Assistant Professor of Composition at UC San Diego, founded the Ensemble in New York in 2003. Each of the Pamplemousse members specializes in a unique aspect of composition, from micro-detailed instrumental writing to experimental theatre with electronics to electro-mechanical musical robotics. Their performances combine weirdness and beauty with pop culture and classical virtuosity. After the concert, the musicians will discuss their work in conversation with Susan Boynton (Chair, Department of Music and organizer of the series).

Event Sponsors: Columbia Global Centers | Europe; Department of Music, Columbia University; Office of Global Programs, Columbia University; Alice M. Ditson Fund

David Bowie, 1947-2016

The Department of Music joins millions of fans, friends, and colleagues around the world in mourning the passing of David Bowie.

(Photobra|Adam Bielawski)

Read Jon Pareles' obituary in The New York Times.

Position Announcement: Mellon Postdoctoral Teaching Fellowships in Music

The Department of Music at Columbia University invites applications for (two) Mellon Postdoctoral Teaching Fellowships.

Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2016.

A PhD, DMA or the equivalent is required. The degree must have been received between January 1, 2012 and July 1, 2016. Fellows will be expected to do research, participate in the academic life of the Department of Music, and teach one course per semester in each of the two years(three in Columbia's Core Curriculum and one in the candidate's area of specialization).

Review of applications begins January 19, 2016 and will continue until the positions are filled.

Please visit the following link (Columbia University RAPS) for detailed information and to apply:

https://academicjobs.columbia.edu/applicants/Central?quickFind=61975

Columbia University is an Equal Opportunity/Affirmative Action employer -- Race/Gender/Disability/Veteran.

Pierre Boulez, 1925-2016

The Department of Music mourns the passing of Pierre Boulez and we extend our condolences to his friends, family, and colleagues around the world.

Online Obituaries:

The Guardian (UK)

The New York Times

Tina Frühauf Receives Ruth A. Solie Award from AMS

Tina Frühauf, along with her co-editor Lily E. Hirsch, won the American Musicological Society's Ruth A. Solie award this year for their edited volume, Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press, 2014). Solie Committee Chair Professor Colleen Reardon (UC Irvine) described the volume at the award presentation:

"The Solie award winner this year tackles themes of transnationalism, displacement, and memory by examining the fascinating and often problematic relationship between Jewish music and German culture in the shadow of the Holocaust. An introduction that leads naturally into a survey of postwar writings on Jewish music, and an illuminating postscript on the “represence” of Jewish music in Germany frame a collection of essays that elegantly mirror the theme of the volume by traveling backwards and forwards in time, by exploring music in the camps and outside its borders, and by tackling such difficult topics as the discourse of avoidance and narratives of survival."

At Columbia, Dr. Frühauf teaches Jewish Music of New York (MUSI V2030) and Masterpieces of Western Music (Music Humanities).

George Lewis' Afterword Streamed on BBC Radio 3

The live (audio) recording of George Lewis's new opera Afterword, performed in the Lawrence Batley Theater as part of the Huddersfield Contemporary Music Festival in November 2015, is being streamed on the BBC Radio 3 site, as part of its “Hear and Now” series.

The opera, Afterword, celebrates the work of the Association for the Advancement of Creative Musicians (AACM), a pioneering collective of musicians that took root in Chicago in 1965.

http://www.bbc.co.uk/programmes/b06r432b#play

Joelle Lamarre (soprano)

Julian Terrell Otis (tenor)

Gwendolyn Brown (contralto)

International Contemporary Ensemble

David Fulmer (conductor)

Sean Griffin (director)

(Pictured: Julian Terrell Otis, Gwendolyn Brown, and Joelle Lamarre -- copyright Ross Karre and I Care If You Listen, 2015)

Columbia Music Scholarship Conference: Call for Papers (Deadline Jan 5 2016)

The Columbia Music Scholarship Conference invites graduate students and recent Ph.D. recipients to submit abstracts to be selected for presentation at our eleventh annual meeting on February 27, 2016 at Columbia University in New York. The theme of the 2016 meeting will be Listening. We are pleased to announce that the conference will feature a keynote address by Alexander Rehding (Harvard University).

CFP Deadline: January 5, 2016.

We seek papers that engage with topics including, but not limited to, the following:

--Mediated Listening: How have technologies shaped listening practices and how have practices of listening shaped technologies?
--Sound: Toxic or Curative?: How have medical, physiological, and psychological discoveries affected the way listening is understood? How have practitioners in these fields studied listening and hearing?
--(In)Active Listening: How might states of mind affect listening? How does space influence listening practice and musical performance?
--Listening In: How can listening be used as a mode of surveillance and control? How does ethics factor into listening?
--Constructed Listeners: Who are the assumed listeners in music scholarship? Whose identities are excluded? How are these exclusions perpetuated by different types of music, sound, or noise?
--Pedagogy: In what ways have educational institutions impacted the practices of listening? How do pedagogical approaches “cultivate” listeners?

We are soliciting proposals for twenty-minute presentations from scholars active in all music disciplines as well as from scholars in related fields, aiming to maximize the theoretical and methodological breadth of the discussion.

Please submit abstracts of 200 to 250 words to 2016cmsc [at] gmail.com by January 5, 2016. Please include your name and contact information in your e-mail only, and attach the abstract as a Word, text, or .pdf file. The committee will select papers anonymously. All scholars who submit abstracts will be notified of the committee's decision by January 20th. For more information on the conference, please visit the conference website.

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