Eamonn Bell (GSAS ’19, Music Theory) has accepted an appointment as Assistant Professor of Computer Science (Digital Humanities) at Durham University, to begin in September 2021.
Professor Zosha Di Castri has launched a new podcast series The Dream Feed: Musicians on Motherhood featuring conversations between musicians on their experiences navigating the seemingly incompatible worlds of professional music and motherhood, sharing in both the personal challenges and profoundly inspiring moments that come with being simultaneously mothers and musicians.
Dr. Kevin C. Holt (Ethnomusicology ‘18) has accepted the position of Assistant Professor of Ethnomusicology in the Department of Music at Stony Brook University, SUNY, where he will be teaching the department’s first core course centered on hip-hop music.
Michael Weinstein-Reiman (GSAS '21) has been appointed Visiting Assistant Professor of Music at Wesleyan University, starting Fall 2021.
Dr. Scott Gleason (GSAS '13) has been promoted to Acquisitions Editor for Grove Music Online at Oxford University Press.
Dr. Julia Hamilton has published "'African' Songs and Women's Abolitionism in the Home, 1787-1807" in "Studies in Eighteenth-Century Culture."
The Department warmly congratulates Dr. Mary Kouyoumdjian, who successfully defended her DMA dissertation in Music Composition titled "Creating with ghosts: Identity and artistic purpose as Armenian diaspora" on June 4, 2021.
Dr. Sean Parr (GSAS '10) has a number of recent accomplishments to announce. He recently published his first book, Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera (Oxford University Press, 2021).
The Department warmly congratulates Dr. Julia Hamilton, who on May 26, 2021 successfully defended her Ph.D. dissertation in Historical Musicology entitled "Political Songs in Polite Society: Singing about Africans in the Time of the British Abolition Movement, 1787 to 1807.”
The Department warmly congratulates Dr. Onur Yıldırım, who successfully defended his DMA dissertation in Music Composition titled "Phonetics-based Techniques in My Compositional Methodology and Two Compositions: 'ŠÀ {karāz}' for large ensemble and 'eschaton according to bēl-rē'u-šu' for percussion trio" on May 24, 2021.
The Department warmly congratulates Dr. Velia Ivanova, who on May 24, 2021 successfully defended her Ph.D. dissertation in Historical Musicology entitled "The Musical Heritage of Incarceration: The Curation, Dissemination, and Management of the Lomax Collection Prison Songs.”
Dr. Anne Levitsky (GSAS '18) has been appointed Lecturer in Music at the University of Queensland in Brisbane, Australia. She will be teaching in their Interdisciplinary Centre for Western Civilisation while also working with students and other faculty in the School of Music.
The Department warmly congratulates Dr. Maria Fantinato Geo de Siqueira, who on May 21, 2021 successfully defended her Ph.D. dissertation in Ethnomusicology entitled "Resonances of Land: silence, noise and extractivism in the Brazilian Amazon."
Jessie Cox and Dr. Samuel Yulsman (DMA 2021) have published an article in Critical Studies in Improvisation entitled "Listening through Webs for/of Creole Improvisation: Weaving Music II as a Case Study."
The Department warmly congratulates Dr. Mario Cancel-Bigay, who on May 17, 2021 successfully defended his Ph.D. dissertation in Ethnomusicology entitled "Sounds that Fall Through the Cracks, and Other Silences and Acts of Love: Decoloniality and Anticolonialism in Puerto Rican 'Nueva Canción' and 'Chanson Québécoise.'"
Congratulations to Qingfan Jiang for her appointment as a Postdoctoral Associate in the Institute of Sacred Music at Yale University.
The Department warmly congratulates Dr. Tom Smith, who on May 12, 2021 successfully defended his Ph.D. dissertation in Historical Musicology entitled "Hearing with American Law: On Music as Evidence and Offense in the Age of Mass Incarceration."
Russell O'Rourke (GSAS '20, Historical Musicology) has been awarded a four-month postdoctoral scholarship (Postdoc-Stipendium) by the Max Planck Institute for Empirical Aesthetics in Frankfurt, Germany.