The Columbia University Ethnomusicology community is delighted to congratulate our recent PhD alumnus Dr. Beatriz Goubert, who has been selected as the associate editor for Latin America at RILM (International Repertory of Music Literature) in New York.
On November 9, 2019, Magdalena Stern-Baczewska (Director, Music Performance Program) gave the Canadian premiere of Tan Dun's Piano Concerto "The Banquet" with the Vancouver Symphony Orchestra and the composer conducting.
Emily Hansell Clark won the 2019 Latin American and Caribbean Music Section of the Society for Ethnomusicology (LACSEM) student paper prize for her paper "Wiet Wiet, Kiaauw: Birds and Men in Suriname and the Netherlands."
Dr. Eamonn Bell was appointed as a postdoctoral Research Fellow in the Department of Music at Trinity College, Dublin in October 2019.
“Affordances and Free Improvisation: An Analytical Framework”—which Dr. Hannaford delivered at last year’s combined meeting for the American Musicological Society (AMS) and Society for Music Theory (SMT) in San Antonio—was awarded the Steve Larson Award for Jazz Scholarship at this year’s SMT meeting in Columbus.
Magdalena Stern-Baczewska has made her Philadelphia Orchestra debut, performing Tan Dun's Triple Concerto at Philadelphia's Kimmel Center for Performing Arts, with the composer conducting.
Magdalena Stern-Baczewska was Artist in Residence at University of Nevada Las Vegas. She presented a lecture "Interpreting Bach’s Dance Music on the Keyboard," and performed a recital on the piano and harpsichord.
Ethnomusicology PhD student Manuel Garcia Orozco's "Anónimas & Resilientes" (Anonymous and Resilient) is nominated for a Latin Grammy for Best Recording Package.
The Department of Music warmly congratulates Dr. Mario Diaz de Leon (DMA, Composition 2013), who was recently appointed Assistant Professor of Music and Technology at Stevens Institute of Technology in Hoboken, NJ.
Professor Kevin Fellezs's new book Listen But Don’t Ask Question: Hawaiian Slack Key Guitar Across the TransPacific will be published in December 2019 by Duke University Press.
"Enacting Musical Time: The Bodily Experience of New Music" by Professor Mariusz Kozak will be published by Oxford University Press on November 6th, 2019. The book is available for preorder.
Magdalena Stern-Baczewska has made her Tanglewood Music Festival debut in August, performing Tan Dun's "Martial Arts Cycle" with violinist Ryu Goto and cellist Wei Yu at the Seiji Ozawa Hall. The performance received a standing ovation.
Yair Klartag is one of three laureates for 2019-2022. Ricordi Berlin will publish selected works by the laureates, support the composers with expertise in the music business, and provide international promotion for a period of three years.
Professor Zosha Di Castri opened the BBC Proms on July 19th with her latest work Long Is the Journey - Short Is the Memory. The piece marked the 50th anniversary of the lunar landings.
Professor Alessandra Ciucci has published an article in the July 2019 issue of The Journal of North African Studies. Her article is entitled "Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)."
Peter M. Susser, Senior Lecturer, Director of Undergraduate Musicianship, has received the Provost’s new Large-Scale Teaching and Learning Grant for his, “Digital Ear Training Improvisation Initiative.”
Historical musicology graduate student Sean Colonna published “Celebrating the Maurice Peress Archive” in the Spring 2019 issue of the American Music Review.
George Lewis is one of the six newest Doris Duke Artists chosen by the Doris Duke Charitable Foundation. The Award celebrates the chosen artists' ongoing contributions to contemporary dance, music, and theater.