The Arabic translation of Alessandra Ciucci's writing on Moroccan professional female singer-dancers (shikhat) and on the musicopoetic genre ‘aiṭa, was published as a collection by the Edition La Croisée des Chemins in partnership with the Académie du Royaume du Maroc.
Professor Alessandra Ciucci was interviewed by "Columbia News" about the release of her new book "The Voice of the Rural."
The Department of Music is pleased to announce that Scott Douglass has joined the Department as a Postdoctoral Research Scholar.
Graduate students Sonja Wermager and Callum Blackmore have both published chapters in the recent volume "Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall."
The Department of Music is pleased to announce the appointment of Dr. Seth Cluett as the Director of the Computer Music Center.
The Department warmly congratulates Dr. Lucy Turner, who successfully defended her PhD dissertation in Music (Historical Musicology), titled “Rethinking Beethoven’s Middle Style: Form, Time, and Disruption in the Chamber Music of 1806-15” on June 8, 2022.
The Department warmly congratulates Dr. Laina Dawes, who successfully defended her PhD dissertation in Music (Ethnomusicology), titled “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal" on June 8, 2022.
The Department warmly congratulates Dr. Audrey Amsellem, who successfully defended her PhD dissertation in Music (Ethnomusicology), titled "Sound and Surveillance: The Making of the Neoliberal Ear" on May 16, 2022.
The Columbia University Department of Music is delighted to announce that Dr. Knar Abrahamyan will be joining our department as Assistant Professor in Music Theory and Race in 2023.
Drs. Alessandra Ciucci and Bill Dougherty (DMA 2021) have been selected as Fellows at the Columbia Institute for Ideas and Imagination.
Katherine Balch has won the 2022 Charles S. Miller Award. The Charles S. Miller Award is given annually to students who, in the opinion of the Faculty, have achieved distinction of the highest standard in the field of Music Composition.
Vicente Hansen Atria has won the 2022 Charles S. Miller Award. The Charles S. Miller Award is given annually to students who, in the opinion of the Faculty, have achieved distinction of the highest standard in the field of Music Composition.
Grace D'Haiti has won the 2022 Charles S. Miller Award. The Charles S. Miller Award is given annually to students who, in the opinion of the Faculty, have demonstrated excellence of the highest standard in the field of Music Composition.
Zosha Di Castri was commissioned by the Chicago Center for Contemporary Composition's Grossman Ensemble to write a world premiere, entitled "time>>T. - - I. - - M.(time) - - E."
Callum Blackmore’s article “Hyacinthe Jadin and the Sound of Revolution: Recovering French String Quartet Aesthetics in 1790s Paris” was recently published in the edited volume "String Quartets in Beethoven’s Europe" (Academic Studies Press, 2022).
Jessie Cox, DMA graduate student, has published the article "Aesthetics of (Black) Breathing" in liquid blackness by Duke University Press with Columbia University alumnus Isaac Jean-François.
Zosha Di Castri was commissioned by the Toronto Symphony Orchestra to write a song cycle for acclaimed soprano Barbara Hannigan, entitled "In the Half-Light." With a libretto written by renowned author Tash Aw, the cycle received its world premiere in Toronto's Roy Thomson Hall on May 19 and 21, 2022, conducted by Gustavo Gimeno.
Magdalena Stern-Baczewska (Director, MPP), together with clarinetist Carol McGonnel and Orchestre de Chambre du Conservatoire Américain de Fontainebleau, gave a U.S. premiere of Charles Fox's Fantaisie for Clarinet, Piano, and Orchestra, with the composer at the podium.