Nicola Hein (GSAS, MA '22, Music Theory) has been appointed Professor of Digital Creation at the Musikhochschule Lübeck, starting October 2022, where he will teach sound art and electronic music.
Michael Weinstein-Reiman (GSAS '21, Music Theory) has been appointed Assistant Professor of Music Theory at University of Wisconsin-Madison, Mead Witter School of Music, starting Fall 2022.
Toru Momii (GSAS '21, Music Theory) has been appointed Assistant Professor of Musicology in the Department of Music at Harvard University, starting Fall 2022.
The Department warmly congratulates Dr. Tom Wetmore, who successfully defended his PhD dissertation in Music (Ethnomusicology), titled "Jazz Steel": An ethnography of race, sound, and technology in spaces of live performance" on April 4, 2022.
The Department warmly congratulates Dr. Vicente Hansen Atria, who successfully defended his DMA dissertation in Music Composition, titled "Contrafactual Archaeology: A Model for Inter-idiomatic Composition in 'Orlando Furioso'" on April 29, 2022.
The Columbia University Department of Music is happy to announce that Dr. Marcos Balter will be joining our department as the Fritz Reiner Professor of Musical Composition.
The Department warmly congratulates Dr. Katherine Balch, who successfully defended her DMA dissertation in Music (Composition), titled "Liminal Spaces: Sonic Ecologies within and around the music of Erin Gee" on April 15, 2022.
Delta David Gier, distinguished conductor, is the recipient of the 2022 Ditson Conductor’s Award for the advancement of American music, Columbia University has announced.
"In the hands of the young American composer Katherine Balch, orchestral sounds become tactile objects — clattery, brightly colored pebbles that she assembles into evocative musical mosaics."
Audrey Amsellem has been awarded the 2021 SSN Early Career Researcher Prize for her paper: "The Noise of Silent Machines: A Case Study of LinkNYC,” by Surveillance & Society and the Surveillance Studies Network.
Dr. Tyshawn Sorey (DMA '17) performed for the 50th anniversary of Houston's Rothko Chapel at the end of February.
Dr. Eric Wubbels (DMA '10) was profiled in the New York Times on March 4th. The profile discusses his compositional work and process since moving to Massachusetts at the start of the pandemic.
Professor George Lewis will receive an honorary Doctor of Music from the University of Pennsylvania.
Dr. Velia Ivanova (GSAS '21, Historical Musicology) has published an article titled “Defining the Songs of Incarceration: The Lomax Prison Project at a Critical Juncture” in the February 2022 issue of the Journal of the Society for American Music.
Katherine Balch (Composition) has joined the faculty of the Yale School of Music as Visiting Assistant Professor, Adjunct, of Composition.
Dr. Paula Harper (GSAS '19, Historical Musicology), previously Assistant Professor of Musicology in the Glenn Korff School of Music at University of Nebraska-Lincoln, has been appointed Assistant Professor in Music and The College at the University of Chicago.
Professor Mariusz Kozak has published a new article titled “Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal” in the latest issue of the "Journal of Music Theory."
Seth Cluett, assistant director of the Computer Music Center and lecturer in the Department, has teamed up with Hewlett-Packard to lower the barriers for students interested in electronic music.