Mariusz Kozak, has published "Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding" in Music Theory Spectrum.
STEPHANIE CHOU, a singer, saxophonist, and composer from NY, combines classical and Chinese influences with jazz and pop harmony and rhythm. She released an album, Asymptote, which features fresh arrangements of Chinese classics including "Kangding Love Song," "The Moon Represents My Heart," a tongue-twister about Eating Grapes, and a setting of one of LiBai's most famous poems.
Zosha Di Castri's orchestral piece Lineage had its Japanese première at Suntory Hall on August 30th in a performance by the Tokyo Symphony alongside works by Kaija Saariaho (the featured theme composer) and Jean Sibelius. On September 2, Di Castri's String Quartet No.1 was given its première as the Canadian Commission Round of the Banff International String Quartet Competition.
Columbia Composition DMA student Stylianos Dimou's piece "my grounding | surrounding [it]_self / h_I. v.2" (2015-2016) for one percussionist and electronics has been awarded First Prize at the Concorso Internazionale di Composizione “Amici della Musica di Cagliari” 2016. The piece will be performed in Cagliari on the 28th of September.
DMA alumnus Jeff Talman has been awarded a New York Foundation for the Arts (NYFA) Fellowship in Music and Sound. Less than 4% of applicants to the award receive it - congratulations for this very prestigious fellowship, Dr. Talman! More information can be found on NYFA's website, here.
Nansong Huang (Columbia College/Juilliard Exchange 2016) gave a successful and well-attended piano recital at the Columbia Global Center in Beijing. Over one hundred people attended, and Nansong gave a short speech to the audience after the recital on the importance of music education. For a more complete write-up of the event, please visit the write-up done by the Columbia Global Center in Beijing.
The Department warmly congratulates Dr. Nicholas Chong, who successfully defended his PhD dissertation, Beethoven's Catholicism: A Reconsideration, on Friday, June 3, 2016. Dr. Chong's dissertation was advised by Professor Elaine Sisman, and his committee included Professors Susan Boynton, Euan Cameron (UTS), James Hepokoski (Yale), and Walter Frisch.
Congratulations, Dr. Chong!
The Mivos Quartet will premiere Carl C. Bettendorf's (DMA, Composition, 2009 & current adjunct professor) String Quartet No. 2, Yggdrasil (commissioned by the Ralph Kaminsky Fund for New Music) and Kate Soper's (DMA, Composition) Nadja on Tuesday, June 7 (tomorrow!) at 6 p.m in Miller Theater.
Admission is free and on a first come, first served basis. Check out more information about the concert here on Miller Theater's website.
This summer, pieces by Mary Kouyoumdjian, current DMA student in composition, will be premiered and/or performed by a number of ensembles, including Hotel Elefant, the Brooklyn Youth Chorus, and the Kronos Quartet.
On June 9 at 7pm, her work Become Who I Am, presented by the New York Philharmonic, will be performed at Lincoln Center by the Brooklyn Youth Chorus along with the contemporary ensemble Hotel Elefant. Later this summer, Mary will be in residence at the Mizzou International Composers Festival, where the ensemble Alarm Will Sound will premiere her work Paper Pianos.
Also taking place this summer: the Kronos Quartet will perform Mary's piece Bombs of Beirut in Poland and will give the Bay Area premiere of Silent Cranes at Cal Performances. This spring, the Kronos Quartet performed Bombs of Beirut and an arrangement of Mary's piece Groung [Crane] in the UK and Canada, receiving a very favorable review by The Guardian.
Mary has also received support from the Brooklyn Youth Chorus' MAP Fund, and a piece of hers will be featured in the Chorus' 25th anniversary season in 2016-2017.