Audrey Amsellem has published "The Noise of Silent Machines: A Case Study of LinkNYC" in the journal "Surveillance & Society."
Finola Merivale has been awarded a FEDORA Digital Prize for the virtual reality community opera project, "Out of the Ordinary."
Dr. Ruth Opara, a Mellon Postdoctoral Teaching Fellow in the Department of Music at Columbia University, is excited to share that she has accepted a tenure track position in the Department of Arts and Music Histories at Syracuse University.
Professor Mariusz Kozak has published an article titled "Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?" in Music Theory Online.
Ellie M. Hisama to be Professor Emerita of Music, effective July 1, 2021.
Michael Weinstein-Reiman (GSAS '21) has been appointed Visiting Assistant Professor of Music at Wesleyan University, starting Fall 2021.
Toru Momii has been appointed Visiting Assistant Professor of Music Theory at Indiana University Jacobs School of Music, starting Fall 2021.
Dr. Scott Gleason (GSAS '13) has been promoted to Acquisitions Editor for Grove Music Online at Oxford University Press.
Dr. Julia Hamilton has published "'African' Songs and Women's Abolitionism in the Home, 1787-1807" in "Studies in Eighteenth-Century Culture."
The Department warmly congratulates Dr. Mary Kouyoumdjian, who successfully defended her DMA dissertation in Music Composition titled "Creating with ghosts: Identity and artistic purpose as Armenian diaspora" on June 4, 2021.
Dr. Sean Parr (GSAS '10) has a number of recent accomplishments to announce. He recently published his first book, Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera (Oxford University Press, 2021).
Professor Ellie Hisama (Music Theory and Historical Musicology) has published "Getting to Count" as an advance article in Music Theory Spectrum.
The Department warmly congratulates Dr. Julia Hamilton, who on May 26, 2021 successfully defended her Ph.D. dissertation in Historical Musicology entitled "Political Songs in Polite Society: Singing about Africans in the Time of the British Abolition Movement, 1787 to 1807.”
The Department warmly congratulates Dr. Onur Yıldırım, who successfully defended his DMA dissertation in Music Composition titled "Phonetics-based Techniques in My Compositional Methodology and Two Compositions: 'ŠÀ {karāz}' for large ensemble and 'eschaton according to bēl-rē'u-šu' for percussion trio" on May 24, 2021.
The Department warmly congratulates Dr. Velia Ivanova, who on May 24, 2021 successfully defended her Ph.D. dissertation in Historical Musicology entitled "The Musical Heritage of Incarceration: The Curation, Dissemination, and Management of the Lomax Collection Prison Songs.”
Dr. Anne Levitsky (GSAS '18) has been appointed Lecturer in Music at the University of Queensland in Brisbane, Australia. She will be teaching in their Interdisciplinary Centre for Western Civilisation while also working with students and other faculty in the School of Music.
The Department warmly congratulates Dr. Maria Fantinato Geo de Siqueira, who on May 21, 2021 successfully defended her Ph.D. dissertation in Ethnomusicology entitled "Resonances of Land: silence, noise and extractivism in the Brazilian Amazon."
Jessie Cox and Dr. Samuel Yulsman (DMA 2021) have published an article in Critical Studies in Improvisation entitled "Listening through Webs for/of Creole Improvisation: Weaving Music II as a Case Study."