Professor Julia Doe has contributed two chapters to a new interdisciplinary collection on French lyric theater: "Histoire de l’opéra français du Roi-Soleil à la Révolution," edited by Hervé Lacombe and published by Éditions Fayard.
Paula Clare Harper (GSAS '19, Historical Musicology), formerly a Postdoctoral Teaching Fellow at Washington University in St. Louis, has been named the new Assistant Professor of Musicology in the Glenn Korff School of Music at University of Nebraska-Lincoln.
On April 8, five Columbia-affiliated composers were honored with Guggenheim Fellowships: Nina Young (DMA 2016), Sky Macklay (DMA 2018), Ashkan Behzadi (DMA 2019), Zosha Di Castri (Francis Goelet Assistant Professor of Music and DMA 2014), and Miya Masaoka (Director of the Sound Art Program in the School of the Arts).
Professors Zosha Di Castri and Ellie Hisama were interviewed about the symposium Unsung Stories: Women at Columbia's Computer Music Center in the article "Celebrating Women in Electronic Music at Columbia."
Dr. Christine Dysers is a Fulbright Visiting Scholar in the Department of Music, Columbia University. Her research is broadly concerned with 20th- and 21st-century music, with particular attention to contemporary composition and the aesthetics of repetition.
Julia Doe, assistant professor of music, has published a new monograph, "The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution." The book is available through the University of Chicago Press.
The Department warmly congratulates Dr. Samuel F. Yulsman, who successfully defended his DMA dissertation in Music Composition titled "Free Jazz Simulations and Political Despair in Aaron Cassidy's 'The Wreck of former boundaries' and 'a line off the convaplex, ifs of color, devout conditions' and 'Negative Horizon'" on March 15, 2021.