Sean Colonna has published a book chapter titled "Using Mastery Objectives to Foster Inclusive Teaching" in the edited volume Teaching Gradually: Practical Pedagogy and Classroom Strategies for Graduate Students by Graduate Students (Stylus, 2021).
Professor Mariusz Kozak has published his piece "What’s behind the magic of live music?" in The Conversation.
Jessie Cox (Composition) will release his debut solo album "When You're a Star" on November 14, 2021.
Dr. Laure M. Hiendl (DMA '20) is one of the recipients of the Rome Prize of the German Academy Villa Massimo.
Grant Woods (Historical Musicology) has been hired as a part-time Program Assistant at the American Musicological Society (AMS).
Audrey Amsellem has published her article: "Alexa and the Making of the Neoliberal Ear" in Law Text Culture.
Zosha Di Castri, Olivia De Prato, Allison Loggins-Hull, and Alice Teyssier announce the launch of Matricalis, a website and community hub that reflects on the impact of motherhood on individual musicians.
Professor Kevin Fellezs has received an Honorable Mention as the 2021 Best Subsequent Book Award from the Native American and Indigenous Studies Association (NAISA).
Magdalena Stern-Baczewska gave a world premiere of Prelude and Fugue by Gene Pritsker at the season opening concert of Composers Concordance in DROM NYC.
Callum Blackmore has been awarded the prize for best student paper at the Ninth Biennial Conference of the Society for Eighteenth-Century Music, held virtually at the Royal Swedish Academy of Music in Stockholm.
An article coauthored by Professor Emerita Ellie Hisama and Dr. Lucie Vágnerová (GSAS '16) on the workshop For the Daughters of Harlem: Working in Sound has been published in Sounding Together: Collaborative Perspectives on U.S. Music in the Twentieth Century, ed. Charles Hiroshi Garrett and Carol J. Oja (University of Michigan Press, 2021).
Magdalena Stern-Baczewska's harpsichord improvisation is featured on a single "Robo Tribe," recently released on DJ's Daughter, a Brooklyn-based music collective.
Historical Musicology graduate student Callum Blackmore has been awarded the M. Elizabeth C. Bartlet Fund for Research in France from the American Musicological Society.
Peter Susser and Eric Bartlett’s Masked Music Commission from the APNM, “Cinque Bouquets pour Jacques Monod,” is now available on YouTube.
David Bird (DMA '19) has been appointed Visiting Assistant Professor at Hamilton College and will start next year.
Jessie Cox's essay on Cecil Taylor, an American pianist and one of the pioneers of free jazz, has been published by the American Music Review.
The Department warmly congratulates Dr. Toru Momii, who successfully defended his PhD dissertation in Music (Music Theory), titled "Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski" on July 19, 2021.
Eamonn Bell (GSAS ’19, Music Theory) has accepted an appointment as Assistant Professor of Computer Science (Digital Humanities) at Durham University, to begin in September 2021.