Benjamin Steege has published two articles: "Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy," in Music & Letters and "Between Race and Culture: Hearing Japanese Music in Berlin," in History of Humanities.
PhD candidates Paula Harper (HM) and Michael Weinstein-Reiman (Theory) presented papers on Beyoncé and Nicki Minaj at the international biennial Feminist Theory and Music conference at San Francisco State University, July 27-30. Congratulations, Paula and Michael!
Sean Hallowell (PhD, 2013) is a 2018-2020 recipient of the Thinking Matters Fellowship at Stanford University. The Fellowship offers an opportunity for recent recipients of doctoral degrees to teach in an innovative liberal education program with a cohort of like-minded colleagues from a wide variety of different disciplines.
Several new recordings of Professor George Lewis' compositions have been released: The Will To Adorn, with International Contemporary Ensemble; Creative Construction, with Splitter Orchester; Not Alone, with Seth Parker Woods on cello; and Spinner, with Mariel Roberts on cello.
Ethnomusicology PhD candidate Emily Clark has been awarded two fellowships, including a Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship(DDRF) and a GSAS Mellon Humanities International Travel Fellowship from the Graduate School of Arts and Sciences at Columbia.
Columbia's esteemed Fritz Reiner Professor of Musical Composition and director of the Fritz Reiner Center, Alfred Lerdahl, will be presenting the New York Premiere of Time and Again with the League of Composers Orchestra