Kevin Fellezs published his article “Nahenahe (soft, sweet, melodious): Sounding Out Native Hawaiian Self-Determination” in the Journal of the Society for American Music's Special Issue on Music, Indigeneity, and Colonialism in the Americas.
The Fromm Music Foundation at Harvard University has announced the names of fifteen composers selected to receive 2019 Fromm commissions. Eight of the fifteen winners are alumni of Columbia's DMA program in Composition.
Professor Zosha Di Castri's album "Tachitipo" has been included on "The New Yorker" music critic Alex Ross's preliminary list of Notable Recordings of 2019.
Dr. Kozak was interviewed by Columbia News about his new book, "Enacting Musical Time: The Bodily Experience of New Music."
Professor Ellie Hisama was selected by the Office of the Provost as one of fourteen new Provost Leadership Fellows for 2019-2021.
The Columbia University Ethnomusicology community is delighted to congratulate our recent PhD alumnus Dr. Beatriz Goubert, who has been selected as the associate editor for Latin America at RILM (International Repertory of Music Literature) in New York.
On November 9, 2019, Magdalena Stern-Baczewska (Director, Music Performance Program) gave the Canadian premiere of Tan Dun's Piano Concerto "The Banquet" with the Vancouver Symphony Orchestra and the composer conducting.
Emily Hansell Clark won the 2019 Latin American and Caribbean Music Section of the Society for Ethnomusicology (LACSEM) student paper prize for her paper "Wiet Wiet, Kiaauw: Birds and Men in Suriname and the Netherlands."
Dr. Eamonn Bell was appointed as a postdoctoral Research Fellow in the Department of Music at Trinity College, Dublin in October 2019.
“Affordances and Free Improvisation: An Analytical Framework”—which Dr. Hannaford delivered at last year’s combined meeting for the American Musicological Society (AMS) and Society for Music Theory (SMT) in San Antonio—was awarded the Steve Larson Award for Jazz Scholarship at this year’s SMT meeting in Columbus.
Magdalena Stern-Baczewska has made her Philadelphia Orchestra debut, performing Tan Dun's Triple Concerto at Philadelphia's Kimmel Center for Performing Arts, with the composer conducting.
Magdalena Stern-Baczewska was Artist in Residence at University of Nevada Las Vegas. She presented a lecture "Interpreting Bach’s Dance Music on the Keyboard," and performed a recital on the piano and harpsichord.
Brad Lubman, distinguished conductor and composer, is the recipient of the 2019 Ditson Conductor’s Award for the advancement of American music.
Ethnomusicology PhD student Manuel Garcia Orozco's "Anónimas & Resilientes" (Anonymous and Resilient) is nominated for a Latin Grammy for Best Recording Package.
The Department of Music warmly congratulates Dr. Mario Diaz de Leon (DMA, Composition 2013), who was recently appointed Assistant Professor of Music and Technology at Stevens Institute of Technology in Hoboken, NJ.
Professor Kevin Fellezs's new book Listen But Don’t Ask Question: Hawaiian Slack Key Guitar Across the TransPacific will be published in December 2019 by Duke University Press.
"Enacting Musical Time: The Bodily Experience of New Music" by Professor Mariusz Kozak will be published by Oxford University Press on November 6th, 2019. The book is available for preorder.
Magdalena Stern-Baczewska has made her Tanglewood Music Festival debut in August, performing Tan Dun's "Martial Arts Cycle" with violinist Ryu Goto and cellist Wei Yu at the Seiji Ozawa Hall. The performance received a standing ovation.