The Department warmly congratulates Dr. Bill Dougherty, who successfully defended his DMA dissertation in Music Composition titled "Imagining Together: Èliane Radigue’s Collaborative Creative Process" on April 26, 2021.
Paula Clare Harper (GSAS '19, Historical Musicology), formerly a Postdoctoral Teaching Fellow at Washington University in St. Louis, has been named the new Assistant Professor of Musicology in the Glenn Korff School of Music at University of Nebraska-Lincoln.
On April 8, five Columbia-affiliated composers were honored with Guggenheim Fellowships: Nina Young (DMA 2016), Sky Macklay (DMA 2018), Ashkan Behzadi (DMA 2019), Zosha Di Castri (Francis Goelet Assistant Professor of Music and DMA 2014), and Miya Masaoka (Director of the Sound Art Program in the School of the Arts).
Professors Zosha Di Castri and Ellie Hisama were interviewed about the symposium Unsung Stories: Women at Columbia's Computer Music Center in the article "Celebrating Women in Electronic Music at Columbia."
The Department warmly congratulates Dr. Samuel F. Yulsman, who successfully defended his DMA dissertation in Music Composition titled "Free Jazz Simulations and Political Despair in Aaron Cassidy's 'The Wreck of former boundaries' and 'a line off the convaplex, ifs of color, devout conditions' and 'Negative Horizon'" on March 15, 2021.
Kevin Holt (GSAS '18), Katie Radishofski, and Professor Ellie Hisama are profiled in part two of Nigel Telman's two-part article in Columbia Spectator about Columbia's relationship with hip-hop.
Three Columbia affiliates were represented in the New York Times yesterday in the Times's roundup of the "25 Best Classical Music Tracks of 2020": George Lewis, Ash Fure, and Tristan Perich.
Peter M. Susser, Senior Lecturer, Director of Undergraduate Musicianship, has published a digital guidebook in partnership with the Center for Teaching and Learning entitled, “Eureka: A Digital Guidebook for Improvisation Leadership in the Ear Training Classroom.”