Young Concert Artists, in New York City, has this week announced composer Saad Haddad as its 2019-2021 Composer-in-Residence!
Congratulations to Ashkan Behzadi who has been appointed as the 2019-20 Postdoctoral Researcher at the rank of Instructor in the Division of the Humanities at the Chicago Center for Contemporary Composition (CCCC).
The Department warmly congratulates Dr. Yair Klartag, who on March 5, 2019, successfully defended his DMA dissertation in music composition, Post-Ironic Sounds: Wallacian New Sincerity in “Unavoidably Sentimental” for Large Ensemble.
Sam Pluta, Matthew Ricketts, Katharina Rosenberger, and Christopher Trapani have been awarded the 2019 Fellowship from the John Simon Guggenheim Memorial Foundation. Congratulations!
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
Columbia faculty, composer, pianist, and conductor Mahir Cetiz discusses his music in an interview conducted by faculty member Alexander K. Rothe in a recent post on new classical news website I Care If You Listen
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
The Department announces the following named awards in Composition for 2018:
The Music Department is offering a wide range of courses this fall, including several featured and new electives.
Alumna Nina C. Young (DMA, Composition 2016) has recently been announced as the Assistant Professor of Composition and Director of the Electronic Music Studios at the Butler School of Music at The University of Texas at Austin. Her contract will begin with the 2018-2019 academic year.
Rebecca Kim edits the first comprehensive survey of the groundbreaking work of Earle Brown, augmented with several newly published items from his personal archive. Earle Brown (1926–2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff.
Our colleague George Lewis was awarded an Honorary Doctorate by Harvard in this year's Commencement.
Composer and pianist Courtney Bryan (DMA Composition, 2014) works in multiple genres, both sacred and secular, including jazz and other experimental music, traditional gospel, spirituals, and hymns. Unifying her compositions - solo to orchestral works, choral music and sound installations - is a desire to “communicate the sounds of rebellion and healing.”
The Columbia University Department of Music extends heartfelt congratulations to our 2018 graduates.
Zosha Di Castri ,the Francis Goelet Assistant Professor of Music, will be one of the Fellows at Columbia's new Institute for Ideas and Imagination in Paris.
The highly coveted Berlin Prize is awarded annually to scholars, writers, composers, and artists from the United States who represent the highest standards of excellence in their fields.
Edward Jacobs, Yoshiaki Onishi, and Mika Pelo are three of the (former) Columbia Composers who are recipients of Guggenheim Fellowship this year. Congratulations!
The Music Department is offering a wide range of courses this semester, including several featured and new electives.