The Music Department is offering a wide range of elective courses this semester.
For the entire listing, please see Directory of Classes.

Read the interview with Courtney Bryan (DMA, Composition, 2014) about the première of "The Dream Unfinished."

DMA alumnus Jeff Talman has been awarded a New York Foundation for the Arts (NYFA) Fellowship in Music and Sound. Less than 4% of applicants to the award receive it - congratulations for this very prestigious fellowship, Dr. Talman! More information can be found on NYFA's website, here.

The Computer Music Center was awarded a faculty grant for their Massive Open Online Course (MOOC), History of Music Production Techniques, which will be taught by Terry Pender. Congratulations, CMC!

The Mivos Quartet will premiere Carl C. Bettendorf's (DMA, Composition, 2009 & current adjunct professor) String Quartet No. 2, Yggdrasil (commissioned by the Ralph Kaminsky Fund for New Music) and Kate Soper's (DMA, Composition) Nadja on Tuesday, June 7 (tomorrow!) at 6 p.m in Miller Theater.

Admission is free and on a first come, first served basis. Check out more information about the concert here on Miller Theater's website.

Maja Cerar will be a featured performer in the New York City Electroacoustic Music Festival at the National Sawdust in June 2016. NYCEMF 2016 will showcase electroacoustic music and video art from around the world, and Professor Cerar will perform Tania León's Axon, Ken Ueno's Vedananupassana, Elizabeth Hoffman's Fastenings (world premiere), Liubo Borissov/Maja Cerar's Autopoiesis and Paolo Gatti's Poltergeist.

For more information, please see the NYCEMF's webpage.

Nina C. Young, a fifth-year DMA student in composition, has been appointed Assistant Professor in the Department of the Arts at Rensselaer Polytechnic Institute starting this fall.

Congratulations, Nina!

The Department of Music warmly congratulates DMA candidate Christopher Trapani who has been awarded a 2016-17 Rome Prize from the American Academy in Rome.

The Rome Prize is "awarded to about thirty emerging artists and scholars who represent the highest standard of excellence and who are in the early or middle stages of their working lives." Mr. Trapani is the second Columbia DMA student to win the Rome Prize in as many years.

Learn more about Mr. Trapani and his music at:

http://christophertrapani.com/

A composer with a genuine international trajectory, Christopher Trapani maintains an active career in the United States, the United Kingdom, and in Continental Europe. Commissions have come from the BBC, the JACK Quartet, and Radio France, and his works have been recently heard at Carnegie Hall, the Southbank Centre, IRCAM, and Wigmore Hall.

Christopher’s music synthesizes disparate influences, weaving both American and European stylistic strands into a personal aesthetic that defies easy classification. Snippets of Delta Blues, Appalachian folk, dance band foxtrots, and Turkish makam can be heard alongside spectral swells and meandering canons. As in Christopher’s hometown of New Orleans, diverse traditions coexist and intermingle, swirled into a rich melting pot. Consonance is a central preoccupation; microtonality and just intonation are often employed. Timbral explorations are also manifold, from experiments with a wide range of mutes and preparations to an unusual instrumentarium, with scorings that call for electric guitar, dulcimer, qanûn, stroh violin, and retuned autoharps. Several of Christopher’s compositions bear the mark of his training in literature, influenced by novelists and poets including Thomas Pynchon, Geoff Dyer, and C. P. Cavafy. Many recent works also incorporate an idiosyncratic use of electronics, expanding the possibilities of color, pitch, and timing beyond the acoustic realm.

Christopher was born in New Orleans, Louisiana in 1980. He holds a Bachelor’s degree from Harvard, where he studied composition with Bernard Rands and poetry under Helen Vendler. He spent most of his twenties overseas: a year in London, working on a Master’s degree at the Royal College of Music with Julian Anderson; a year in Istanbul, studying microtonality in Ottoman music on a Fulbright grant; and seven years in Paris, where he studied with Philippe Leroux and worked at IRCAM, both on the composition cursus and later on a musical research residency.

Christopher is currently based in New York City, where he has worked on a doctorate at Columbia University, studying with Tristan Murail, Georg Friedrich Haas, Fred Lerdahl, and George Lewis.

Christopher is the winner of the 2016 Rome Prize, as well as the 2007 Gaudeamus Prize, the first American in over 30 years to win the international young composers’ award. Other recent honors include an award from the American Academy of Arts and Letters (2015), a nomination for a British Composers Award (2014), and a grant from the French-American Cultural Exchange (FACE) towards a new piece for ICE and Ensemble L’Itinéraire. He has also won the Julius F. Ježek Prize (2013), three Morton Gould Young Composers Awards from ASCAP (2005, 2006, and the Leo Kaplan Award in 2009), and a BMI Student Composer Award (2006). His scores have been performed by ICTUS, Ensemble Modern, the Nouvel Ensemble Moderne, Nieuw Ensemble, Asko Ensemble, Ensemble L’Itinéraire, Ensemble Orchestral Contemporain, Ensemble Mosaik, Talea Ensemble, Argento Ensemble, Wet Ink, Earplay, Yarn/Wire, Atlas Ensemble, pianists Sergey Schepkin and Marilyn Nonken, and the American Composers Orchestra.

tIn March 2011, Christopher was featured in a portrait concert on the Philharmonia Orchestra’s Music of Today series at the Royal Festival Hall in London. His music has also been programmed in international festivals such as the Venice Biennale, Ultraschall Festival in Berlin, Musica Nova Helsinki, and IRCAM’s festival Agora. He has held residencies at Copland House (New York), Récollets (Paris), and Cité Internationale des Arts (Paris), and was a 2013-15 fellow at Akademie Schloss Solitude (Stuttgart).

Recent and upcoming projects include a commission for the Quatuor Béla and GRAME in Lyon, a new orchestral work for the BBC Scottish Symphony Orchestra, a commission for orchestra and electronics (IRCAM) for the Orchestre Philharmonique de Radio France and Festival Présences 2015, and a new work for Ensemble Modern for the 2015 cresc… Biennial for Modern Music in Frankfurt.