Featured Fall 2019 Courses
The Music Department is offering a wide range of courses this semester.
Please see for more information:
The Music Department is offering a wide range of courses this semester.
Please see for more information:
The faculty of the Department of Music offers its deepest condolences on the passing of the renowned composer Mario Davidovsky (Argentina, March 4, 1934-August 23, 2019).
Professor Zosha Di Castri opened the BBC Proms on July 19th with her latest work Long Is the Journey - Short Is the Memory. The piece marked the 50th anniversary of the lunar landings.
George Lewis is one of the six newest Doris Duke Artists chosen by the Doris Duke Charitable Foundation. The Award celebrates the chosen artists' ongoing contributions to contemporary dance, music, and theater.
Professor Brad Garton is going to be the keynote speaker at the 2019 International Computer Music Conference going on this week (his speech is tomorrow at 4:30 PM), and one of his book-readings will be a 'featured piece' on the 2019 New York Electroacoustic Music Festival that evening.
The Department warmly congratulates Dr. David Bird, who on May 8th, 2019, successfully defended his DMA dissertation in music composition, "Mixed Media and Metaphor".
Composition graduate student Katherine Balch was recently featured in the San Francisco Chronicle in review of her new violin concerto, "Artifacts". The world premiere was given at the Lesher Center for the Arts in Walnut Creek on Sunday, May 5th, 2019, by violinist Robyn Bollinger with Donato Cabrera of the California Symphony.
Young Concert Artists, in New York City, has this week announced composer Saad Haddad as its 2019-2021 Composer-in-Residence!
Congratulations to Ashkan Behzadi who has been appointed as the 2019-20 Postdoctoral Researcher at the rank of Instructor in the Division of the Humanities at the Chicago Center for Contemporary Composition (CCCC).
The Department warmly congratulates Dr. Yair Klartag, who on March 5, 2019, successfully defended his DMA dissertation in music composition, Post-Ironic Sounds: Wallacian New Sincerity in “Unavoidably Sentimental” for Large Ensemble.
Sam Pluta, Matthew Ricketts, Katharina Rosenberger, and Christopher Trapani have been awarded the 2019 Fellowship from the John Simon Guggenheim Memorial Foundation. Congratulations!
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
Columbia faculty, composer, pianist, and conductor Mahir Cetiz discusses his music in an interview conducted by faculty member Alexander K. Rothe in a recent post on new classical news website I Care If You Listen
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
The Music Department is offering a wide range of courses this fall, including several featured and new electives.
Alumna Nina C. Young (DMA, Composition 2016) has recently been announced as the Assistant Professor of Composition and Director of the Electronic Music Studios at the Butler School of Music at The University of Texas at Austin. Her contract will begin with the 2018-2019 academic year.
Rebecca Kim edits the first comprehensive survey of the groundbreaking work of Earle Brown, augmented with several newly published items from his personal archive. Earle Brown (1926–2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff.