Ethnomusicology graduate student Kyle DeCoste was awarded the Best Graduate Student Paper at the 2019 International Association for the Study of Popular Music, US Branch (IASPM-US) annual meeting.
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
The Department of Music is now accepting applications for the Serwer Fund, which will assist currently registered graduate students in Historical Musicology, Theory, and Ethnomusicology in the pursuit of their scholarly work, including dissertation-related research, travel to conferences, and other initiatives.
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
The Ethnomusicology community at Columbia is delighted to congratulate our PhD alumna, Dr. Lauren Flood (PhD, 2016), who has been appointed as a Mellon Humanities Postdoctoral Fellowship in the Humanities at the Wolf Humanities Center at the University of Pennsylvania.
The Ethnomusicology community at Columbia is thrilled to congratulate our PhD alumnus Whitney J. Slaten, who has been appointed as a tenure-track Assistant Professor of Ethnomusicology at Bard College (Annandale on Hudson, NY), where he will begin teaching in Fall 2018.
Alessandra Ciucci and Julia Doe, Assistant Professors of Music, have each won grants from the Provost’s Program for Junior Faculty who Contribute to the Diversity Goals of the University.
These competitive awards, of up to $25,000, support new or ongoing research and scholarship, seed funding for innovative research for which external funding would be difficult to obtain, and curricular development projects.
Prof. Ciucci’s project is entitled “Resonances of the Rural Across the Mediterranean: Music, Sound and Moroccan Men in Italy.” Prof. Doe’s is “The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.”