Professor Kevin Fellezs has published an article titled "Three Moments in Ki Ho’alu (Hawaiian Slack Key Guitar): Improvising As Kanaka Maoli (Native Hawaiian) Adaptative Strategy."
Charles Wuorinen (1938-2020), renowned composer long associated with Columbia, dies at 81
The Department of Music notes with sadness the passing of the renowned composer, pianist, and conductor Charles Wuorinen (1938–2020), who had a long association with Columbia.
Assistant Professor in Composition Zosha Di Castri recently spoke with Darwin Grosse on the Art+Music+Technology podcast for episode 315, touching on a variety of topics ranging from her background and training, creative inspiration, and the breadth and depth of her versatile body of work.
Fred Lerdahl, Fritz Reiner Professor Emeritus of Musical Composition at Columbia University, has published "Composition and Cognition" through University of California Press.
Professor Zosha Di Castri's piece "Lineage" (2013) was performed by the Philadelphia and Minnesota orchestras. The performances were all conducted by Karina Canellakis.
David Burn is the 2020 Queen Wilhelmina Visiting Professor of the History, Language and Literature of the Dutch Speaking People at Columbia University. He is teaching a course titled "Music, Musicians, and Mobility in the Early Modern Period."
Magdalena Stern-Baczewska was the faculty artist in the New Year's Gala concert at Beijing's Yale Center. The event marked the second collaboration of the Yale and Columbia Alumni Associations.
The Music Jury of the Civitella Ranieri Foundation has selected a number of Columbia students, alumni, and faculty to receive prestigious Civitella Ranieri Fellowships for 2020 and 2021.
The most recent issue of the Journal of the American Musicological Society features contributions from faculty and alumni of the Department.
George Lewis is one of four composers awarded commissions for new musical works by The Serge Koussevitzky Music Foundation in the Library of Congress. The string quartet PUBLIQuartet co-commissioned Lewis’ newest work.
Kevin Fellezs published his article “Nahenahe (soft, sweet, melodious): Sounding Out Native Hawaiian Self-Determination” in the Journal of the Society for American Music's Special Issue on Music, Indigeneity, and Colonialism in the Americas.
Magdalena Stern-Baczewska (Director of the Music Performance Program) and the Cassatt String Quartet filled Columbia's Casa Italiana with music and people on November 20, 2019.
Professor Zosha Di Castri's album "Tachitipo" has been included on "The New Yorker" music critic Alex Ross's preliminary list of Notable Recordings of 2019.
Dr. Kozak was interviewed by Columbia News about his new book, "Enacting Musical Time: The Bodily Experience of New Music."
Professor Ellie Hisama was selected by the Office of the Provost as one of fourteen new Provost Leadership Fellows for 2019-2021.
On November 9, 2019, Magdalena Stern-Baczewska (Director, Music Performance Program) gave the Canadian premiere of Tan Dun's Piano Concerto "The Banquet" with the Vancouver Symphony Orchestra and the composer conducting.
We have some exciting new courses for Spring 2020! Take a look!
“Affordances and Free Improvisation: An Analytical Framework”—which Dr. Hannaford delivered at last year’s combined meeting for the American Musicological Society (AMS) and Society for Music Theory (SMT) in San Antonio—was awarded the Steve Larson Award for Jazz Scholarship at this year’s SMT meeting in Columbus.