Russell O'Rourke (GSAS '20, Historical Musicology) has been awarded a four-month postdoctoral scholarship (Postdoc-Stipendium) by the Max Planck Institute for Empirical Aesthetics in Frankfurt, Germany.
The Department warmly congratulates Dr. Michael Weinstein-Reiman, who on May 10, 2021 successfully defended his Ph.D. dissertation in Music Theory entitled "Touch and Modernity in French Keyboard Pedagogy, 1715-1915."
Magdalena Stern-Baczewska has released a new solo album featuring piano music by W. A. Mozart.
The Department warmly congratulates Dr. Bill Dougherty, who successfully defended his DMA dissertation in Music Composition titled "Imagining Together: Èliane Radigue’s Collaborative Creative Process" on April 26, 2021.
Professor Julia Doe has contributed two chapters to a new interdisciplinary collection on French lyric theater: "Histoire de l’opéra français du Roi-Soleil à la Révolution," edited by Hervé Lacombe and published by Éditions Fayard.
The Department warmly congratulates Dr. Qingfan Jiang, who on April 16, 2021 successfully defended her Ph.D. dissertation in Historical Musicology.
Miya Masaoka. Photo credit to Heike Liss.
Congratulations to Miya Masaoka, Director of the Sound Art Program in the School of the Arts for winning a prestigious Guggenheim Fellowship.
Zosha Di Castri. Photo credit to David Adamcyk.
Congratulations to Zosha Di Castri, Francis Goelet Assistant Professor of Music and DMA 2014 for winning a prestigious Guggenheim Fellowship.
Nina Young, Sky Macklay, Ashkan Behzadi, Zosha Di Castri, and Miya Masaoka
On April 8, five Columbia-affiliated composers were honored with Guggenheim Fellowships: Nina Young (DMA 2016), Sky Macklay (DMA 2018), Ashkan Behzadi (DMA 2019), Zosha Di Castri (Francis Goelet Assistant Professor of Music and DMA 2014), and Miya Masaoka (Director of the Sound Art Program in the School of the Arts).
Magdalena Stern-Baczewska has received the Culture, Science and Education Initiative Grant from the Ministry of Foreign Affairs of the Republic of Poland.
The Department warmly congratulates Dr. John Rot, who successfully defended his DMA dissertation in Music Composition titled "Waking Up into the Moment: Temporal Awareness as a Primary Composable Parameter of Music" on April 5, 2021.
The Unsung Stories poster
Professors Zosha Di Castri and Ellie Hisama were interviewed about the symposium Unsung Stories: Women at Columbia's Computer Music Center in the article "Celebrating Women in Electronic Music at Columbia."
Dr. Christine Dysers
Dr. Christine Dysers is a Fulbright Visiting Scholar in the Department of Music, Columbia University. Her research is broadly concerned with 20th- and 21st-century music, with particular attention to contemporary composition and the aesthetics of repetition.
Benjamin Steege, associate professor of music, has just published his second book, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought." The book is available from University of Chicago Press.
The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution by Professor Julia Doe
Julia Doe, assistant professor of music, has published a new monograph, "The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution." The book is available through the University of Chicago Press.
The Department warmly congratulates Dr. Samuel F. Yulsman, who successfully defended his DMA dissertation in Music Composition titled "Free Jazz Simulations and Political Despair in Aaron Cassidy's 'The Wreck of former boundaries' and 'a line off the convaplex, ifs of color, devout conditions' and 'Negative Horizon'" on March 15, 2021.
Professor Zosha Di Castri's "Tachitipo," the eponymous track of her debut album, has been nominated for Classical Composition of the Year in the 2021 JUNO Awards.
Professor Zosha Di Castri has published her essay, “Tachitipo—The Living Passport,” on the creative process behind her debut album, Tachitipo, in the recently-released Arcana IX: Musicians on Music, edited by John Zorn.