In a new article published by the Oxford Handbook of Spectral Music, composer, performer, and music scholar William Mason (GSAS '15, Music Theory) considers excerpts from pieces by Grisey and Murail against Zosha Di Castri's and David Adamcyk’s 2015 piece "Phonobellow."
Professor George Lewis's piece "Tales of the Traveller" had its US premiere, but the most exciting part about the performance was one of the guest soloists: a computer program named Voyager, originally programmed by George Lewis in 1987.
Professor Alessandra Ciucci has contributed a chapter to a new interdisciplinary collection on the Black Mediterranean: Black Med, edited by the artistic duo Invernomuto and published by Humboldtbooks.
Professor Kevin Fellezs has become the new director of the Center for Jazz Studies.
The Arabic translation of Alessandra Ciucci's writing on Moroccan professional female singer-dancers (shikhat) and on the musicopoetic genre ‘aiṭa, was published as a collection by the Edition La Croisée des Chemins in partnership with the Académie du Royaume du Maroc.
Professor Alessandra Ciucci was interviewed by "Columbia News" about the release of her new book "The Voice of the Rural."
The Department of Music is pleased to announce that Scott Douglass has joined the Department as a Postdoctoral Research Scholar.
The Department of Music notes with sadness the passing of Richard Taruskin, who spent 26 years at Columbia as student and professor.
The Department of Music is pleased to announce the appointment of Dr. Seth Cluett as the Director of the Computer Music Center.
The Columbia University Department of Music is delighted to announce that Dr. Knar Abrahamyan will be joining our department as Assistant Professor in Music Theory and Race in 2023.
Drs. Alessandra Ciucci and Bill Dougherty (DMA 2021) have been selected as Fellows at the Columbia Institute for Ideas and Imagination.
Zosha Di Castri was commissioned by the Chicago Center for Contemporary Composition's Grossman Ensemble to write a world premiere, entitled "time>>T. - - I. - - M.(time) - - E."
Zosha Di Castri was commissioned by the Toronto Symphony Orchestra to write a song cycle for acclaimed soprano Barbara Hannigan, entitled "In the Half-Light." With a libretto written by renowned author Tash Aw, the cycle received its world premiere in Toronto's Roy Thomson Hall on May 19 and 21, 2022, conducted by Gustavo Gimeno.
Magdalena Stern-Baczewska (Director, MPP), together with clarinetist Carol McGonnel and Orchestre de Chambre du Conservatoire Américain de Fontainebleau, gave a U.S. premiere of Charles Fox's Fantaisie for Clarinet, Piano, and Orchestra, with the composer at the podium.
Alessandra Ciucci, Hicham Chami, Paola Cossermelli Messina and Jessie Rubin were awarded an Art & Science Equity and Diversity Grant for "Decolonizing the Ear: Reimagining 'West Asia' in Asian Music Humanities."
Alessandra Ciucci, assistant professor of music, has published a new monograph The Voice of the Rural: Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria. The book is available through the University of Chicago Press.
The Columbia University Department of Music is happy to announce that Dr. Marcos Balter will be joining our department as the Fritz Reiner Professor of Musical Composition.
The Department of Music notes with sadness the passing of Professor Emeritus Leeman L. Perkins on Friday, March 25, just several days before what would have been his 90th birthday.