Zosha Di Castri, Olivia De Prato, Allison Loggins-Hull, and Alice Teyssier announce the launch of Matricalis, a website and community hub that reflects on the impact of motherhood on individual musicians.
Professor Kevin Fellezs has received an Honorable Mention as the 2021 Best Subsequent Book Award from the Native American and Indigenous Studies Association (NAISA).
Magdalena Stern-Baczewska gave a world premiere of Prelude and Fugue by Gene Pritsker at the season opening concert of Composers Concordance in DROM NYC.
An article coauthored by Professor Emerita Ellie Hisama and Dr. Lucie Vágnerová (GSAS '16) on the workshop For the Daughters of Harlem: Working in Sound has been published in Sounding Together: Collaborative Perspectives on U.S. Music in the Twentieth Century, ed. Charles Hiroshi Garrett and Carol J. Oja (University of Michigan Press, 2021).
Magdalena Stern-Baczewska's harpsichord improvisation is featured on a single "Robo Tribe," recently released on DJ's Daughter, a Brooklyn-based music collective.
Peter Susser and Eric Bartlett’s Masked Music Commission from the APNM, “Cinque Bouquets pour Jacques Monod,” is now available on YouTube.
David Bird (DMA '19) has been appointed Visiting Assistant Professor at Hamilton College and will start next year.
The Department warmly congratulates Dr. Toru Momii, who successfully defended his PhD dissertation in Music (Music Theory), titled "Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski" on July 19, 2021.
Professor Zosha Di Castri has launched a new podcast series The Dream Feed: Musicians on Motherhood featuring conversations between musicians on their experiences navigating the seemingly incompatible worlds of professional music and motherhood, sharing in both the personal challenges and profoundly inspiring moments that come with being simultaneously mothers and musicians.
“Embrace Everything,” , a podcast series which celebrates the life and music of Gustav Mahler (1860–1911, returns for its second season on Mahler’s 161st birthday, Wednesday, July 7.
Dr. Ruth Opara, a Mellon Postdoctoral Teaching Fellow in the Department of Music at Columbia University, is excited to share that she has accepted a tenure track position in the Department of Arts and Music Histories at Syracuse University.
Professor Mariusz Kozak has published an article titled "Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?" in Music Theory Online.
Ellie M. Hisama to be Professor Emerita of Music, effective July 1, 2021.
The Department warmly congratulates Dr. Mary Kouyoumdjian, who successfully defended her DMA dissertation in Music Composition titled "Creating with ghosts: Identity and artistic purpose as Armenian diaspora" on June 4, 2021.
Professor Ellie Hisama (Music Theory and Historical Musicology) has published "Getting to Count" as an advance article in Music Theory Spectrum.
The Department warmly congratulates Dr. Julia Hamilton, who on May 26, 2021 successfully defended her Ph.D. dissertation in Historical Musicology entitled "Political Songs in Polite Society: Singing about Africans in the Time of the British Abolition Movement, 1787 to 1807.”
The Department warmly congratulates Dr. Onur Yıldırım, who successfully defended his DMA dissertation in Music Composition titled "Phonetics-based Techniques in My Compositional Methodology and Two Compositions: 'ŠÀ {karāz}' for large ensemble and 'eschaton according to bēl-rē'u-šu' for percussion trio" on May 24, 2021.
The Department warmly congratulates Dr. Velia Ivanova, who on May 24, 2021 successfully defended her Ph.D. dissertation in Historical Musicology entitled "The Musical Heritage of Incarceration: The Curation, Dissemination, and Management of the Lomax Collection Prison Songs.”