The Department of Music notes with sadness the passing, at the age of 96, of the eminent Chinese-American composer Chou Wen-chung (1923-2019). He served on the Columbia faculty from 1964 to 1991.
Magdalena Stern-Baczewska has made her Philadelphia Orchestra debut, performing Tan Dun's Triple Concerto at Philadelphia's Kimmel Center for Performing Arts, with the composer conducting.
Magdalena Stern-Baczewska was Artist in Residence at University of Nevada Las Vegas. She presented a lecture "Interpreting Bach’s Dance Music on the Keyboard," and performed a recital on the piano and harpsichord.
"Illuminations: Essays in Honor of Brian Cherney" is a guest-edited volume by Robin Elliott, dedicated to the music of the Canadian composer Brian Cherney. It features writing by several Columbia affiliates including Core Lecturers Matthew Ricketts and Taylor Brook, CMC Instructor David Adamcyk, and Assistant Professor Zosha Di Castri.
Professor Kevin Fellezs's new book Listen But Don’t Ask Question: Hawaiian Slack Key Guitar Across the TransPacific will be published in December 2019 by Duke University Press.
"Enacting Musical Time: The Bodily Experience of New Music" by Professor Mariusz Kozak will be published by Oxford University Press on November 6th, 2019. The book is available for preorder.
Magdalena Stern-Baczewska has made her Tanglewood Music Festival debut in August, performing Tan Dun's "Martial Arts Cycle" with violinist Ryu Goto and cellist Wei Yu at the Seiji Ozawa Hall. The performance received a standing ovation.
The Music Department is offering a wide range of courses this semester.
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The faculty of the Department of Music offers its deepest condolences on the passing of the renowned composer Mario Davidovsky (Argentina, March 4, 1934-August 23, 2019).
Professor Zosha Di Castri opened the BBC Proms on July 19th with her latest work Long Is the Journey - Short Is the Memory. The piece marked the 50th anniversary of the lunar landings.
Professor Alessandra Ciucci has published an article in the July 2019 issue of The Journal of North African Studies. Her article is entitled "Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)."
Peter M. Susser, Senior Lecturer, Director of Undergraduate Musicianship, has received the Provost’s new Large-Scale Teaching and Learning Grant for his, “Digital Ear Training Improvisation Initiative.”
George Lewis is one of the six newest Doris Duke Artists chosen by the Doris Duke Charitable Foundation. The Award celebrates the chosen artists' ongoing contributions to contemporary dance, music, and theater.
Professor Brad Garton is going to be the keynote speaker at the 2019 International Computer Music Conference going on this week (his speech is tomorrow at 4:30 PM), and one of his book-readings will be a 'featured piece' on the 2019 New York Electroacoustic Music Festival that evening.
Congratulations to Joshua Navon on the successful defense of his PhD dissertation, "The Making of Modern Musical Expertise: German Conservatories and Music Education, 1843-1933"!
Marc Hannaford will join Columbia's department of music as Lecturer in Discipline (Music Theory) in the Fall of 2019. He will teach classes in the undergraduate music theory sequence as well as electives that reflect his interests in performance, improvisation, identity, and experimental music.
The award, given annually to an outstanding professor from Columbia College and from Columbia Engineering, is granted based on the ability to stimulate, challenge and inspire students; a demonstrated interest in students and the ability to relate positively to students outside the classroom; and a recognized high standing in one’s academic discipline.
Professor Kevin Fellezs (Music/African-American and African Diaspora Studies) organized a symposium, What’s Up, A-Pop? Re-thinking the Relationships Between/Among Asian and Asian American Popular Music Cultures, that was held at the Columbia Global Center in Beijing on April 20-21, 2019.