Ernest H. Sanders, Professor Emeritus of Music at Columbia, where he taught from 1954 until his retirement in 1986, died at his home in New York, on January 13, 2018. He was 99 years old.
The Music Department is offering a wide range of courses this semester, including several featured and new electives.
Alessandra Ciucci and Julia Doe, Assistant Professors of Music, have each won grants from the Provost’s Program for Junior Faculty who Contribute to the Diversity Goals of the University.
These competitive awards, of up to $25,000, support new or ongoing research and scholarship, seed funding for innovative research for which external funding would be difficult to obtain, and curricular development projects.
Prof. Ciucci’s project is entitled “Resonances of the Rural Across the Mediterranean: Music, Sound and Moroccan Men in Italy.” Prof. Doe’s is “The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.”
Peter Susser’s Cello Suite (2016) was recorded by Laura Usiskin (Columbia/Juilliard 2008) as part of her “Reimagining Bach” solo cd.
Abstract: This article studies the relationship between the discourse of Bengali cultural nationalism and the devotional song genre of padāvalī kīrtan in the early twentieth century.
Benjamin Steege has published two articles: "Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy," in Music & Letters and "Between Race and Culture: Hearing Japanese Music in Berlin," in History of Humanities.
Mario Diaz de Leon (DMA ’13), Core Lecturer in Music Humanities, has released his third composer portrait album, entitled “Sanctuary.”
Applications are now being accepted for the Fall 2017 session of FAB-Musiconis.
Alessandra Ciucci, Assistant Professor of Music, has published "Performing 'L-alwa:' A Sacred and Erotic Journey in Morocco" in Ethnomusicology Forum vol. 26 No. 2 (2017): 151-70.
The Department of Music at Columbia University invites applications for Mellon Postdoctoral Teaching Fellowships. Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2018.
This semester, the Department of Music is offering courses on Beethoven, Divas, Monsters, Material Girls: Women in Music Video; and Transpacific Musicology: Monsters, Princesses, Bombs at Sea. Graduate seminars include Music and Early Modernism, 1880-1920; Ruth Crawford Seeger; and Analysis of Musical Form.
Columbia Music faculty and graduate students, led by Prof. Ellie Hisama, have been awarded a grant from the Collaborative to Advance Equity through Research (CAETR) at Columbia University, for a project entitled For the Daughters of Harlem: Working with Sound.
On May 26th, Edwin H. Case Professor of American Music George Lewis gave the commencement address at the New College of Florida, where 181 students received diplomas.
This year's Ojai Music Festival prominently features several Composition alumni and faculty: Courtney Bryan, Mario Diaz de Leon, George Lewis, and Tyshawn Sorey.
Several new recordings of Professor George Lewis' compositions have been released: The Will To Adorn, with International Contemporary Ensemble; Creative Construction, with Splitter Orchester; Not Alone, with Seth Parker Woods on cello; and Spinner, with Mariel Roberts on cello.
League of Composers Orchestra's Ninth Season Finale this coming Thursday at 7:30 at Miller Theatre
Columbia's esteemed Fritz Reiner Professor of Musical Composition and director of the Fritz Reiner Center, Alfred Lerdahl, will be presenting the New York Premiere of Time and Again with the League of Composers Orchestra
"The bone man blows your mind as he blows your ears open"
Chris Washburne's newest CD release and review: Rags & Roots
Eben Graves, Mellon Postdoctoral Fellow, has published “The Marketplace of Devotional Song: Cultural Economies of Exchange in Bengali Padavali-Kirtan,” in Ethnomusicology.