Magdalena Stern-Baczewska has received the Culture, Science and Education Initiative Grant from the Ministry of Foreign Affairs of the Republic of Poland.
The Department warmly congratulates Dr. John Rot, who successfully defended his DMA dissertation in Music Composition titled "Waking Up into the Moment: Temporal Awareness as a Primary Composable Parameter of Music" on April 5, 2021.
The Unsung Stories poster
Professors Zosha Di Castri and Ellie Hisama were interviewed about the symposium Unsung Stories: Women at Columbia's Computer Music Center in the article "Celebrating Women in Electronic Music at Columbia."
Dr. Christine Dysers
Dr. Christine Dysers is a Fulbright Visiting Scholar in the Department of Music, Columbia University. Her research is broadly concerned with 20th- and 21st-century music, with particular attention to contemporary composition and the aesthetics of repetition.
Benjamin Steege, associate professor of music, has just published his second book, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought." The book is available from University of Chicago Press.
The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution by Professor Julia Doe
Julia Doe, assistant professor of music, has published a new monograph, "The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution." The book is available through the University of Chicago Press.
The Department warmly congratulates Dr. Samuel F. Yulsman, who successfully defended his DMA dissertation in Music Composition titled "Free Jazz Simulations and Political Despair in Aaron Cassidy's 'The Wreck of former boundaries' and 'a line off the convaplex, ifs of color, devout conditions' and 'Negative Horizon'" on March 15, 2021.
Professor Zosha Di Castri's "Tachitipo," the eponymous track of her debut album, has been nominated for Classical Composition of the Year in the 2021 JUNO Awards.
Professor Zosha Di Castri has published her essay, “Tachitipo—The Living Passport,” on the creative process behind her debut album, Tachitipo, in the recently-released Arcana IX: Musicians on Music, edited by John Zorn.
The Cold Crush Brothers performing at an anti-apartheid protest at Columbia.
Kevin Holt (GSAS '18), Katie Radishofski, and Professor Ellie Hisama are profiled in part two of Nigel Telman's two-part article in Columbia Spectator about Columbia's relationship with hip-hop.
Peter M. Susser and Cellist Eric Bartlett were selected to write a new piece for APNM’s Masked Music Commissions for composer/performer pairs.
Professor Alessandra Ciucci has received the Lenfest Junior Faculty Grant Award for her new book project "Nass el Ghiwane: Popular Music and the Sound of Protest in Morocco (1970s-1990s)."
Congratulations to Professor Ellie Hisama for accepting an offer to be the Dean of the Faculty of Music at the University of Toronto.
Tyshawn Sorey. Sharif Hamza for the New York Times
Dr. Tyshawn Sorey (DMA 2017) has been honored with a longform profile of his work and life in the "New York Times Magazine" this week by contributor Adam Shatz.
On Thursday, December 31st, 2020, at 7:00 PM, under the direction of Maestro Jeffrey Milarsky, the Columbia University Orchestra presented "Tromba Lontana" and "A Short Ride in a Fast Machine" by American composer John Adams.
Album covers of "Breaking News" by George Lewis, Oxana Omelchuk, and Studio Dan; "Something to Hunt" by Ash Fure; and "Drift Multiply" by Tristan Perich
Three Columbia affiliates were represented in the New York Times yesterday in the Times's roundup of the "25 Best Classical Music Tracks of 2020": George Lewis, Ash Fure, and Tristan Perich.
Peter M. Susser, Senior Lecturer, Director of Undergraduate Musicianship, has published a digital guidebook in partnership with the Center for Teaching and Learning entitled, “Eureka: A Digital Guidebook for Improvisation Leadership in the Ear Training Classroom.”
The Department warmly congratulates Dr. Laure M. Hiendl, who successfully defended their DMA dissertation in Music Composition titled "Queer Composition. Subversive Strategies in Western Classical Music" on November 20, 2020.