Professor Mariusz Kozak has published a new article titled “Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal” in the latest issue of the "Journal of Music Theory."
Seth Cluett, assistant director of the Computer Music Center and lecturer in the Department, has teamed up with Hewlett-Packard to lower the barriers for students interested in electronic music.
It has been announced that Professor George Lewis has been elected to the Akademie der Künste Berlin. Founded in 1696, the ADK is one of the oldest cultural institutes in Europe.
Each year, the Lenfest Distinguished Faculty Awards honor the presence and work of extraordinary faculty in Arts and Sciences. Nominated by students, colleagues, chairs, and deans, these faculty represent the highest achievements of research, teaching, and service to Columbia and to the world.
Professor Kevin Fellezs has published an article in the journal Rock Music Studies. The article is titled "Those Days Are Gone Forever: Steely Dan's Grumpy Old Guys' Blues."
The Department warmly congratulates Dr. Mike Ford, who successfully defended his PhD dissertation in Music (Historical Musicology), titled "An Agile Musicology: Improvisation in Corporate Management and Lean Startups" on November 30, 2021.
Professor Mariusz Kozak has published his piece "What’s behind the magic of live music?" in The Conversation.
By Greg Betza for Columbia Magazine
The Louis Armstrong Jazz Performance Program (LAJPP) was profiled by Paul Hond in the Fall 2021 issue of Columbia Magazine.
Zosha Di Castri, Olivia De Prato, Allison Loggins-Hull, and Alice Teyssier announce the launch of Matricalis, a website and community hub that reflects on the impact of motherhood on individual musicians.
Professor Kevin Fellezs has received an Honorable Mention as the 2021 Best Subsequent Book Award from the Native American and Indigenous Studies Association (NAISA).
Magdalena Stern-Baczewska gave a world premiere of Prelude and Fugue by Gene Pritsker at the season opening concert of Composers Concordance in DROM NYC.
An article coauthored by Professor Emerita Ellie Hisama and Dr. Lucie Vágnerová (GSAS '16) on the workshop For the Daughters of Harlem: Working in Sound has been published in Sounding Together: Collaborative Perspectives on U.S. Music in the Twentieth Century, ed. Charles Hiroshi Garrett and Carol J. Oja (University of Michigan Press, 2021).
Magdalena Stern-Baczewska's harpsichord improvisation is featured on a single "Robo Tribe," recently released on DJ's Daughter, a Brooklyn-based music collective.
Peter Susser and Eric Bartlett’s Masked Music Commission from the APNM, “Cinque Bouquets pour Jacques Monod,” is now available on YouTube.
David Bird (DMA '19) has been appointed Visiting Assistant Professor at Hamilton College and will start next year.
The Department warmly congratulates Dr. Toru Momii, who successfully defended his PhD dissertation in Music (Music Theory), titled "Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski" on July 19, 2021.
Professor Zosha Di Castri has launched a new podcast series The Dream Feed: Musicians on Motherhood featuring conversations between musicians on their experiences navigating the seemingly incompatible worlds of professional music and motherhood, sharing in both the personal challenges and profoundly inspiring moments that come with being simultaneously mothers and musicians.
“Embrace Everything,” , a podcast series which celebrates the life and music of Gustav Mahler (1860–1911, returns for its second season on Mahler’s 161st birthday, Wednesday, July 7.