Professor Kevin Fellezs (Music/African-American and African Diaspora Studies) organized a symposium, What’s Up, A-Pop? Re-thinking the Relationships Between/Among Asian and Asian American Popular Music Cultures, that was held at the Columbia Global Center in Beijing on April 20-21, 2019.
Professor Giuseppe Gerbino has been awarded two fellowships from the National Endowment for the Humanities and the National Humanities Center for his book project “Music and Mind in the Renaissance.”
Peter Susser's Early Midsummer, a set of variations for violin and piano has received its world premiere on 4/13/2019 at the Jamesport Meeting House in Jamesport, NY. The performers were MPP music associate Muneko Otani (violin), and MPP director Magdalena Stern-Baczewska (piano).
Magdalena Stern-Baczewska (Director, Music Performance Program) gave a performance at the Opera House of Beijing's Central Conservatory of Music, celebrating the DVD release of Tan Dun's Martial Arts Cycle for Piano, Violin, and Violoncello.
The Department of Music has received a generous donation from Nina Sanders and Peter Sanders, daughter and son of the late Professor Emeritus, Ernest H. Sanders, who passed away at the age of 99 in early 2018. This donation was a bequest from Sanders.
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
From January 15th, 2019 until March 23rd, 2019, the New York Public Library for the Performing Arts will feature state-of-the-art immersive installation by exhibition curator, artist, and composer Seth Cluett in a new exhibition "Sounding Circuits: Audible Histories" which explores the birth and evolution of electronic music.
Columbia faculty, composer, pianist, and conductor Mahir Cetiz discusses his music in an interview conducted by faculty member Alexander K. Rothe in a recent post on new classical news website I Care If You Listen
The Library sound archives preserve the groundbreaking work of Columbia University’s electronic and computer music pioneers. Explore a new universe of sounds with Columbia University Computer Music Center Director Seth Cluett. From Charles Dodges’ 1969 computer generated masterwork Earth’s Magnetic Field to the most boundary blurring contemporary works by Columbia’s current students, join us for an interactive electronic sound salon.
The Serwer Fund assists currently registered graduate students in Historical Musicology, Theory, and Ethnomusicology in the pursuit of their scholarly work, including dissertation-related research, travel to conferences, and other initiatives.
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
Kevin Fellezs, Associate Professor of Music in Ethnomusicology, is featured in the latest issue of the Journal of Popular Music Studies, with his new article entitled “Edge of Insanity: Tony MacAlpine and Black Virtuosity.”
Professor Kevin Fellezs Featured in Columbia College Today
Kevin Fellezs, Associate Professor of Music in Ethnmusicology, is featured in the Summer 2018 issue of Columbia College Today.
The Music Department is offering a wide range of courses this fall, including several featured and new electives.
Photos by Sonja Kieser and Lhoussain Simour.
Report on a Conference co-organized by Alessandra Ciucci in Morocco with support from Center for Ethnomusicology and Global Humanities in Essaouira (Morocco), 18-23 June, 2018.
Our colleague George Lewis was awarded an Honorary Doctorate by Harvard in this year's Commencement.
Zosha Di Castri ,the Francis Goelet Assistant Professor of Music, will be one of the Fellows at Columbia's new Institute for Ideas and Imagination in Paris.
Julia Doe receives the National Endowment for the Humanities Fellowship in Music History and Criticism:
The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.