Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
The Department of Music is now accepting applications for the Serwer Fund, which will assist currently registered graduate students in Historical Musicology, Theory, and Ethnomusicology in the pursuit of their scholarly work, including dissertation-related research, travel to conferences, and other initiatives.
The Department of Music is pleased to formally announce a study group in historical music notation, Ars Nota, which meets weekly on Columbia’s campus to sing medieval and Renaissance music from facsimiles of original sources.
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
The Music Department is offering a wide range of courses this fall, including several featured and new electives.
Rebecca Kim edits the first comprehensive survey of the groundbreaking work of Earle Brown, augmented with several newly published items from his personal archive. Earle Brown (1926–2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff.
Our colleague George Lewis was awarded an Honorary Doctorate by Harvard in this year's Commencement.
William Mason has accepted a position as Assistant Professor of Music at Wheaton College in Norton Massachusetts.
The Columbia University Department of Music extends heartfelt congratulations to our 2018 graduates.
Anne Levitsky, Ph.D. student in Historical Musicology, successfully defended her dissertation, "The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric," on April 12.
Thomas Fogg, a graduate student in Historical Musicology, successfully defended his dissertation, "Expériences sonores: Music in Postwar Paris and the Changing Sense of Sound," on May 7.
Mark Seto (GSAS PhD '12) has been appointed Lecturer in Music and Director of the Brown Symphony Orchestra, beginning in Fall 2018.
Julia Doe receives the National Endowment for the Humanities Fellowship in Music History and Criticism:
The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.
Andrew Haringer (PhD, Historical Musicology, 2012) has been appointed Assistant Professor of Music at St. Anselm College
Ernest H. Sanders, Professor Emeritus of Music at Columbia, where he taught from 1954 until his retirement in 1986, died at his home in New York, on January 13, 2018. He was 99 years old.
The Music Department is offering a wide range of courses this semester, including several featured and new electives.
Alessandra Ciucci and Julia Doe, Assistant Professors of Music, have each won grants from the Provost’s Program for Junior Faculty who Contribute to the Diversity Goals of the University.
These competitive awards, of up to $25,000, support new or ongoing research and scholarship, seed funding for innovative research for which external funding would be difficult to obtain, and curricular development projects.
Prof. Ciucci’s project is entitled “Resonances of the Rural Across the Mediterranean: Music, Sound and Moroccan Men in Italy.” Prof. Doe’s is “The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.”
“Assemblage,” a new album by Ensemble Dal Niente on New World Records, brings a rewarding look at fresh pieces by the composer and performer George Lewis.