Anne Levitsky Defends Dissertation
Anne Levitsky, Ph.D. student in Historical Musicology, successfully defended her dissertation, "The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric," on April 12.
Anne Levitsky, Ph.D. student in Historical Musicology, successfully defended her dissertation, "The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric," on April 12.
Thomas Fogg, a graduate student in Historical Musicology, successfully defended his dissertation, "Expériences sonores: Music in Postwar Paris and the Changing Sense of Sound," on May 7.
Mark Seto (GSAS PhD '12) has been appointed Lecturer in Music and Director of the Brown Symphony Orchestra, beginning in Fall 2018.
Julia Doe receives the National Endowment for the Humanities Fellowship in Music History and Criticism:
The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.
Andrew Haringer (PhD, Historical Musicology, 2012) has been appointed Assistant Professor of Music at St. Anselm College
Ernest H. Sanders, Professor Emeritus of Music at Columbia, where he taught from 1954 until his retirement in 1986, died at his home in New York, on January 13, 2018. He was 99 years old.
The Music Department is offering a wide range of courses this semester, including several featured and new electives.
Alessandra Ciucci and Julia Doe, Assistant Professors of Music, have each won grants from the Provost’s Program for Junior Faculty who Contribute to the Diversity Goals of the University.
These competitive awards, of up to $25,000, support new or ongoing research and scholarship, seed funding for innovative research for which external funding would be difficult to obtain, and curricular development projects.
Prof. Ciucci’s project is entitled “Resonances of the Rural Across the Mediterranean: Music, Sound and Moroccan Men in Italy.” Prof. Doe’s is “The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution.”
“Assemblage,” a new album by Ensemble Dal Niente on New World Records, brings a rewarding look at fresh pieces by the composer and performer George Lewis.
Applications are now being accepted for the Fall 2017 session of FAB-Musiconis.
The Department of Music at Columbia University invites applications for Mellon Postdoctoral Teaching Fellowships. Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2018.
PhD candidates Paula Harper (HM) and Michael Weinstein-Reiman (Theory) presented papers on Beyoncé and Nicki Minaj at the international biennial Feminist Theory and Music conference at San Francisco State University, July 27-30. Congratulations, Paula and Michael!
This semester, the Department of Music is offering courses on Beethoven, Divas, Monsters, Material Girls: Women in Music Video; and Transpacific Musicology: Monsters, Princesses, Bombs at Sea. Graduate seminars include Music and Early Modernism, 1880-1920; Ruth Crawford Seeger; and Analysis of Musical Form.
Columbia Music faculty and graduate students, led by Prof. Ellie Hisama, have been awarded a grant from the Collaborative to Advance Equity through Research (CAETR) at Columbia University, for a project entitled For the Daughters of Harlem: Working with Sound.
This year's Ojai Music Festival prominently features several Composition alumni and faculty: Courtney Bryan, Mario Diaz de Leon, George Lewis, and Tyshawn Sorey.
Congratulations to all of our graduates from the 2016-2017 academic year!
David Gutkin will join the Faculty of the Department of Musicology at Peabody Conservatory in 2018.
Professor Ellie Hisama has been named the 2017 speaker in the Robert Samels Visiting Scholar Program, Jacobs School of Music, Indiana University.