The Department warmly congratulates Dr. Marc Hannaford, who successfully defended his PhD dissertation in music theory, "One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams," on May 31, 2019.
Congratulations to Joshua Navon on the successful defense of his PhD dissertation, "The Making of Modern Musical Expertise: German Conservatories and Music Education, 1843-1933"!
The Department is delighted to congratulate Dr. Eamonn Bell, who successfully defended his PhD dissertation in music theory, "The computational attitude in music theory," on May 16, 2019.
Marc Hannaford will join Columbia's department of music as Lecturer in Discipline (Music Theory) in the Fall of 2019. He will teach classes in the undergraduate music theory sequence as well as electives that reflect his interests in performance, improvisation, identity, and experimental music.
Music theory graduate student Marc Hannaford published “Sites for Formation 1984: John Zorn Completes Cobra” in issue 21 of Sound American, “the Change issue.”
The Department warmly congratulates Dr. William Mason, who successfully defended his PhD dissertation in music theory, Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School, on January 31, 2019.
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
The Department of Music at Columbia University invites applications for a full-time, three-year (limited-term) appointment at the rank of Lecturer in Discipline beginning July 1, 2019. The primary duties of the successful candidate will be to teach courses in the core undergraduate Music Theory curriculum.
The Department of Music is now accepting applications for the Serwer Fund, which will assist currently registered graduate students in Historical Musicology, Theory, and Ethnomusicology in the pursuit of their scholarly work, including dissertation-related research, travel to conferences, and other initiatives.
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
Postdoctoral Music Theory Lecturer Maeve Sterbenz has been appointed Scholar-in-Residence at the San Francisco Ballet.
The Music Department is offering a wide range of courses this fall, including several featured and new electives.
William Mason has accepted a position as Assistant Professor of Music at Wheaton College in Norton Massachusetts.
Congratulations to Galen DeGraf, a Ph.D candidate in Music Theory, who successfully defended his dissertation, "Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge," on May 14th!
The Columbia University Department of Music extends heartfelt congratulations to our 2018 graduates.
The Music Department is offering a wide range of courses this semester, including several featured and new electives.
Peter Susser’s Cello Suite (2016) was recorded by Laura Usiskin (Columbia/Juilliard 2008) as part of her “Reimagining Bach” solo cd.
Benjamin Steege has published two articles: "Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy," in Music & Letters and "Between Race and Culture: Hearing Japanese Music in Berlin," in History of Humanities.