Dr. Benjamin Hansberry (GSAS '17, Music Theory) has been promoted to Associate Director for Graduate Student Teaching at the Massachusetts Institute of Technology.
Cheng-Wei Lim published an article in 19th Century Music titled "Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53."
This event bridges the worlds of scholarship, performance, and criticism to think through the possibilities for feminist opera studies and women in opera in the twenty-first century.
Professor Mariusz Kozak won the Society for Music Theory Popular Music Interest Group Outstanding Publication Award at the joint AMS/SEM/SMT Annual Meeting in New Orleans this past week.
In a new article published by the Oxford Handbook of Spectral Music, composer, performer, and music scholar William Mason (GSAS '15, Music Theory) considers excerpts from pieces by Grisey and Murail against Zosha Di Castri's and David Adamcyk’s 2015 piece "Phonobellow."
Makulumy Alexander-Hills's article, "Audio Mediation Technology and Liveness in Modern Musical Theatre Performance," has been published in "Studies in Musical Theatre" Vol. 16, No. 1 (April 2022).
The Columbia University Department of Music is delighted to announce that Dr. Knar Abrahamyan will be joining our department as Assistant Professor in Music Theory and Race in 2023.
Nicola Hein (GSAS, MA '22, Music Theory) has been appointed Professor of Digital Creation at the Musikhochschule Lübeck, starting October 2022, where he will teach sound art and electronic music.
Michael Weinstein-Reiman (GSAS '21, Music Theory) has been appointed Assistant Professor of Music Theory at University of Wisconsin-Madison, Mead Witter School of Music, starting Fall 2022.
Toru Momii (GSAS '21, Music Theory) has been appointed Assistant Professor of Musicology in the Department of Music at Harvard University, starting Fall 2022.
There is a call for papers for the Columbia Music Scholarship Conference, which is being held through Zoom on April 23, 2022. The deadline for papers is March 4, 2022.
Professor Mariusz Kozak has published a new article titled “Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal” in the latest issue of the "Journal of Music Theory."
Dr. Toru Momii (GSAS '21, Music Theory) received the Society for Music Theory Outstanding Publication Award for his article in "Music Theory Online" titled "A Transformational Approach to Gesture in Shō Performance.”
Current Musicology is thrilled to announce the publication of its 108th issue (Spring, 2021).
Professor Mariusz Kozak has published his piece "What’s behind the magic of live music?" in The Conversation.
The Department of Music at Columbia University invites applications for a full-time, tenure track appointment at the rank of Assistant Professor with a specialization in Music Theory and Race, which may include a scholarly emphasis on critical race theory, historical perspectives on race and music theory, or other issues of race, ethnicity, and/or indigeneity as they pertain to music theory and analysis.
The Department warmly congratulates Dr. Toru Momii, who successfully defended his PhD dissertation in Music (Music Theory), titled "Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski" on July 19, 2021.
Eamonn Bell (GSAS ’19, Music Theory) has accepted an appointment as Assistant Professor of Computer Science (Digital Humanities) at Durham University, to begin in September 2021.