Professor Mariusz Kozak Publishes Article in Music Theory Online
Professor Mariusz Kozak has published an article titled "Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?" in Music Theory Online.
Professor Mariusz Kozak has published an article titled "Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?" in Music Theory Online.
Ellie M. Hisama to be Professor Emerita of Music, effective July 1, 2021.
Michael Weinstein-Reiman (GSAS '21) has been appointed Visiting Assistant Professor of Music at Wesleyan University, starting Fall 2021.
Toru Momii has been appointed Visiting Assistant Professor of Music Theory at Indiana University Jacobs School of Music, starting Fall 2021.
Dr. Scott Gleason (GSAS '13) has been promoted to Acquisitions Editor for Grove Music Online at Oxford University Press.
Professor Ellie Hisama (Music Theory and Historical Musicology) has published "Getting to Count" as an advance article in Music Theory Spectrum.
The Department warmly congratulates Dr. Michael Weinstein-Reiman, who on May 10, 2021 successfully defended his Ph.D. dissertation in Music Theory entitled "Touch and Modernity in French Keyboard Pedagogy, 1715-1915."
Professors Zosha Di Castri and Ellie Hisama were interviewed about the symposium Unsung Stories: Women at Columbia's Computer Music Center in the article "Celebrating Women in Electronic Music at Columbia."
Dr. Christine Dysers is a Fulbright Visiting Scholar in the Department of Music, Columbia University. Her research is broadly concerned with 20th- and 21st-century music, with particular attention to contemporary composition and the aesthetics of repetition.
Benjamin Steege, associate professor of music, has just published his second book, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought." The book is available from University of Chicago Press.
Dr. Maeve Sterbenz (PhD ‘17 in Music Theory) has accepted the position of Assistant Professor of Music at Smith College, starting in Fall 2021.
Kevin Holt (GSAS '18), Katie Radishofski, and Professor Ellie Hisama are profiled in part two of Nigel Telman's two-part article in Columbia Spectator about Columbia's relationship with hip-hop.
Toru Momii has been awarded the SMT-40 Dissertation Fellowship from the Society for Music Theory for his dissertation, "Rethinking Transpacific Boundaries: Analyzing Interculturality in Contemporary Japanese Music."
Current Musicology is thrilled to announce the publication of its 107th issue (Fall, 2020).
Congratulations to Professor Ellie Hisama for accepting an offer to be the Dean of the Faculty of Music at the University of Toronto.
Toru Momii, Ph.D. candidate in Music Theory, has published "A Transformational Approach to Gesture in Shō Performance" in Music Theory Online.
There is a call for papers for the Columbia Music Scholarship Conference, which is being held through Zoom on April 17, 2021. The deadline for papers is February 19, 2021.
Peter M. Susser, Senior Lecturer, Director of Undergraduate Musicianship, has published a digital guidebook in partnership with the Center for Teaching and Learning entitled, “Eureka: A Digital Guidebook for Improvisation Leadership in the Ear Training Classroom.”