Professor Mariusz Kozak delivered a talk titled “Kinesthesis, Affectivity, and Music’s Temporal (Re-/Dis-)Orientations" at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory.
Scott Gleason (GSAS '13) has been elected to Co-Chair the Society for Music Theory's History of Theory Special Interest Group.
Professors Ellie Hisama and Zosha Di Castri have been awarded a Columbia University Faculty Seed Grant to produce “Unsung Stories: Women at Columbia’s Computer Music Center,” as part of the Addressing Racism: A Call to Action for Higher Education initiative.
Jacques-Louis Monod in 2009. Photo taken by user Acdsat, from Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Jacques-Louis_Monod.jpg
The Department of Music notes with sadness the passing of renowned pianist, composer, and conductor Jacques-Louis Monod (Toulouse, France, February 25, 2917 - September 21, 2020).
In response to the disruptions wrought by the Covid-19 pandemic, the Department of Music has elected to pause admissions for its doctoral programs for Fall 2021. Please click on the link for further information.
The Department of Music is pleased to announce that Ruth Opara and Suzanne Thorpe have been selected as two-year Mellon Postdoctoral Teaching Fellows.
Professors Ellie Hisama and Zosha Di Castri have been awarded one of two 2020 Public Outreach Grants from Columbia's Center for Science and Society.
Dr. Mark Saccomano has accepted a research position on a three-year digital musicology project at the University of Paderborn in Germany.
George Floyd protest in Denver, CO on May 31st. Photo by George Alexander.
Professor Mariusz Kozak writes in the Washington Post about the "social glue" music provides at protests.
The Department of Music at Columbia welcomes Seth Cluett as Lecturer in Computer Music and Sound Studies starting in the Fall of 2020.
Dr. Fort during his dissertation defense.
The Department warmly congratulates Dr. Anthony Fort, who successfully defended his PhD dissertation in Music Theory titled "Rhythm in Some Modernist Classical Music Sounds Different Depending on How You Move" on June 19, 2020.
Women, Power, and Popular Music is a new summer course being offered by Professor Ellie Hisama through the Institute for Research on Women, Gender, and Sexuality and crosslisted in Music. Through the new Alumni Summer program, alumni/ae are permitted to register for summer session courses as auditors for a reduced fee.
Scott Gleason (PhD '13) is a co-editor of this double volume of "Perspectives of New Music" dedicated to composer-theorist John Rahn. Dr. Gleason and Orit Hilewicz (PhD '17) also contributed articles.
Dr. Ted Gordon, current Mellon Postdoctoral Teaching Fellow, will be starting as a tenure-track Assistant Professor in the Department of Fine and Performing Arts, Weissman School of Arts & Sciences at Baruch College (CUNY), in the fall.
Michael Weinstein-Reiman, Ph.D. student in Music Theory, has published his article "Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch" in the journal Nineteenth-Century Music Review.
Toru Momii, Music Theory PhD student, has been awarded the Junior Fellowship in Japan Studies from the Weatherhead East Asian Institute for 2020–21.
Dr. Marc Hannaford has accepted an offer to join the University of Michigan’s School of Music, Theatre, and Dance as an Assistant Professor of Music Theory, to commence in Fall 2020.
The Department warmly congratulates Dr. Mark Saccomano, who successfully defended his PhD dissertation in Music Theory titled "Musical Sound and Spatial Perception: How Music Structures our Sense of Space" on February 28, 2020.
