The Department warmly congratulates Dr. William Mason, who successfully defended his PhD dissertation in music theory, Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School, on January 31, 2019.
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
The Department of Music at Columbia University invites applications for a full-time, three-year (limited-term) appointment at the rank of Lecturer in Discipline beginning July 1, 2019. The primary duties of the successful candidate will be to teach courses in the core undergraduate Music Theory curriculum.
The Serwer Fund assists currently registered graduate students in Historical Musicology, Theory, and Ethnomusicology in the pursuit of their scholarly work, including dissertation-related research, travel to conferences, and other initiatives.
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
Postdoctoral Music Theory Lecturer Maeve Sterbenz has been appointed Scholar-in-Residence at the San Francisco Ballet.
The Music Department is offering a wide range of courses this fall, including several featured and new electives.
William Mason has accepted a position as Assistant Professor of Music at Wheaton College in Norton Massachusetts.
Congratulations to Galen DeGraf, a Ph.D candidate in Music Theory, who successfully defended his dissertation, "Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge," on May 14th!
The Columbia University Department of Music extends heartfelt congratulations to our 2018 graduates.
The Music Department is offering a wide range of courses this semester, including several featured and new electives.
Peter Susser’s Cello Suite (2016) was recorded by Laura Usiskin (Columbia/Juilliard 2008) as part of her “Reimagining Bach” solo cd.
Benjamin Steege has published two articles: "Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy," in Music & Letters and "Between Race and Culture: Hearing Japanese Music in Berlin," in History of Humanities.
The Department of Music at Columbia University invites applications for Mellon Postdoctoral Teaching Fellowships. Appointment will be at the rank of Mellon Teaching Fellow/Lecturer, for a period of two years to begin July 1, 2018.
PhD candidates Paula Harper (HM) and Michael Weinstein-Reiman (Theory) presented papers on Beyoncé and Nicki Minaj at the international biennial Feminist Theory and Music conference at San Francisco State University, July 27-30. Congratulations, Paula and Michael!
This semester, the Department of Music is offering courses on Beethoven, Divas, Monsters, Material Girls: Women in Music Video; and Transpacific Musicology: Monsters, Princesses, Bombs at Sea. Graduate seminars include Music and Early Modernism, 1880-1920; Ruth Crawford Seeger; and Analysis of Musical Form.
Columbia Music faculty and graduate students, led by Prof. Ellie Hisama, have been awarded a grant from the Collaborative to Advance Equity through Research (CAETR) at Columbia University, for a project entitled For the Daughters of Harlem: Working with Sound.
Congratulations to all of our graduates from the 2016-2017 academic year!