Magdalena Stern-Baczewska has received the Culture, Science and Education Initiative Grant from the Ministry of Foreign Affairs of the Republic of Poland.
Photo credit: © 2021 Rasmus Bell
Dr. Laure M. Hiendl has taken a position as an Assistant Professor at the University Mozarteum Salzburg.
The Department warmly congratulates Dr. John Rot, who successfully defended his DMA dissertation in Music Composition titled "Waking Up into the Moment: Temporal Awareness as a Primary Composable Parameter of Music" on April 5, 2021.
The Unsung Stories poster
Professors Zosha Di Castri and Ellie Hisama were interviewed about the symposium Unsung Stories: Women at Columbia's Computer Music Center in the article "Celebrating Women in Electronic Music at Columbia."
Dr. Christine Dysers
Dr. Christine Dysers is a Fulbright Visiting Scholar in the Department of Music, Columbia University. Her research is broadly concerned with 20th- and 21st-century music, with particular attention to contemporary composition and the aesthetics of repetition.
Benjamin Steege, associate professor of music, has just published his second book, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought." The book is available from University of Chicago Press.
The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution by Professor Julia Doe
Julia Doe, assistant professor of music, has published a new monograph, "The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution." The book is available through the University of Chicago Press.
The Department warmly congratulates Dr. Samuel F. Yulsman, who successfully defended his DMA dissertation in Music Composition titled "Free Jazz Simulations and Political Despair in Aaron Cassidy's 'The Wreck of former boundaries' and 'a line off the convaplex, ifs of color, devout conditions' and 'Negative Horizon'" on March 15, 2021.
Congratulations to Maria Fantinato Geo de Siqueira for her appointment as a Postdoctoral Associate within the Department of Cultural Anthropology at Duke University.
Professor Zosha Di Castri's "Tachitipo," the eponymous track of her debut album, has been nominated for Classical Composition of the Year in the 2021 JUNO Awards.
Professor Zosha Di Castri has published her essay, “Tachitipo—The Living Passport,” on the creative process behind her debut album, Tachitipo, in the recently-released Arcana IX: Musicians on Music, edited by John Zorn.
Dr. Maeve Sterbenz (PhD ‘17 in Music Theory) has accepted the position of Assistant Professor of Music at Smith College, starting in Fall 2021.
The Cold Crush Brothers performing at an anti-apartheid protest at Columbia.
Kevin Holt (GSAS '18), Katie Radishofski, and Professor Ellie Hisama are profiled in part two of Nigel Telman's two-part article in Columbia Spectator about Columbia's relationship with hip-hop.
Peter M. Susser and Cellist Eric Bartlett were selected to write a new piece for APNM’s Masked Music Commissions for composer/performer pairs.
Professor Alessandra Ciucci has received the Lenfest Junior Faculty Grant Award for her new book project "Nass el Ghiwane: Popular Music and the Sound of Protest in Morocco (1970s-1990s)."
Toru Momii has been awarded the SMT-40 Dissertation Fellowship from the Society for Music Theory for his dissertation, "Rethinking Transpacific Boundaries: Analyzing Interculturality in Contemporary Japanese Music."
Current Musicology is thrilled to announce the publication of its 107th issue (Fall, 2020).
Jonathan Ligrani, Ph.D. student in Historical Musicology, has been awarded a Short-Term Research Fellowship by the Renaissance Society of America.