The Department of Music joins fans and musicians the world over in saluting the life and career of Prince Rogers Nelson, known as Prince to millions of adoring fans worldwide, who passed away today. We offer condolences to his friends and family and colleagues.
The John Simon Guggenheim Memorial Foundation has awarded 175 Fellowships this year, three of whom are Composition DMA alumni from our very own department:
Edmund Campion (DMA, Composition, 1993)
Anthony Cheung (DMA, Composition, 2010)
Bryan Jacobs (DMA, Composition, 2015)
Congratulations to all three composers on their well-deserved fellowships!
Coming up: the Sound Arts MFA Thesis Show and the Spring Exhibition of Sound Arts MFA First-Years' Works. More information below:
Continuing Effect: Sound Arts MFA Thesis Show
Saturday, April 23–Saturday, May 7, 2016
Closing Reception: May 7, 2016, 5–7 pm
Basilica Hudson Back Gallery
110 S. Front Street
Hudson, NY 12534
Installed in Basilica’s Back Gallery, this special exhibition presents thesis works from the Sound Arts MFA program. Alice Emily Baird, Cameron Fraser, Chatori Shimizu, and Frank Spigner formally and conceptually address concepts relating to reverberation through interactive, responsive, and kinetic sculpture and installation. Continuing Effect is curated by Wave Farm.
Spring Exhibition: First-Year Works from the 2016 Columbia University School of the Arts Sound Arts MFA Program
Friday, April 22, 2016, 6-8 pm
Central Booking Offline
21 Ludlow Street New York, NY 10002
April 23–May 2, 2016
Gallery Hours: Thursday – Sunday, 12–6 pm
Please join us for the Opening Reception. Works by Ashley Grier, Dani Dobkin, Geronimo Mercado.
Professor Terence Pender was interviewed by the Columbia Spectator last week: the interview recognizes his prowess and skills as both a musician and an educator. Read the interview here. Congratulations, Dr. Pender!
Last week, the ASCAP Foundation named Sky Macklay (DMA, Composition) as a recipient of their Morton Gould Young Composer Award. Read the ASCAP Foundation's announcement here. Congratulations, Sky!
On April 7, Professor Zosha Di Castri's piece "Near Mute Force," a setting of an adapted text by Rivka Galchen, for two sopranos, viola, piano, and drumset, commissioned by the Women's Musical Club of Toronto, will be premiered in Dannthology, a concert featuring violist Steven Dann taking place in Toronto. Read the Toronto Star's write-up about the upcoming concert here.
Magdalena Stern-Baczewska (faculty & director, Music Performance Program) recently visited Quest University in Squamish BC, upon an invitation from its current faculty member and Columbia graduate, Andrew Haringer (PhD, Historical Musicology, 2012). Baczewska presented a sold-out lecture recital 'Goldberg Variations in Context', an in-class lecture demonstration on Chopin and nationalism, and performed Schubert's Fantasie in F minor with Haringer in his seminar on Romanticism. Three days later Baczewska appeared at University of Connecticut's Jorgensen Center for Performing Arts, in a recital with violinist Solomiya Ivakhiv, featuring Bartok's Roumanian Dances, Beethoven's 'Kreutzer' Sonata, and Sonata in A major by Franck. She is currently preparing for a performance of Toys, a piano work by Peter Susser (faculty & director of undergraduate musicianship).
Hearing is Believing
Musicianship and ear training at Columbia are the focus of a newly-mounted exhibition in the Music & Arts Library. On display are original student and faculty work, as well as textbooks, training manuals, and compositions from around the world that are used to enhance and inspire the musical imagination. Curated by Professor Peter M. Susser, DMA, Director of Undergraduate Musicianship at Columbia University, the exhibit will be on display in the Library through graduation 2016.
Courtney Bryan (DMA Composition 2014) will be participating in a number of performances this spring. More detailed information below -- if you're in the area, check these concerts out!
Friday, March 25, 10:30am/11:45am
Relation: A Performance Residency by Vijay Iyer
I. "Songs of Laughing, Smiling, and Crying" for solo piano and recorded sound
II. Courtney Bryan and Brandee Younger, originals and music of Alice Coltrane
The MET Breuer Lobby Gallery of The Metropolitan Museum of New York
Friday, March 25, 7:30pm
Counterpoint: Classical Music and Nina Simone
Courtney Bryan and Eun Lee
Online concert and discussion
Fundraiser for #SingHerName concert, see link:
Thursday, March 31, 8:00pm event (with 7:00pm reception)
HER (in honor of): a performance and discussion
Paul Robeson Center for the Arts
102 Witherspoon Street
Princeton, NJ 08542
HER (in honor of): a performance and discussion, co-sponsored by the Arts Council of Princeton, Princeton University Department of African American Studies and Princeton University Department of Music, will include a live performance byHER (in honor of) -- vocalist Sarah Elizabeth Charles, harpist Brandee Younger, pianist Courtney Bryan, bassist Mimi Jones, and drummer Kimberly Thompson -- and a discussion with the musicians on the history of women in jazz and related contemporary issues, to be moderated by journalist, Rajul Punjabi.
Thursday, April 7 and Friday, April 8 at 7:30pm/9:00pm
(Courtney will perform April 8 at 9:00pm, "A Presence" for solo piano and recorded sound)
Fromm Players at Harvard University
Creative Music Convergences, curated by Vijay Iyer
John Knowles Paine Concert Hall, Department of Music
Harvard University, Cambridge MA
FREE and OPEN TO ALL! No tickets required. First come, first seated.
Last week, Professor Georg Friedrich Haas' work was performed by JACK Quartet and the Talea Ensemble in an event for the Austrian Cultural Forum. The two concerts were part of an event entitled "American Immersion," held at the Bohemian National Hall in New York City. The concert garnered multiple glowing reviews by MusicalAmerica's Daniel Stephen Johnson (whose review can be read here) and the New York Times' Corinna da Fonseca-Wollheim (whose review can be read here). Congratulations, Professor Haas!
Image: Soprano Tony Arnold with Talea Ensemble; copyright Richard Termine, NYT.
University Provost John Coatsworth and Professor Walter Frisch, who is teaching Music Humanities in Paris this semester, were among the guests at a reception on March 4 at the Musée d'Orsay for Columbia trustees, and for faculty, alumni, and staff of the Global Center at Reid Hall.
Daniel Lazour, a recent graduate of Columbia College who finished his degree in music this past December, is among the recipients of the Richard Rodgers Award for Musical Theater, administered by the Academy of Arts and Letters, for the musical We Live in Cairo, which he wrote with his brother, Patrick Lazour. We Live in Cairo "tells the story of six student revolutionaries coming of age in today's Middle East, who confront the past in their search for freedom. Young men and women, armed with laptops and cameras, guitars and spray paint cans, inspire millions to take to the streets of Cairo to overthrow their president, Egypt's Hosni Mubarak."
For more information, please see Playbill's announcement: http://www.playbill.com/article/hadestown-a-modern-day-twist-on-the-orph... Congratulations, Daniel!
Congratulations to Jenny Payne (BC 2016), a neuroscience and ethnomusicology major, for being awarded the prestigious Luce Scholarship! The Luce Scholars Program provides professional placement, in addition to language study and stipends, in Asia for American college seniors, graduate students, and young professionals. The program's goal is to "enhance the understanding of Asia among potential leaders in American society." Jenny gave an interview to the Columbia Spectator, in which she outlines her personal and professional journey and goals: read it here.
Columbia Music Scholarship Conference (CMSC) 2016
The eleventh annual Columbia Music Scholarship Conference (CMSC) will be held at Columbia University on Saturday, February 27, 2016.
CMSC is a conference organized and staffed by the graduate students of the Department of Music at Columbia University.
Professor Alexander Rehding (Harvard University)
"Piano, Monochord, Siren: Studying Music 1999 – 1518 – 1834"
Full details at the conference website!
Congratulations to Vince Cherico, associate in jazz drums at Columbia's Music Performance Program for your amazing GRAMMY win! On February 8, 2015 at the 57th Annual GRAMMY Awards in Los Angeles, The Offense of the Drum, the fourth album from Arturo O’Farrill & the Afro Latin Jazz Orchestra, won the GRAMMY Award for Best Latin Jazz Album.
What year are you at Columbia and what are you majoring in?
I am a senior at Columbia majoring in Industrial Engineering & Operations Research (IEOR).
How long have you been a participant of the MPP?
I have been a participant in MPP since my sophomore year, making this my third year in the program.
Matthew Morrison (Ph.D, Historical Musicology, 2014) has been appointed a tenure-track Assistant Professor, Recorded Sound in the Tisch School of the Arts (Clive Davis Institute of Recorded Music) at New York University. Since 2014 he has been an Assistant Professor and Faculty Fellow in the Institute. Congratulations Matthew! https://tisch.nyu.edu/about/directory/clive-davis-institute/918859097 Check out Matthew's website here: http://madmoimpresario.com/
Professor Ellie Hisama's 1993 paper "Postcolonialism on the make: the music of John Mellencamp, David Bowie and John Zorn" has been quoted in two recent articles on David Bowie (following Bowie's death on January 10 of this year):
"For Bowie, the Thin White Duke, inspiration was black" (Economic Times)
Ruth Tam, "How David Bowie's 'China Girl' used racism to fight racism" (Washington Post)