Publications

Articles

Varieties of Musical Time

Mariusz Kozak
September, 2023

The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal

Kevin Fellezs
March, 2023

The Politics of the Bagatelle: Opera and Smallpox Inoculation in Enlightenment France

Julia Doe
July, 2022

بأصواتُ العيطة: المرأة، الثقافة و الممارسة الموسيقية التقليدية في المغر (The Voices of ‘Aiṭa: Woman, Culture and Traditional Music Practices in Morocco)

Alessandra Ciucci
July, 2022

Hawaiian Musicians Sing the Soft, Sweet Songs of Sovereignty

Kevin Fellezs
December, 2021

Those Days Are Gone Forever: Steely Dan's Grumpy Old Guys' Blues

Kevin Fellezs
November, 2021
Blue cover, titled Journal of Music Theory. Volume 65, Issue 2, October 2021

Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal

Mariusz Kozak
October, 2021

Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

Mariusz Kozak
June, 2021

Pour une lecture politique de l’opéra-comique

Julia Doe
April, 2021

Marie Antoinette, la musique et la danse

Julia Doe
April, 2021

This is Not a Test: Listening with Günther Anders in the Nuclear Age

Benjamin Steege
September, 2020

From the Island of Berkeley: Hawaiian Belonging in California

Kevin Fellezs
August, 2020

Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)

Alessandra Ciucci
July, 2020

Three Moments in Ki Ho’alu (Hawaiian Slack Key Guitar): Improvising As Kanaka Maoli (Native Hawaiian) Adaptative Strategy

Kevin Fellezs
April, 2020

Nahenahe (soft, sweet, melodious): Sounding Out Native Hawaiian Self-Determination

Kevin Fellezs
November, 2019

Vocal Culture in the Age of Laryngoscopy

Benjamin Steege
August, 2019

Two Hunters, a Milkmaid and the French ‘Revolutionary’ Canon

Julia Doe
September, 2018

Edge of Insanity: Tony MacAlpine and Black Virtuosity

Kevin Fellezs
March, 2018

Between Race and Culture: Hearing Japanese Music in Berlin

Benjamin Steege
September, 2017

"The Archive of the Archive"

Aaron A. Fox
April, 2017

Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy

Benjamin Steege
February, 2017

The Marketplace of Devotional Song: Cultural Economies of Exchange in Bengali Padavali-Kirtan

Eben Graves
February, 2017

Alois Hába and the History of the Quartertone Piano

Matthew Goodheart
February, 2017

Experiencing Structure in Penderecki’s Threnody

Mariusz Kozak
February, 2017

Marie Antoinette et la Musique: Habsburg Patronage and French Operatic Culture

Julia Doe
January, 2017

The Challenge of Comparing Improvisation Across Domains

Marc Hannaford
April, 2016

Listeners' Bodies in Music Analysis: Gestures, Motor Intentionality, and Models

Mariusz Kozak
September, 2015

Opéra-Comique on the Eve of Revolution

Julia Doe
June, 2015

"Acoustics"

Benjamin Steege
May, 2015

"'The Nature of Harmony': A Translation and Commentary"

Benjamin Steege
May, 2014

Repatriation as Re-Animation Through Reciprocity

Aaron A. Fox
December, 2013

The Study of Women and Music in Morocco

Alessandra Ciucci
November, 2012

EMBODYING THE COUNTRYSIDE IN ʿAIṬA ḤAṢBAWIYA (MOROCCO)

Alessandra Ciucci
October, 2012

"The Text Must Remain the Same": History, Collective Memory, and Sung Poetry in Morocco

Alessandra Ciucci
September, 2012

"Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just… Jazz: The Politics of Locating an Intercultural Music"

Chris Washburne
June, 2012

"Janáček’s Chronoscope"

Benjamin Steege
December, 2011

"The Spirit of Mozart from Haydn’s Hands: Beethoven’s Musical Inheritance"

Elaine Sisman
September, 2011

Bach and Chopin: Reunion

Magdalena Stern-Baczewska
April, 2011

"Helmholtz, Music Theory, and Liberal-Progressive History"

Benjamin Steege
December, 2010

"Jazz Re/Bordered: Cultural Policy in Danish Jazz"

Chris Washburne
September, 2010

"Celia Cruz at the Apollo"

Chris Washburne
April, 2010

"Latin Music at the Apollo"

Chris Washburne
April, 2010

De-orientalizing the ‘Aita and Re-orienting the Shikhat.

Alessandra Ciucci
January, 2010

"Music Theory in the Public Sphere: The Case of Hermann von Helmholtz"

Benjamin Steege
January, 2010

"Six of One: The Opus Concept in the Eighteenth Century"

Elaine Sisman
June, 2008

"Rhetorical Truth in Haydn’s Chamber Music: Genre, Tertiary Rhetoric, and the Op. 76 Quartets"

Elaine Sisman
December, 2007

"The Marriages of Don Giovanni: Persuasion, Impersonation, and Personal Responsibility"

Elaine Sisman
December, 2006

"In Werken denken: Die Erzeugung musikalischer Bedeutung für Haydns vielgestaltiges Publikum"

Elaine Sisman
November, 2006

"Haydn’s Career and the Idea of the Multiple Audience"

Elaine Sisman
December, 2005

"The Voice of God in Haydn’s Creation"

Elaine Sisman
November, 2005

"Observations on the First Phase of Mozart’s ‘Haydn’ Quartets"

Elaine Sisman
February, 2005

"Does Kenny G. Play Bad Jazz?"

Chris Washburne
September, 2004

"Variations"

Elaine Sisman
January, 2004

"Varèse in vitro: On Attention, Aurality, and the Laboratory"

Benjamin Steege
December, 2003

"Haydn's Solo Keyboard Music"

Elaine Sisman
October, 2003

"Salsa Romántica: an Analysis of Style, Sound Structure, and Contemporary Performance Practice"

Chris Washburne
May, 2002

"Latin Jazz: The Other Jazz"

Chris Washburne
April, 2002

“Masquerading Machismo: La India and the Staging of Chusmería on the Salsa Scene"

Chris Washburne
January, 2002

Entre los Deseos y los Derechos: Un Ensayo Crítico sobre Políticas Culturales

Ana Maria Ochoa Gautier
January, 2002

"Sinfonia teatrale di Haydn"

Elaine Sisman
January, 2001

"Miscellaneous Instruments in Jazz"

Chris Washburne
October, 2000

"Memory and Invention at the Threshold of Beethoven’s Late Style"

Elaine Sisman
January, 2000

"A Nuyorican Son"

Chris Washburne
October, 1999

"Brahms’s Piano Variations op. 21, op. 23, and 24"

Elaine Sisman
March, 1999

"Genre, Gesture, and Meaning in Mozart's 'Prague Symphony'"

Elaine Sisman
March, 1998

"The Music of Rhetoric"

Elaine Sisman
January, 1997