Publications

Books

Italian Opera in the United States, 1800-1850: At the Origins of a Cultural Migration

Giuseppe Gerbino
April, 2023

The Voice of the Rural: Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria

Alessandra Ciucci
May, 2022

An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Benjamin Steege
March, 2021

The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution

Julia Doe
March, 2021

Latin Jazz: the Other Jazz

Chris Washburne
May, 2020

Listen But Don’t Ask Question: Hawaiian Slack Key Guitar Across the TransPacific

Kevin Fellezs
December, 2019

Composition and Cognition

Fred Lerdahl
November, 2019

Enacting Musical Time: The Bodily Experience of New Music

Mariusz Kozak
November, 2019

Arlen and Harburg's Over the Rainbow

Walter Frisch
September, 2017

Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion (Chinese Translation)

Kevin Fellezs
March, 2017

The Oxford Handbook of Critical Improvisation Studies, Volume II

George E. Lewis
September, 2016

The Oxford Handbook of Critical Improvisation Studies, Volume I

George E. Lewis
September, 2016

The Cambridge Companion to Jewish Music

Joshua Walden
January, 2016

Resounding Images: Medieval Intersections of Art, Music, and Sound

Susan Boynton
October, 2015

Aurality: Listening and Knowledge in Nineteenth-Century Colombia

Ana Maria Ochoa Gautier
August, 2014

Music in the Nineteenth Century

Walter Frisch
September, 2012

Helmholtz and the Modern Listener

Benjamin Steege
August, 2012
Silent Music

Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain

Susan Boynton
October, 2011

Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion

Kevin Fellezs
August, 2011

The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity

Susan Boynton
July, 2011

A Power Stronger Than Itself: The AACM and American Experimental Music

George E. Lewis
October, 2009

In Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation

Magdalena Stern-Baczewska
August, 2009

Music and the Myth of Arcadia in Renaissance Italy

Giuseppe Gerbino
April, 2009

Young Choristers, 650-1700

Susan Boynton
October, 2008

Sounding Salsa: Performing Latin Music in New York City

Chris Washburne
June, 2008

Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music

Ellie M. Hisama
August, 2007

Musical Childhoods and the Cultures of Youth

Susan Boynton
June, 2006

Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125

Susan Boynton
January, 2006

From Dead of Night to End of Day: The Medieval Customs of Cluny

Susan Boynton
December, 2005

German Modernism: Music and the Arts

Walter Frisch
July, 2005

Giotto’s Harmony

Nora Maria Beck
May, 2005

Tonal Pitch Space

Fred Lerdahl
April, 2005

Real Country: Music and Language in Working-Class Culture

Aaron A. Fox
October, 2004

Bad Music: The Music We Love to Hate

Chris Washburne
September, 2004

Músicas locales en tiempos de globalización

Ana Maria Ochoa Gautier
August, 2003

Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon

Ellie M. Hisama
November, 2001

Schoenberg and His World

Walter Frisch
January, 1999

The Early Works of Arnold Schoenberg, 1893-1908

Walter Frisch
November, 1997

Haydn and His World

Elaine Sisman
August, 1997

Schubert: Critical and Analytical Studies

Walter Frisch
November, 1996

Brahms: The Four Symphonies

Walter Frisch
October, 1996

A Generative Theory of Tonal Music

Fred Lerdahl
June, 1996

Mozart: The "Jupiter" Symphony No. 41 in C Major, K. 551

Elaine Sisman
October, 1993

Haydn and the Classical Variation

Elaine Sisman
January, 1993

Brahms and His World

Walter Frisch
November, 1990

Brahms and the Principle of Developing Variation

Walter Frisch
April, 1990