Department of Music Columbia University in the City of New York

The Politics of the Bagatelle: Opera and Smallpox Inoculation in Enlightenment France

Julia Doe

July, 2022

بأصواتُ العيطة: المرأة، الثقافة و الممارسة الموسيقية التقليدية في المغر (The Voices of ‘Aiṭa: Woman, Culture and Traditional Music Practices in Morocco)

Alessandra Ciucci

July, 2022

The Voice of the Rural: Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria

Alessandra Ciucci

May, 2022

Hawaiian Musicians Sing the Soft, Sweet Songs of Sovereignty

Kevin Fellezs

December, 2021

Those Days Are Gone Forever: Steely Dan's Grumpy Old Guys' Blues

Kevin Fellezs

November, 2021

Blue cover, titled Journal of Music Theory. Volume 65, Issue 2, October 2021

Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal

Mariusz Kozak

October, 2021

Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

Mariusz Kozak

June, 2021

Mozart

Magdalena Stern-Baczewska

May, 2021

Pour une lecture politique de l’opéra-comique

Julia Doe

April, 2021

Marie Antoinette, la musique et la danse

Julia Doe

April, 2021

An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Benjamin Steege

March, 2021

The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution

Julia Doe

March, 2021

Hip-Hopsichord

Magdalena Stern-Baczewska

October, 2020

This is Not a Test: Listening with Günther Anders in the Nuclear Age

Benjamin Steege

September, 2020

From the Island of Berkeley: Hawaiian Belonging in California

Kevin Fellezs

August, 2020

Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)

Alessandra Ciucci

July, 2020

Latin Jazz: the Other Jazz

Chris Washburne

May, 2020

Debussy on 5th Avenue

Magdalena Stern-Baczewska

May, 2020

Three Moments in Ki Ho’alu (Hawaiian Slack Key Guitar): Improvising As Kanaka Maoli (Native Hawaiian) Adaptative Strategy

Kevin Fellezs

April, 2020

Music for Dreams ChillHop Remix

Magdalena Stern-Baczewska

January, 2020

Listen But Don’t Ask Question: Hawaiian Slack Key Guitar Across the TransPacific

Kevin Fellezs

December, 2019

Composition and Cognition

Fred Lerdahl

November, 2019

Nahenahe (soft, sweet, melodious): Sounding Out Native Hawaiian Self-Determination

Kevin Fellezs

November, 2019

Tachitipo

Zosha Di Castri

November, 2019

Enacting Musical Time: The Bodily Experience of New Music

Mariusz Kozak

November, 2019

Vocal Culture in the Age of Laryngoscopy

Benjamin Steege

August, 2019

Two Hunters, a Milkmaid and the French ‘Revolutionary’ Canon

Julia Doe

September, 2018

Edge of Insanity: Tony MacAlpine and Black Virtuosity

Kevin Fellezs

March, 2018

Between Race and Culture: Hearing Japanese Music in Berlin

Benjamin Steege

September, 2017

Arlen and Harburg's Over the Rainbow

Walter Frisch

September, 2017

"The Archive of the Archive"

Aaron A. Fox

April, 2017

Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion (Chinese Translation)

Kevin Fellezs

March, 2017

Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy

Benjamin Steege

February, 2017

The Marketplace of Devotional Song: Cultural Economies of Exchange in Bengali Padavali-Kirtan

Eben Graves

February, 2017

Experiencing Structure in Penderecki’s Threnody

Mariusz Kozak

February, 2017

Marie Antoinette et la Musique: Habsburg Patronage and French Operatic Culture

Julia Doe

January, 2017

The Oxford Handbook of Critical Improvisation Studies, Volume II

George E. Lewis

September, 2016

The Oxford Handbook of Critical Improvisation Studies, Volume I

George E. Lewis

September, 2016

Magdalena Baczewska Plays Chopin & Szymanowski

Magdalena Stern-Baczewska

July, 2016

Resounding Images: Medieval Intersections of Art, Music, and Sound

Susan Boynton

October, 2015

Listeners' Bodies in Music Analysis: Gestures, Motor Intentionality, and Models

Mariusz Kozak

September, 2015

Opéra-Comique on the Eve of Revolution

Julia Doe

June, 2015

"Acoustics"

Benjamin Steege

May, 2015

Low Ridin'

Chris Washburne

April, 2015

Aurality: Listening and Knowledge in Nineteenth-Century Colombia

Ana Maria Ochoa Gautier

August, 2014

"'The Nature of Harmony': A Translation and Commentary"

Benjamin Steege

May, 2014

Repatriation as Re-Animation Through Reciprocity

Aaron A. Fox

December, 2013

Music for Dreams, Vol. 3

Magdalena Stern-Baczewska

November, 2013

Land of Nod

Chris Washburne

January, 2013

The Study of Women and Music in Morocco

Alessandra Ciucci

November, 2012

EMBODYING THE COUNTRYSIDE IN ʿAIṬA ḤAṢBAWIYA (MOROCCO)

Alessandra Ciucci

October, 2012

"The Text Must Remain the Same": History, Collective Memory, and Sung Poetry in Morocco

Alessandra Ciucci

September, 2012

Music in the Nineteenth Century

Walter Frisch

September, 2012

Helmholtz and the Modern Listener

Benjamin Steege

August, 2012

Mirage

Chris Washburne

June, 2012

"Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just… Jazz: The Politics of Locating an Intercultural Music"

Chris Washburne

June, 2012

Music for Dreams, vol. 2

Magdalena Stern-Baczewska

December, 2011

"Janáček’s Chronoscope"

Benjamin Steege

December, 2011

Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain

Susan Boynton

October, 2011

"The Spirit of Mozart from Haydn’s Hands: Beethoven’s Musical Inheritance"

Elaine Sisman

September, 2011

Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion

Kevin Fellezs

August, 2011

The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity

Susan Boynton

July, 2011

Bach and Chopin: Reunion

Magdalena Stern-Baczewska

April, 2011

"Helmholtz, Music Theory, and Liberal-Progressive History"

Benjamin Steege

December, 2010

"Jazz Re/Bordered: Cultural Policy in Danish Jazz"

Chris Washburne

September, 2010

Fields of Moons

Chris Washburne

July, 2010

"Celia Cruz at the Apollo"

Chris Washburne

April, 2010

"Latin Music at the Apollo"

Chris Washburne

April, 2010

De-orientalizing the ‘Aita and Re-orienting the Shikhat.

Alessandra Ciucci

January, 2010

"Music Theory in the Public Sphere: The Case of Hermann von Helmholtz"

Benjamin Steege

January, 2010

The Hunting of the Snark

Chris Washburne

November, 2009

Music for Dreams, Vol. 1

October, 2009

A Power Stronger Than Itself: The AACM and American Experimental Music

George E. Lewis

October, 2009

In Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation

Magdalena Stern-Baczewska

August, 2009

Nordic Disruption

Chris Washburne

July, 2009

Music and the Myth of Arcadia in Renaissance Italy

Giuseppe Gerbino

April, 2009

Young Choristers, 650-1700

Susan Boynton

October, 2008

"Six of One: The Opus Concept in the Eighteenth Century"

Elaine Sisman

June, 2008

Sounding Salsa: Performing Latin Music in New York City

Chris Washburne

June, 2008

A TRIBUTE TO GLENN GOULD: Magdalena Baczewska plays Bach's Goldberg Variations

Magdalena Stern-Baczewska

January, 2008

"Rhetorical Truth in Haydn’s Chamber Music: Genre, Tertiary Rhetoric, and the Op. 76 Quartets"

Elaine Sisman

December, 2007

Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music

Ellie M. Hisama

August, 2007

"The Marriages of Don Giovanni: Persuasion, Impersonation, and Personal Responsibility"

Elaine Sisman

December, 2006

"In Werken denken: Die Erzeugung musikalischer Bedeutung für Haydns vielgestaltiges Publikum"

Elaine Sisman

November, 2006

Musical Childhoods and the Cultures of Youth

Susan Boynton

June, 2006

Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125

Susan Boynton

January, 2006

"Haydn’s Career and the Idea of the Multiple Audience"

Elaine Sisman

December, 2005

From Dead of Night to End of Day: The Medieval Customs of Cluny

Susan Boynton

December, 2005

"The Voice of God in Haydn’s Creation"

Elaine Sisman

November, 2005

German Modernism: Music and the Arts

Walter Frisch

July, 2005

Tonal Pitch Space

Fred Lerdahl

April, 2005

"Observations on the First Phase of Mozart’s ‘Haydn’ Quartets"

Elaine Sisman

February, 2005

NYNDK

Chris Washburne

November, 2004

Real Country: Music and Language in Working-Class Culture

Aaron A. Fox

October, 2004

"Does Kenny G. Play Bad Jazz?"

Chris Washburne

September, 2004

Bad Music: The Music We Love to Hate

Chris Washburne

September, 2004

"Variations"

Elaine Sisman

January, 2004

"Varèse in vitro: On Attention, Aurality, and the Laboratory"

Benjamin Steege

December, 2003

"Haydn's Solo Keyboard Music"

Elaine Sisman

October, 2003

Músicas locales en tiempos de globalización

Ana Maria Ochoa Gautier

August, 2003

Paradise in Trouble

Chris Washburne

April, 2003

"Salsa Romántica: an Analysis of Style, Sound Structure, and Contemporary Performance Practice"

Chris Washburne

May, 2002

"Latin Jazz: The Other Jazz"

Chris Washburne

April, 2002

“Masquerading Machismo: La India and the Staging of Chusmería on the Salsa Scene"

Chris Washburne

January, 2002

Entre los Deseos y los Derechos: Un Ensayo Crítico sobre Políticas Culturales

Ana Maria Ochoa Gautier

January, 2002

Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon

Ellie M. Hisama

November, 2001

The Other Side

Chris Washburne

May, 2001

"Sinfonia teatrale di Haydn"

Elaine Sisman

January, 2001

"Miscellaneous Instruments in Jazz"

Chris Washburne

October, 2000

sinefamilytree

Douglas I. Repetto

January, 2000

Recordings Compositions

"Memory and Invention at the Threshold of Beethoven’s Late Style"

Elaine Sisman

January, 2000

"A Nuyorican Son"

Chris Washburne

October, 1999

Nuyorican Nights

Chris Washburne

September, 1999

"Brahms’s Piano Variations op. 21, op. 23, and 24"

Elaine Sisman

March, 1999

Schoenberg and His World

Walter Frisch

January, 1999

"Genre, Gesture, and Meaning in Mozart's 'Prague Symphony'"

Elaine Sisman

March, 1998

The Early Works of Arnold Schoenberg, 1893-1908

Walter Frisch

November, 1997

Haydn and His World

Elaine Sisman

August, 1997

airbugmachine

Douglas I. Repetto

January, 1997

SineClock

Douglas I. Repetto

January, 1997

The Secret Dream Loops of Four Mall-bound Plants

Douglas I. Repetto

January, 1997

red noise tin

Douglas I. Repetto

January, 1997

on a hill in eastern pennsylvania

Douglas I. Repetto

January, 1997

"The Music of Rhetoric"

Elaine Sisman

January, 1997

Schubert: Critical and Analytical Studies

Walter Frisch

November, 1996

Brahms: The Four Symphonies

Walter Frisch

October, 1996

A Generative Theory of Tonal Music

Fred Lerdahl

June, 1996

the spaghetti device

Douglas I. Repetto

January, 1996

Meet the Anti-Cyborg Orchestra!

Douglas I. Repetto

January, 1996

Recordings Compositions

refrigeration

Douglas I. Repetto

January, 1996

soundhats

Douglas I. Repetto

January, 1996

worlds within

Douglas I. Repetto

January, 1996

Canoni ed Enigmi

Giuseppe Gerbino

December, 1995

The Fax

Chris Washburne

December, 1994

Mozart: The "Jupiter" Symphony No. 41 in C Major, K. 551

Elaine Sisman

October, 1993

he is, was

Douglas I. Repetto

January, 1993

three settings

Douglas I. Repetto

January, 1993

Haydn and the Classical Variation

Elaine Sisman

January, 1993

Brahms and His World

Walter Frisch

November, 1990

Brahms and the Principle of Developing Variation

Walter Frisch

April, 1990