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Music Theory Publications
Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal
Mariusz Kozak
October, 2021
Articles
Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?
Mariusz Kozak
June, 2021
Articles
An Unnatural Attitude: Phenomenology in Weimar Musical Thought
Benjamin Steege
March, 2021
Books
This is Not a Test: Listening with Günther Anders in the Nuclear Age
Benjamin Steege
September, 2020
Articles
Composition and Cognition
Fred Lerdahl
November, 2019
Books
Enacting Musical Time: The Bodily Experience of New Music
Mariusz Kozak
November, 2019
Books
Vocal Culture in the Age of Laryngoscopy
Benjamin Steege
August, 2019
Articles
Between Race and Culture: Hearing Japanese Music in Berlin
Benjamin Steege
September, 2017
Articles
Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy
Benjamin Steege
February, 2017
Articles
Experiencing Structure in Penderecki’s Threnody
Mariusz Kozak
February, 2017
Articles
The Oxford Handbook of Critical Improvisation Studies, Volume II
George E. Lewis
September, 2016
Books
The Oxford Handbook of Critical Improvisation Studies, Volume I
George E. Lewis
September, 2016
Books
The Challenge of Comparing Improvisation Across Domains
Marc Hannaford
April, 2016
Articles
Listeners' Bodies in Music Analysis: Gestures, Motor Intentionality, and Models
Mariusz Kozak
September, 2015
Articles
"Acoustics"
Benjamin Steege
May, 2015
Articles
Helmholtz and the Modern Listener
Benjamin Steege
August, 2012
Books
"The Spirit of Mozart from Haydn’s Hands: Beethoven’s Musical Inheritance"
Elaine Sisman
September, 2011
Articles
Bach and Chopin: Reunion
Magdalena Stern-Baczewska
April, 2011
Articles
In Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation
Magdalena Stern-Baczewska
August, 2009
Books
"Six of One: The Opus Concept in the Eighteenth Century"
Elaine Sisman
June, 2008
Articles
"Rhetorical Truth in Haydn’s Chamber Music: Genre, Tertiary Rhetoric, and the Op. 76 Quartets"
Elaine Sisman
December, 2007
Articles
"The Marriages of Don Giovanni: Persuasion, Impersonation, and Personal Responsibility"
Elaine Sisman
December, 2006
Articles
"In Werken denken: Die Erzeugung musikalischer Bedeutung für Haydns vielgestaltiges Publikum"
Elaine Sisman
November, 2006
Articles
"Haydn’s Career and the Idea of the Multiple Audience"
Elaine Sisman
December, 2005
Articles
"The Voice of God in Haydn’s Creation"
Elaine Sisman
November, 2005
Articles
Tonal Pitch Space
Fred Lerdahl
April, 2005
Books
"Observations on the First Phase of Mozart’s ‘Haydn’ Quartets"
Elaine Sisman
February, 2005
Articles
"Variations"
Elaine Sisman
January, 2004
Articles
"Varèse in vitro: On Attention, Aurality, and the Laboratory"
Benjamin Steege
December, 2003
Articles
"Haydn's Solo Keyboard Music"
Elaine Sisman
October, 2003
Articles
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon
Ellie M. Hisama
November, 2001
Books
"Sinfonia teatrale di Haydn"
Elaine Sisman
January, 2001
Articles
"Memory and Invention at the Threshold of Beethoven’s Late Style"
Elaine Sisman
January, 2000
Articles
"Brahms’s Piano Variations op. 21, op. 23, and 24"
Elaine Sisman
March, 1999
Articles
"Genre, Gesture, and Meaning in Mozart's 'Prague Symphony'"
Elaine Sisman
March, 1998
Articles
Haydn and His World
Elaine Sisman
August, 1997
Books
"The Music of Rhetoric"
Elaine Sisman
January, 1997
Articles
Schubert: Critical and Analytical Studies
Walter Frisch
November, 1996
Books
Brahms: The Four Symphonies
Walter Frisch
October, 1996
Books
A Generative Theory of Tonal Music
Fred Lerdahl
June, 1996
Books
Mozart: The "Jupiter" Symphony No. 41 in C Major, K. 551
Elaine Sisman
October, 1993
Books
Haydn and the Classical Variation
Elaine Sisman
January, 1993
Books
Brahms and the Principle of Developing Variation
Walter Frisch
April, 1990
Books
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