This interdisciplinary conference and workshop will examine the interaction between music, science, and medicine in Paris, as they were influenced by the reframing of the self in the aftermath of successive revolutionary upheavals.
Sunday April 2, 2017 | 8 PM
Columbia University Orchestra
Roone Arledge Auditorium at Alfred J. Lerner Hall
This event is FREE & OPEN to the public
The Columbia University Orchestra plays the music of Wagner, Haydn, and Berlioz. Also featuring the 2017 concerto competition winner, Alec Hon
Jeffrey Milarsky, Conductor and Music Director
In solidarity with immigrants living in Washington Heights and other neighborhoods of northern Manhattan, the Columbia Music Department and Broadway Presbyterian Church are hosting a benefit concert for the Northern Manhattan Coalition for Immigrant Rights.
Music Performance Program is pleased to announce the annual MPP gala concert at Carnegie Hall's Weill Recital Hall, on Monday, April 3rd, 2017 at 8 PM.
Magdalena Stern-Baczewska (Director, MPP) will perform Beethoven's Concerto No. 5 with the Empire Chamber Orchestra. Program also includes Raphael Fusco Atrahasis (World Premiere) commissioned by The Empire Chamber Orchestra, and Mendelssohn Symphony No. 1. To purchase tickets ($25), click here: https://www.artful.ly/store/events/11366.
FROM HEAVEN TO HELL: THE DRAMA OF THE FRENCH BAROQUE
A performance by Mango Baroque with spoken commentary
The Bard College Conservatory, Columbia University Departments of History and Music, and the Columbia University Music Performance Program present:
"Clara Schumann and Johannes Brahms: Chamber Music and Panel Discussion on Friendship and Sociability in Mid-19th Century Central Europe."
The music featured will be an excerpt from Schumann's Piano Trio in G Minor, Op. 17 and Brahms' Piano Quintet in F Minor, Op. 34.
Reservations required for anyone not holding a Columbia University ID. Contact martin [at] bard.edu
Reembodied Sound: A Symposium and Festival of Transducer-based Music and Sonic Art
Dieter Christensen, an eminent ethnomusicologist and a longtime faculty member of the Department of Music at Columbia University and Director of Columbia's Center for Ethnomusicology, passed away in Berlin, Germany on March 1, 2017.
Eben Graves, Mellon Postdoctoral Fellow, has published “The Marketplace of Devotional Song: Cultural Economies of Exchange in Bengali Padavali-Kirtan,” in Ethnomusicology.
Katherine Balch (DMA Composition student) and Sky Macklay (DMA Composition) have both received Charles Ives Scholarships from the American Academy of Arts and Letters. These scholarships of $7500 are given to composition students of great promise.
Matthew Goodheart has published "Alois Hába and the History of the Quartertone Piano" in Keyboard Mag.
Mariusz Kozak, has published "Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding" in Music Theory Spectrum.
On Friday, April 7, at 2 pm, Emily Dolan will deliver her talk, "The Birth of Music's Technological Past," in the Historical Musicology and Music Theory Colloquium series.
Nicholas J. Chong has been appointed Assistant Professor in the Mason Gross School of the Arts at Rutgers University.
Orit Hilewicz has accepted a tenure-track position as Assistant Professor of Music theory in the Eastman School of Music at the University of Rochester.