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Sound Arts MFA Program Spring show!

    Sound Arts, an interdepartmental MFA program offered by the Columbia University School of the Arts Visual Arts Program in association with the Department of Music and the Computer Music Center, is pleased to announce its spring exhibition and thesis show: Amplitude. And check out our new Sound Arts SoundCloud site!

The Wet Ink Large Ensemble plays Columbia Composers

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    April 25th marks the return of the Wet Ink Large Ensemble, Wet Ink’s extended performing group devoted to bringing exciting new works for large forces to New York for the first time.

    We are very pleased to be presenting this exciting program of premieres by Columbia University graduate students in composition. The program includes works by Stylianos Dimou, Chris Trapani, Sky Macklay, Ryan Pratt (featuring Marina Kifferstein, guest violin soloist), Ashkan Behzadi, and Nina Young, all of whom are exciting and innovative voices in contemporary composition.

    Please join us at the DiMenna Center on April 25th for what is sure to be a special concert! Free admission, and reception to follow.

    WET INK LARGE ENSEMBLE
    Laura Cocks, flutes
    Karisa Antonio, oboe
    Liam Kinson, clarinets
    Alex Mincek, saxophone
    David Byrd Marrow, horn
    Peter Evans, trumpet
    William Lang, trombone
    Jacqui Kerrod, harp
    Ian Antonio, percussion
    Russell Greenberg, percussion
    Laura Barger, piano
    Josh Modney, violin
    Erica Dicker, violin
    Erin Wight, viola
    Mariel Roberts, cello
    Andrew Roitstein, double bass
    Sam Pluta, electronics
    Eric Wubbels, conductor
    with Marina Kifferstein, guest violin soloist

    Saturday, April 25th, 2015
    8:00pm
    The DiMenna Center
    450 W 20th St.
    free admission | reception to follow

    http://www.wetink.org

Pierre Tremblay at the CMC

    At 1:00 PM, Friday (4.17.2015), room 320H Prentis composer/programmer/improviser/sound-artist Pierre Tremblay will present

    “On Blurring Taxonomies: a Constructive Convergences of Practices”

    In this presentation, Pierre Alexandre will introduce his musical biases on
    improvisation, composition, studio, liveness, techniques and collaboration;
    then he will highlight their converging consequences in his latest works
    (chamber mixed music for concert hall and/or jazz club, and fixed media
    pieces), and in his Huddersfield studio lab’s projects (thehiss.org). This
    will be followed by discussions, questions and hands-on examples if
    appropriate.

    his London-based contemporary jazz project:

    Open and free to all…

“Tokyo to New York” Concert at Tenri Cultural Institute

    “Tokyo to New York” Concert at Tenri Cultural Institute
    New Music by Tokyo & NYC Composers

    Including works from CMC/Sound Arts composers Chatori Shimizu: NEONS (U.S. Premier) and Joshua Mailman: Drunk Dragonfly Blues (World Premier).

    With works by: Yoshihiko Banno, Gilbert Galindo, Masatora Goya, Tomo Hirayama, Miyuki Ito, Paul Yeon Lee, David Loeb, Joshua Mailman, Jun Nagao, Fernando Otero, Gene Pritsker, Chatori Shimizu, Hifumi Shimoyama, Tomoko Uzawa, Atsushi Yoshinaka

    Thomas Piercy (Clarinet/Bass Clarinet & Hichiriki)
    Taka Kigawa (Piano)
    Pablo Aslan (Bass)
    James Nyoraku Schlefer (Shakuhachi)

    Sunday, April 19th at 4pm

    Tenri Cultural Institute
    43A W. 13th St. NY, NY 10011

    http://www.tonadaproductions.com/tokyo-to-new-york-2015-tenri.html

Wet Ink Presents @ Trans-Pecos: HPrizm, the Miz’Ries, Premature Burial, Headless Monkey Attack

    wetink

    Wet Ink Presents @ Trans-Pecos: HPrizm, the Miz’Ries, Premature Burial, Headless Monkey Attack

    Thursday, April 9 at 8:30pm – 11:00pm

    Trans Pecos
    915 Wycoff Ave, Queens, New York 11385

    On Thursday, April 9th, we’ll have the third event in the Wet Ink Ensemble Presents series at Trans-Pecos NY.

    This show features a performance by HPrizm (a.k.a. producer/rapper High Priest of Anti-pop Consortium), The Miz’Ries (noise pop band featuring Leila Adu, Jeff Snyder and Quinn Collins), Headless Monkey Attack (electronic/percussion weirdness by Ryan Carter and Dennis Sullivan), and the powerhouse improvisational brass trio Premature Burial (Dan Peck on tuba, Peter Evans on trumpet, and Matt Nelson on sax).

    This will be a blast, it’s not one to miss!

    doors open at 8PM, music will start at 8:30 sharp.

    $8

    http://www.thetranspecos.com

Nate Young (Wolf Eyes) and Mario Diaz de Leon at Tectonics Festival NY

    young+diazdeleon

    Nate Young (Wolf Eyes) and Mario Diaz de Leon at Tectonics Festival NY

    Thursday, May 7, 2015 – 8:00pm
    First Unitarian Congregational Society
    116 Pierrepont St., Brooklyn 11201

    Co-presented by Issue Project Room

    Standard Deviance One, a collaboration between Nate Young (Wolf Eyes) and Mario Diaz de Leon (CMC-alum and Adjunct Professor of Music Humanities), based on material from the albums “Blinding Confusion” and “Stay Asleep” by Young’s Regression project. Over five movements, the work explores Young’s masterful sense of atmosphere and lucid dread, arranged and expanded for an ensemble of eight musicians.

    Program:
    Annea Lockwood: Immersion (1998)

    Klaus Lang: the whitebearded man. the six frogs. (2008) 
Performed by Yarn/Wire.

    Morton Feldman: Principal Sound (1980)
 Performed by James Rushford.

    Klaus Lang: ABD 
Performed by Klaus Lang.

    Nate Young & Mario Diaz de Leon: Standard Deviance One (2015)
    
Performed by Chris McIntyre (trombone), James Rogers (bass trombone), James Rushford (viola), Maya Dunietz (piano), Yarn/Wire (percussion), Nate Young (electronics/voice), Mario Diaz de Leon (guitar).

    * Newly commissioned for Tectonics Festival NY, by Nate Young, realized for ensemble by Mario Diaz de Leon.

    http://issueprojectroom.org/event/tectonics-ny-2015-1

ACOUSTIC+ #2

    acoustic+2

    ACOUSTIC+ #2

    Friday, March 27, 2015 at 8PM
    MISE-EN_PLACE Bushwick
    678 Hart St 1B, Brooklyn, New York 11221

    This is a new venture for ensemble mise-en, whose programs have typically focused on large ensemble works featuring traditional acoustic media. The small scale of the performing forces needed for the Acoustic+ series’ electronic and multimedia works allows for a great diversity of works on each of the programs rather than being limited to a specific instrumentation or subset of the full ensemble.

    PROGRAM
    Adam Tahir Mirza: A new work (world premiere, 2015)
    Nina C. Young: A new work (world premiere, 2015)
    Eric Chasalow: What is danced ( … and what is not) (NY premiere, 2002)*
    Jenny Olivia Johnson + Alysse Padilla: “Third Space”+”We Are Luminous” (2013, NYC premiere)
    Jenny Olivia Johnson + Alex Temple: “It’s Hard Even to Say It” (2013, NYC premiere)
    Karlheinz Stockhausen: Kontakte (electronic version) (1959-1960)

    *featuring Melanie Genin

    http://mise-en.org/events/#1691

    Admission: $15 (https://www.artful.ly/store/events/5084)

Andrea Agostini & Ryan Carter at the Italian Academy

LoVid & Sound Arts MFA students @ EI

    EI

    EI MARCH 2015 PERFORMANCE SERIES
    The Forty-first Anniversary of EI performances at 224 Centre Street, The Forty-sixth Anniversary of the Founding of Experimental Intermedia, the Forty-fifth Anniversary of the 224 Centre Street loft, and, not least,

    The Twenty-fifth Annual Festival with no fancy name, Part Two (or B)
    Phill Niblock, curator

    Lovid (New York) A Video Event
    LoVid will perform with a combination of handmade analog and digital instruments; the performance
    will center on an audiovisual composition where the video and sound are translated from the
    same electric signal; LoVid’s work explores the translation of the electric signal into visible and
    audible compositions; in recent works, they have been expanding their practice to think of the
    space of the performance, as well as the space between performers and audiences, as part of
    the instrument itself; for this performance LoVid will incorporate infrared LED light-beams that
    will be used to trigger video and sound clips; they will be joined by an ensemble of MFA in
    Sound Arts students from Columbia University

    Sunday, March 15th, 2015
    9pm
    224 Centre Street at Grand, Third Floor, NY 10013

    http://experimentalintermedia.org/concerts/15/march15.shtml

forever wild (kill site record)

    darwin

    forever wild (kill site record)

    Marginal Utility
    319 North 11th Street, 2nd Floor
    Philadelphia, PA 19107

    6 March – 19 April 2015
    Opening Reception 6 March 6-10pm

    Marginal Utility is proud to present ‘forever wild (kill site record)’ by the New York based artist Douglas Irving Repetto. This is Repetto’s second project to be exhibited with Marginal Utility.

    http://www.marginalutility.org

Headless Monkey Attack @ Spectrum

    headlessmonkeyattack

    Headless Monkey Attack @ Spectrum

    Headless Monkey Attack

    When:
    Saturday, February 28 at 8:00pm

    Where:
    Spectrum
    121 Ludlow, Second Floor
    New York, New York 10002

    What:
    CMC-alum Ryan Carter (Headless Monkey Attack) will perform a solo set (and interpretive dance) of algorithmically generated compositions.

    More info:
    http://www.headlessmonkeyattack.com
    http://spectrumnyc.com/blog/calendar

The Hour of the Star

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    THE HOUR OF THE STAR by Clarice Lispector
    Translated by Benjamin Moser
    Used with permission of New Directions Publishing
    Adapted and Directed by Dara Malina

    Sound design : Nolan Lem (MFA Sound Arts 2nd year student)

    Where: The Connelly Theatre
    220 East 4th Street
    When: February 18-21, 2015

    Price: $15 General Admission/$5 Seniors

    Free with any valid CUID or student ID;
    Enter the code student to reserve your free ticket.
    You must present your ID with the confirmation at the door.

    http://www.columbiastages.org/season/2015/dmalina.html

Christopher Trapani Paris Premiere

    Spinning in Infinity for orchestra and electronics by (CMC TA) Christopher Trapani premieres 21 February 2015 at the Maison de la Radio in Paris. Radio France / IRCAM co-production.

    For those who can’t attend in person, the concert will be broadcast online for one month following the premiere.

    For more info:
    www.maisondelaradio.fr
    maisondelradio article

Brad Garton: “The Books Of Music, Dreams, And Memories” (multi-media performance)

Tomorrow is the Question: Afrofuturism, Sound, and Spirit

    TomorrowIsTheQuestion

    Tomorrow Is the Question
    February 13, 2015 from 7:00 pm – 9:00 pm
    James Memorial Chapel, 3041 Broadway, New York

    Following the idea of a black radical tradition, African and African diasporic futurism refers to practices of technological agency to reimagine the past and enact alternative possible futures in the material world. This convening considers the sonic and spiritual dimensions of futurism throughout modern black culture, reflecting on the challenges and opportunities presented by sound technologies that enable the creation of an alternative tomorrow, real or mythic. Presenters will consider the intersection of sound technology, spirituality, and Africana studies in a wide-ranging discussion tracing relations between colonial legacies, technologies of liberation, and social movements in the modern world.

    Panelists include:

    Alexexander Weheliye, Department of African American Studies, Northwestern University
    Michael Veal, Departments of Music, African American Studies, and American Studies, Yale University
    Beth Coleman, City as Platform Lab and Department of English Language and Literature, University of Waterloo
    George E. Lewis , Department of Music, Columbia University, event moderator

    The discussion will include a sonic performance by Haitian composer, percussionist, and turntablist Val-Inc.

    This event is free and open to the public.

    James Memorial Chapel
    3041 Broadway at 121st Street
    New York, NY 10027
    Union Theological Seminary, West side of Broadway

play_algorithm @ CMC

    play_algorithm_FRIDAY

    Play_Algorithm
    Date: Friday, 30th January 2015
    Time: 7:30pm – 9.00pm
    Location:
    Computer Music Center
    320G Prentis Hall (3rd floor project space)
    632 West 125th St
    Price: Free

    “Culturally diverse individual participants’ reaction to sound in an acousmatic space” is the central theme in our integrated audio-visual installation “Play_algorithm.” The project utilizes a wall-to-ceiling projection programmed by Alice Emily Baird and a live percussion and electronic composition by Chatori Shimizu. The space encourages audience participation in which their reactions to the sound directly reflect the real-time visual display.

A Recital for Terry Adkins

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    A Recital for Terry Adkins (2014)
    World Premiere by George Lewis
    George Lewis & Ensemble Pamplemousse
    Tuesday, December 2, 2014, 8pm
    St. Paul’s Chapel, Columbia University main campus
    Co-sponsored by Music at St. Paul’s

    Interactive Media World Premiere: A Recital for Terry Adkins is a large-scale open-form ritual
    with live interaction between instruments, electronic sounds, and digitized still and moving
    images drawn from the work of Romare Bearden and Terry Adkins.

    Free and open to the public On-line registration is required.
    More Information / Register

    Campus map

    Please visit www.columbia.edu/bearden for details, the most up-to-date schedule, and information regarding how to register to attend programs.

CMC Holiday/Brad’s “MemoryBook” App-release party! 12/6!

    announce-iconcmc-osc-xmas2014-small

    TWO (count ‘em, 2!) PARTIES IN ONE!

    featuring performances and installations by:

      Doug Geers
      Maja Cerar
      Sam Pluta
      Brad Garton (book-reading)
      Terry Pender
      Zosha DiCastri
      David Adamcyk
      David Bird
      Bryan Jacobs
      Taylor Brook
      Chris Trapani
      Karl Fury
      Nolan Lem
      Operator Emz aka Michael Greene
      Gregory Taylor
      Luke DuBois
      … and others!

    Saturday, Dec. 6 7-10 PM
    3rd Floor Prentis Hall — 632 W. 125th Street

    THIS WILL BE THE MOST AMAZING THING EVER! EVER!!!!!!!

    click here for the MemoryBook App link

First Person Plural Reading Series

    FPP

    Sound Arts MFA candidate Cameron Fraser is performing at the First Person Plural Reading series!

    We are so delighted by our lineup–they are a stunning group of writers and artists. Join us downstairs at Silvana on Tuesday, November 18th at 7pm for Cameron Fraser, Asali Solomon, Marguerite Van Cook + James Romberger, and FPP co-founder Wendy S. Walters. Special DJ sets by Lady DM. Silvana is located at 300 W. 116th St. near Frederick Douglass Blvd, across from Harlem Tavern, steps from the B/C at 116th. Admission is free.

    http://www.firstpersonpluralharlem.com/

SeismoDome: Sights and Sounds of Earthquakes and Global Seismology

    Seismodome

    (Featuring Sound Arts and CMC friends, faculty, and students)

    Hayden Planetarium Programs
    SeismoDome: Sights and Sounds of Earthquakes and Global Seismology

    November 17, 2014

    Earthquakes happen frequently—but what causes them? Why are they unpredictable? What do they tell us about Earth’s deep interior? Explore these questions with collaborating Earth scientists, astrophysicists, and sound artists as they bring to the Planetarium dome immersive displays of earthquakes through time and also seismic waves moving through and around the planet. Through sight and sound, explore four earthquakes from the last decade, viewed from space and then from deep inside the globe. Experiencing these dramatic events in the Planetarium will transform the way you think about our planet.

    REGISTRATION OPEN

    Dates: November 17, 2014
    Registration Deadline: 11/17/2014
    Location: Hayden Planetarium Space Theater
    Time: 7:00 pm
    Entrance: 81st Street Entrance
    Cost: FREE.
    Registration is required; call 212-769-5200

Creamcheese: with Luke Dubois & Zach Layton, Brock Monroe & Oneida

    Guggenheim

    (Featuring CMC alums, friends, and equipment!)

    Creamcheese: with Luke Dubois & Zach Layton, Brock Monroe & Oneida
    Saturday, November 15, 2014 @ 7:30 pm
    Guggenheim Museum
    Zero: Countdown to Tomorrow

    ZERO scholar Tiziana Caianiello provides an introduction to Creamcheese (1967–76), a psychedelic discotheque and artists’ meeting place in Düsseldorf. Conceived by ZERO artist Günther Uecker and decorated by other network artists, including Adolf Luther, Heinz Mack, Gerhard Richter, and Daniel Spoerri, it became known for its progressive music as well as its synthesis of art, film, music, and performance. Creamcheese provides the inspiration for an event in the museum’s rotunda following Caianiello’s talk. Developed by R. Luke DuBois and Zach Layton, the playlist features Frank Zappa and The Mothers of Invention, Pink Floyd, Kraftwerk, Tangerine Dream, and others. A special performance by Brooklyn-based psychedelic rock band Oneida with accompanying visual effects by Joshua Light Show artist Brock Monroe will end the evening. Tickets include an exhibition viewing of ZERO: Countdown to Tomorrow, 1950s–60s, and a cash bar will be available.

    $25 general, $20 members, $15 students.

     

    SOLOMON R. GUGGENHEIM MUSEUM
    1071 Fifth Avenue
    New York, NY 10128
    guggenheim.org

     

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