Dr. Stylianos Dimou (DMA '20 in Composition) has been appointed a Research Assistant Professor in the Department of Music at Hong Kong Baptist University.
Dr. Tyshawn Sorey (DMA 2017) has been honored with a longform profile of his work and life in the "New York Times Magazine" this week by contributor Adam Shatz.
Dr. Tyshawn Sorey (DMA 2017) received a celebratory write-up in the New York Times on New Year's Day by classical music editor Zachary Woolfe.
Three Columbia affiliates were represented in the New York Times yesterday in the Times's roundup of the "25 Best Classical Music Tracks of 2020": George Lewis, Ash Fure, and Tristan Perich.
Peter M. Susser, Senior Lecturer, Director of Undergraduate Musicianship, has published a digital guidebook in partnership with the Center for Teaching and Learning entitled, “Eureka: A Digital Guidebook for Improvisation Leadership in the Ear Training Classroom.”
The Department warmly congratulates Dr. Laure M. Hiendl, who successfully defended their DMA dissertation in Music Composition titled "Queer Composition. Subversive Strategies in Western Classical Music" on November 20, 2020.
Columbia alumni Mark Burford (GSAS '05, Historical Musicology) and Maria Sonevytsky (GSAS '11, Ethnomusicology) have won awards at the AMS business meeting on November 8, 2020.
Scott Gleason (GSAS '13) has been elected to Co-Chair the Society for Music Theory's History of Theory Special Interest Group.
Professors Ellie Hisama and Zosha Di Castri have been awarded a Columbia University Faculty Seed Grant to produce “Unsung Stories: Women at Columbia’s Computer Music Center,” as part of the Addressing Racism: A Call to Action for Higher Education initiative.
Dr. Will Mason (Music Theory, 2019) and his band Happy Place have released their microtonal sophomore album "Tendrils," recorded in Brooklyn two days before lockdown started in March.
The Department warmly congratulates Dr. Russell O'Rourke, who successfully defended his PhD dissertation in Music History titled "Representation, Emotion, and the Madrigal in Sixteenth-Century Italy" on August 12, 2020.
Professors Ellie Hisama and Zosha Di Castri have been awarded one of two 2020 Public Outreach Grants from Columbia's Center for Science and Society.
Dr. Anne Levitsky has been appointed as a Visiting Postdoctoral Fellow in the Humanities at Dixie State University in Saint George, Utah.
Professor Zosha Di Castri joins Aspen Music Festival's 2020 Virtual Festival in a roundtable discussion focused on the history and currency of the realities facing women composers today.
Dr. Mark Saccomano has accepted a research position on a three-year digital musicology project at the University of Paderborn in Germany.
The Department warmly congratulates Dr. Anthony Fort, who successfully defended his PhD dissertation in Music Theory titled "Rhythm in Some Modernist Classical Music Sounds Different Depending on How You Move" on June 19, 2020.
Women, Power, and Popular Music is a new summer course being offered by Professor Ellie Hisama through the Institute for Research on Women, Gender, and Sexuality and crosslisted in Music. Through the new Alumni Summer program, alumni/ae are permitted to register for summer session courses as auditors for a reduced fee.
Scott Gleason (PhD '13) is a co-editor of this double volume of "Perspectives of New Music" dedicated to composer-theorist John Rahn. Dr. Gleason and Orit Hilewicz (PhD '17) also contributed articles.