Mariusz Kozak

Associate Professor of Music, Music Theory
On leave (2020–21)
Office Address: 
816B Dodge Hall
Office Hours: 
By appointment

Mariusz Kozak is the author of Enacting Musical Time: The Bodily Experience of New Music (Oxford University Press), in which he examines how listeners' understanding and experience of musical time are shaped by bodily actions and gestures. His research centers on the relationship between music, cognition, and the body. Kozak bridges experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His articles have appeared in Music Theory Spectrum and Music Theory Online, among others. In 2020 he was one of the speakers at the Plenary Session of the Annual Meeting of the Society for Music Theory. His current projects include the study of computation in the cognitive science of music, meter and rhythm in progressive metal, and the role of musical affect in creating interpersonal relationships.

Kozak received his PhD from the University of Chicago in 2012. Prior to coming to Columbia University in 2013 he was a postdoctoral scholar at the Indiana University Jacobs School of Music.
 
As a violinist, Kozak has performed with the Rochester Philharmonic, the New Mexico Symphony Orchestra, the Santa Fe Opera, and the Santa Fe Symphony. After a stint with a Chicago-based country band, he continues to fiddle around in his spare time.
 
Degrees from Other Institutions: 
PhD
Music Theory and History
University of Chicago
2012
MM
Music Theory
University of New Mexico
2006
MM
Violin Performance and Literature
Eastman School of Music
2003
BM
Violin Performance
University of New Mexico
2000