Courses

This course offers a comparative exploration of women music practitioners from cross-cultural perspectives, examining their music, oral histories, and lived experiences as well as the impact of these experiences on their music-making in a global context. By tracing the journeys and analyzing the music of specific selected women musicians from various regions, the course investigates their participation in art music, traditional music, popular music, and sacred music from women’s perspectives. Engaging primarily with their music and interviews, the course particularly examines the comparative roles of women as active creators, performers, sponsors, and consumers of music, highlighting how their lived experiences shape their musical contributions. Students will be introduced to critical concepts for analyzing representations of gender, class, ethnicity, nationalism, race, and globalization in music while exploring these women’s sounds, identities, and performances.

This course offers a comparative exploration of women music practitioners from cross-cultural perspectives, examining their music, oral histories, and lived experiences as well as the impact of these experiences on their music-making in a global context. By tracing the journeys and analyzing the music of specific selected women musicians from various regions, the course investigates their participation in art music, traditional music, popular music, and sacred music from women’s perspectives. Engaging primarily with their music and interviews, the course particularly examines the comparative roles of women as active creators, performers, sponsors, and consumers of music, highlighting how their lived experiences shape their musical contributions. Students will be introduced to critical concepts for analyzing representations of gender, class, ethnicity, nationalism, race, and globalization in music while exploring these women’s sounds, identities, and performances.