Department of Music at Columbia University Publications | COLUMBIA

2025

Who Do We Think They Are is written in purple font, balooning out of the page.

Taking the lead: Ritchie Blackmore and Tommy Bolin (re)shape heavy rock virtuosity

Kevin Fellezs

George Helm: A True Hawaiian Sounds Out Aloha 'Āina

Kevin Fellezs

Liturgy of Empire: Reading the Mozarabic Rite in Early Modern Europe, 1500–1800

Susan Boynton

Cover of the Volume 21, Spring 2025 issue of Cahiers du dix-septième

Gender and Musical Labor in Early Modern France: The Case of Louise Roussel Leclair

Julia Doe

2024

Japanese cover of "Introduction to Popular Music History: Re-reading Post-War Japan"

Desire: Hiromi's Musical Joy (願望—Hiromi の音楽的歓喜について)

Kevin Fellezs

Harold Arlen and His Songs

Walter Frisch

Journal of Musicology cover for Winter 2024. Red sheet music against a black background, with white text naming the volume in front.

Musical Sociability, Atlantic Slavery, and the Portraiture of Carmontelle

Julia Doe

2023

Varieties of Musical Time

Mariusz Kozak

The French Suites, by J.S. Bach

Magdalena Stern Baczewska

Italian Opera in the United States, 1800-1850: At the Origins of a Cultural Migration

Giuseppe Gerbino

"The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal"

Kevin Fellezs

Prague's "Stolpersteine - Stumbling Stones: Defiant in Their Memory, 2008 - 2021"

Gabriela Kumar Sharma

2022

The Politics of the Bagatelle: Opera and Smallpox Inoculation in Enlightenment France

Julia Doe

بأصواتُ العيطة: المرأة، الثقافة و الممارسة الموسيقية التقليدية في المغر (The Voices of ‘Aiṭa: Woman, Culture and Traditional Music Practices in Morocco)

Alessandra Ciucci

The Voice of the Rural: Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria

Alessandra Ciucci

2021

Hawaiian Musicians Sing the Soft, Sweet Songs of Sovereignty

Kevin Fellers

Those Days Are Gone Forever: Steely Dan's Grumpy Old Guys' Blues

Kevin Fellezs

Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal

Mariusz Kozak

Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

Mariusz Kozak

Mozart

Magdalena Stern Baczewska

Pour une lecture politique de l’opéra-comique

Julia Doe

Marie Antoinette, la musique et la danse

Julia Doe

The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution

Julia Doe

An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Benjamin Steege

2020

Hip-Hopsichord

Magdalena Stern Baczewska

This is Not a Test: Listening with Günther Anders in the Nuclear Age

Benjamin Steege

From the Island of Berkeley: Hawaiian Belonging in California

Kevin Fellezs

Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)

Alessandra Ciucci

Debussy on 5th Avenue

Magdalena Stern Baczewska

Latin Jazz: the Other Jazz

Chris Washburne

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2025

Taking the lead: Ritchie Blackmore and Tommy Bolin (re)shape heavy rock virtuosity

George Helm: A True Hawaiian Sounds Out Aloha 'Āina

Liturgy of Empire: Reading the Mozarabic Rite in Early Modern Europe, 1500–1800

Gender and Musical Labor in Early Modern France: The Case of Louise Roussel Leclair

2024

Desire: Hiromi's Musical Joy (願望—Hiromi の音楽的歓喜について)

Harold Arlen and His Songs

Musical Sociability, Atlantic Slavery, and the Portraiture of Carmontelle

2023

Varieties of Musical Time

The French Suites, by J.S. Bach

Italian Opera in the United States, 1800-1850: At the Origins of a Cultural Migration

"The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal"

Prague's "Stolpersteine - Stumbling Stones: Defiant in Their Memory, 2008 - 2021"

2022

The Politics of the Bagatelle: Opera and Smallpox Inoculation in Enlightenment France

بأصواتُ العيطة: المرأة، الثقافة و الممارسة الموسيقية التقليدية في المغر (The Voices of ‘Aiṭa: Woman, Culture and Traditional Music Practices in Morocco)

The Voice of the Rural: Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria

2021

Hawaiian Musicians Sing the Soft, Sweet Songs of Sovereignty

Those Days Are Gone Forever: Steely Dan's Grumpy Old Guys' Blues

Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal

Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

Mozart

Pour une lecture politique de l’opéra-comique

Marie Antoinette, la musique et la danse

The Comedians of the King: Opéra-Comique and the Bourbon Monarchy on the Eve of Revolution

An Unnatural Attitude: Phenomenology in Weimar Musical Thought

2020

Hip-Hopsichord

This is Not a Test: Listening with Günther Anders in the Nuclear Age

From the Island of Berkeley: Hawaiian Belonging in California

Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)

Debussy on 5th Avenue

Latin Jazz: the Other Jazz

edit publication

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